Bill Murray as Art Immelmann. A little older than the book describes him, but with just the right, “Hey Doc, let me help you save the world and maybe make a few bucks along the way, what do you say?” manner about him.
Bill Murray as Art Immelmann. A little older than the book describes him, but with just the right, “Hey Doc, let me help you save the world and maybe make a few bucks along the way, what do you say?” manner about him.
A nod to Kierkegaard and Walker Percy: existentialist tomfoolery, political satire, literary homage, word mongering, a year-round summer reading club, Dylanesque music bits, apocalyptic marianism, poetry, fiction, meta-porn, a prisoner work-release program.
Søren Kierkegaard
Walker Percy
Bob Dylan
Literature & History
Letters from an American
Beau of the Fifth Column
This American Life
The Writer’s Almanac
San Diego Reader
The Stranger
The Inlander
Adoremus
Charlotte was Both
The Onion
From Empty Hands
Ellen Finnigan
America
Commonweal
First Things
National Review
The New Republic
All Manner of Thing
Gerasene Writers Conference
Scrutinies
DarwinCatholic
Catholic and Enjoying It
Bad Catholic
Universalis
Is My Phylactery Showing?
Quotidian Quintilian
En pocas palabras
William Wilson, Guitarist Extraordinaire
Signposts in a Strange Land
Ben Hatke
Daniel Mitsui
Dappled Things
The Fine Delight
Gene Luen Yang
Wiseblood Books
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Wrong Anderson for the job, in my humble opinion.
I submit instead:
Love in the Ruins – Paul Thomas Anderson
The Loved One – Wes Anderson
Alphonse – Paul W.S. Anderson
Do you ever get tired of being right?
¯\_(ツ)_/¯
Matthew,
Just remember: if ever you meet the Angelico on the road, you must kill him.
What about D.W. Griffith?
I never understood Immelmann’s character.
Pleased to meet you! Hope you guessed my name.
What’s puzzling you is just the… nature of my game.