
Coming soon from Korrektiv Press, a two-volume set of poems and pictures chronicling a year of rising with the sun — by Jonathan Potter
Coming soon from Korrektiv Press, a two-volume set of poems and pictures chronicling a year of rising with the sun — by Jonathan Potter
Mr. Potter’s given us a bold adventurous book with plenty of sharp turns at high speed, with some gestures toward Neruda and Merwin but also “Sk8,” a gr8 skateboarding poem, and sonnets, and brave ventures into rhymed verse, poems for friends and relatives, “Stopping by Blogs on a Frosty Evening,” and poems of passionate love with angels looking down from above. Plus tulips and Elsie. —Garrison Keillor
I have enjoyed the company of Jonathan Potter’s poetry for years and rejoice at the arrival of this new collection with its unabashed delight, authentic intimacy, and emotionally convincing, often playful music. Potter is at turns a graceful, organic monologist and a wry, deft formalist. These are poems of generous mythmaking, self-deprecating humor, passion, and the glories of fatherhood. They inhabit a Seattle of historical icons and the poet’s own skateboarding youth, a London of “tidy grime” and love, and the derelict and divine streets and poetry community and waterfall of Spokane, this poet’s answer to Williams’ Paterson. By the time Potter wishes he could “become myself with vengeance / and take you with me,” he has done both. —Jonathan Johnson
In an era of poetry that plumbs humanity’s darker depths, it is a pleasant respite to read Jonathan Potter’s Tulips for Elsie, a collection that wears its pathos and its prosody lightly as it confronts life’s familiar concerns—love, sex, family life, and his beloved native place (Spokane, Washington)— with full-bodied affection and gentle irony. Many poems here are sonnets—not just Petrarchan or Shakespearean but also Onegin stanzas!—yet Potter makes rhyming in these conversationally-toned fourteeners look effortless. Particularly engaging are the portrait sonnets featuring poets and writers associated with Spokane (Alexie, Howell, Walter among them), the longer poems about the poet’s lively and accomplished daughters, and the poetic palimpsests replying to or parodying well-known classics. By the time we finish reading, we may feel ourselves, with the poet, to have “co-authored . . . a beautiful book of longing.” —Carolyne Wright
Pussy-grabbing Trump
Will be grabbing his own ass
When they lock him up
It was only a minute between bins (searching
For the will I am to be the will that is Shakespeare),
Amid the critically grey patches of C.P. Snow
And/or the redundantly anthological: Ancient American
British Byzantine Greek Modern Oriental Women World . . .
I was singing down bargain barrows and stalls,
Intoning e.e. cummings, refraining A.A. Milne,
Reading stormy pages from Lear to hear the fear
Of the real in his nonsense and the queer nonsense
Of the real in fools, kings, verses, hearses, pussies and owls…
But as if out of those untitled leaves of time,
You came to sift the bins with crisp feminine whispers
That feather-fingered in litany down my spine,
Searching for Early This, Late That, or Posthumous The Other
And the forgotten period allusions of Last Name Only:
“He is the most important of the Fitzgeralds,
After all,” you declaimed ambiguously to Children.
Then, after hovering like a muse in Religion,
You genuflected briefly at Travel. “He may have written
Something about Algiers and Alexandria, at that time, as well.”
You can what you’re able to do, O Lex
Legendi! In pencil skirt and penciled eyes,
You index finger put to crimson lips collects
By their purse the pebbled pearls of Demosthenes,
While other letters scatter, inspirited by your catalog
Of silence. Thus, overdue, my love was indexed:
Like the frank contents in an earnest table;
The sincerely erotic in the merely episodic;
The Dick Diver in my translation, the Calypso in yours;
Never again to leave this lovely, enchanted, bookmarked aisle.
*I tried to post this on Rufus McCain’s Facebook Page in honor of his being put in charge of the prison library and license plate pressings. Naturally, I made a hash of it – so hopefully he’ll see this and post it himself on his page…
Maybe all week, all year … maybe your whole life.
In keeping to the old prisoner/work relief thread running through this blog, I refer you to theThe Marshall Project’s interview with Anthony Ray Hinton, convicted of murdering two fast food managers in Birmingham in 1985. 29 years old at the time, Hinton was sent to death row. He was released last week after spending 30 years there, much of it in solitary confinement.
In solitary confinement, a lot of people break up. They lose their mind, they give up, they commit suicide. Tell me about your experience. How you were able to hold onto yourself?
I come from a Christian background. My mom was strict. She always would instill in us that we don’t need anybody to actually play with. Get outside and play by yourself. She taught me to lean on Jesus and no one else. And when I got to death row, believe it or not, I witnessed people hanging. I seen people cut their wrist. I seen blood leaking from under the cell. I seen men who hung themselves. And so I became a person that got wrapped up in my sense of humor, and I tried to make everybody that I came in contact with — from prison guard to the wardens to the inmates — I tried to make everybody laugh. I would see a guard come by and I would say, “Hey officer.” He’d say, “Yeah Anthony, what can I do for you?” I’d say, “I need to run to the house for about an hour, and I’m gonna need to use your car. I’ll bring it right back, but I need to go.” And they would laugh.
You have to understand something: These crooked D.A.s and police officers and racist people had lied on me and convicted me of a horrible crime for something I didn’t do. They stole my 30s, they stole my 40s, they stole my 50s. I could not afford to give them my soul. I couldn’t give them me. I had to hold onto that, and the only thing that kept me from losing my mind was my sense of humor. There’s no man who’s able to go in a cell by yourself, and you’re there for 23, sometimes 24 hours a day, and you don’t come out. There’s not a human being that can withstand that pressure unless there’s something greater inside of him. And the spirit was in me where I didn’t have to worry about killing myself.
I’d be lying if I didn’t say that Satan didn’t come up on me and tell me, Well you ain’t never gonna get out of here. When I saw people going to be executed, every man in there would tell you he questions himself — is that ever going to happen to me? And when that little voice comes and says, Well they’re going to get you the next time, I would immediately tell him to get thee behind me, and I would turn on that switch of laughter. And I didn’t ever turn it off. To this day, even though I’m free, I still haven’t turned that sense of humor off. If you could have seen me in those 30 years, you would have said this guy can’t be human. This guy is crazy. This guy laughs and plays like he ain’t on death row. I didn’t accept the death penalty. You can’t make me take the death penalty. You can give it to me, but you can’t make me take it in my heart.
There’s a whole lot more—about the day his mom died, about what it was like to use a fork for the first time in three decades, and the importance of Mark 11:24. Which you don’t have to be in prison to appreciate. It’s there for everybody, and it’s there for you, too.
Wisconglish for “Mass Transit System Career Opportunities – Now Hiring!”
Jobe?
Webb?
Lucrative Perks…the parking lot in which the vehicle is located belongs to a newly opened microbrewery…Sunshine more than three days a year (even when it’s 40 degrees below zero!)… and, as always, unique camping experiences.
Over at Townhall.com, Pulitzer Prize winner Paul Greenberg cites The Moviegoer: Binx’s search as exodus.
Amen.
Somewhere between that Grape Nehi and that glass of Jack Daniels, Walker Percy managed to write five novels, several volumes of nonfiction, and a mess of other stuff. You all should be able to manage a paper proposal in the next week. Rally, Korrektiv, rally!
Well, it’s nice to know that people threatening violence against critics of their favorite band in the YouTube comment sections is not without its precedents. This is from The Voice, a collection of pieces about Frank Sinatra that originally appeared in The New Yorker during the mid forties:
Sinatra has undoubtedly made his fans tolerance-conscious and persuaded them to champion the rights of minority groups, but on the whole they have not learned to be tolerant of critics of Sinatra. When Ben Gross, the radio editor of the Daily News, remarked that he did not consider Sinatra the greatest singer in the world, one Sinatra fan wrote him that she :would love to take you to Africa, tie you to the ground, pour honey on you, and let he ants come and bite you to pieces,” and another that “you should burn in oil, pegs should be driven into your body, and you should be hung by your thumbs.”
From the New York Times comes this story about Marsha M. Linehan, a psychologist at the University of Washington here in Seattle. It reads like a real-life inversion of Chekov’s terrifying story, Ward No. 6. It also has implications that readers of a certain novel published by Korrektiv Press might find interesting.
It was 1967, several years after she left the institute as a desperate 20-year-old whom doctors gave little chance of surviving outside the hospital. Survive she did, barely: there was at least one suicide attempt in Tulsa, when she first arrived home; and another episode after she moved to a Y.M.C.A. in Chicago to start over.
She was hospitalized again and emerged confused, lonely and more committed than ever to her Catholic faith. She moved into another Y, found a job as a clerk in an insurance company, started taking night classes at Loyola University — and prayed, often, at a chapel in the Cenacle Retreat Center.
Moved into the Y, found her faith: no Will Barrett she. Read the whole thing.
A nod to Kierkegaard and Walker Percy: existentialist tomfoolery, political satire, literary homage, word mongering, a year-round summer reading club, Dylanesque music bits, apocalyptic marianism, poetry, fiction, meta-porn, a prisoner work-release program.
Søren Kierkegaard
Walker Percy
Bob Dylan
Literature & History
Letters from an American
Beau of the Fifth Column
This American Life
The Writer’s Almanac
San Diego Reader
The Stranger
The Inlander
Adoremus
Charlotte was Both
The Onion
From Empty Hands
Ellen Finnigan
America
Commonweal
First Things
National Review
The New Republic
All Manner of Thing
Gerasene Writers Conference
Scrutinies
DarwinCatholic
Catholic and Enjoying It
Bad Catholic
Universalis
Is My Phylactery Showing?
Quotidian Quintilian
En pocas palabras
William Wilson, Guitarist Extraordinaire
Signposts in a Strange Land
Ben Hatke
Daniel Mitsui
Dappled Things
The Fine Delight
Gene Luen Yang
Wiseblood Books
© Copyright 2020 Korrektiv Press. · All Rights Reserved · Admin
The Korrektiv Iceberg
See also: https://knowyourmeme.com/memes/iceberg-tiers-parodies