for Jonathan Potter
Telling it ruins it.- Walker Percy
If time’s axes could be measured by x’s and y’s,
Weightlessness would hit the moon and comes up short
As typical astronauts would goof on graffiti
That beats them to the punch – “Clapton is God,”
The lunar lithograph exclaims. The pretensions
Are less than literary and more than time allows.
This message from the stars came back as reverb,
A name renamed, distortion, a bending of chords….
The same for seeing Israel dimly touching goatskin
On a TV talk show – “That’s Esau, or my name’s not Ishack!”
He touches his nose and suddenly all of Egypt knows
The shivering of naked bodies, all twisted by weird news –
Assemble on a hardwood bench before a swimming pool,
Olympic-sized, its water cold with catharsis. A sauna
Awaits an answer, scalding hot with cleansing steam.
The swimming instructor presumes to know their ἕποι
Let’s count them off – a madwoman who bent herself
Into a chimney and another into a ventilation shaft:
Both waited to die, discovering what we’ll never find out
Unless we interpret their deaths as more akin to life;
A man who chewed away at the face of another man,
Strong with the urge to prove that human flesh must eat,
Faceless, drug out from shadows, out into light,
Miami’s hot sun, in plain view, faceless, nothing new….
A boy who burnt his parish church down to see Christ
The night He was born. His innocent match lights the hay,
The statues, altar, body, blood, soul and divinity.
Still another boy who greeted mother as a corpse
Every day for seven weeks after school, alone, together,
And not knowing death, only sleep and love;
He took direction from her ghost until the matrix
Decided enough was enough; then there was the last,
So lost in numbers among forceps and lawful blood,
The airlock of bickering rhetoric, a silent scream,
This one, he or she, counts, observable, if only for Rachel.
Remember Rachel? “Who is Rachel? What is she?”
My guitar gently weeps.