Check out what our old pal Joseph O’Brien’s been up to!
Burn and Break: An Insomniac’s Anti-Aubade
The three pre-dinner martinis
Compete with the two strong coffees
That brought a cheesecake to its knees;
Eating away at emotion,
My Dead Sea, a bitter ocean,
Nauseates at the mere notion
Or romantic coincidence
(Discount the eclipsed resplendence
Of shared bed space as indolence
And our dawn walks in Radio Park,
Dead signals in a channeled dark —
Like a coronary infarct.)
Now the heart’s a hopped up toad;
The blood flows, arteries corrode,
And the night’s black caffeine cathode
Twitches the clock and tricks the brain
To confess the blunted edge of pain
That bleeds through dark a darker stain.
This vigil’s tortured entropy
Breaks the stars’ monopoly
And burns a private astrology
Of headlights that loom, flash, and crawl
Slow tracers down the bedroom wall
To speed the car of Ezekiel.
In fading hiss of passing wheels,
The Doppler hum of engines feels
Like time reversed in movie reels.
These hours are hounds that found and treed
That possum called sleep — and the need
To meet her fangs becomes a creed
In a molten heat each bitch moans —
And this magma liturgy groans
Tenets my inner ear intones.
Too easily, antacid quit
And its pink liquid conduit
Chalks my tongue on a turning spit:
So are Cupid’s barbs chemical?
Is Venus a blocked ventricle?
(Maybe Mars is too clinical.)
But the bedroom’s uneasy poise
Snags my conscience — just so much noise
Light may know but the dark enjoys.
My fingers range across the quilt
That you had stitched against my guilt —
The flowered pattern in constant wilt.
Then monotony blinks an eye:
The lampstand yanks alive to try
Fabricating my alibi.
With ceiling’s conclusions foregone,
I lie and write this poem on
My heart as upon volcanic stone
Tied with pups in a sack and cast
In a sullen lake, deep and vast
Enough to digest the shotgun blast
Square in the chest which, burning, breaks
With too much love, too many cakes,
And whatever in hell it takes
To leave me waked by dawn. Forget
Reasoned search for scorched regret —
I’ve made my bed. I’ll sleep in debt.
“Quel Giorno Più Non Vi Leggemmo Avante.”

—Inferno V.138
We lean above the book and fateful page
And lean into its words. You speak. I hear
The husked seeds split, and they bleed down the page:
You tuck a strand of hair behind your ear
And strings that knit the constellations twinge
Like mandolins beneath the earth —so near
Commingled shade and soil to unhinge
The grave; yet far as moonlight in a pond
That blinks with nightjars rippled on the wing.
Though grassy spring now shimmers green with frond
And shoot within your eyes, your beauty stares
From violet shadow, Cimmerian, beyond
The swallowed source of bowered light that flares
Within your eyes. They tear my heart away
With a single glance. Eurydice wears
Your smile — anticipating hope, yet fey
As autumn apples dropping from their limbs
Will roll, gather into gullies, and lay
In wait: a sudden winter rain floods and brims
The world in multiples of fallen time,
The same that fuel in sullen throb the hymns
Of Orpheus, hemorrhaging grief in rhyme.
But different tunes ignite our desire’s root –
Their trace, emerging vines that merge and climb
The walls within the halls of Hades. Mute
And vanished as night, yet here you remain
A muse that breathes her fire upon a flute:
The pomegranate and its crimson stain
Upon your lips, at dawn, upon my lips —
Yet I am sure of nothing but the train
Of Venus, gown of ebony which strips
This morning’s meaning, held out as a gift.
My tongue takes these words as one, but trips
Upon your name. I hear each quench and sift
It murmurs, blown upon the wind, and us
With it, now bound by cords, now set adrift,
Regret our only landfall, tremulous
Desire our only compass – this final page,
The desperate map that charts us in our loss.
You arch your back and lean into the page
Again, again I dare to lean as near —
And further — but no farther than this page,
The compass needle driving through the air.
The Sea as Heartbreak
I
A wave. —A wave. —Another wave retells
The gain and loss, the wealth without a cost—
Recalling how each wave crashes memory,
So far from home and counting what to see.
I stand upon the shore, where wind is tossed
As infinitely as clattering shells
Upon the shore. She greets my eyes with bold
Surrender, nothing returning but wave
And tide. As sun and cloud beseech their home,
So I had begged for shelter. Now sands comb
Debris, the shipping bits that time will save
As cold comfort. The shadows grow old
And light that windows offer to my room
Has nowhere to go, now shunted and lamed
By dying shades. She comes to bring me back
With meats and wine, with spells that crack
An ancient code: your deeds are lost, unnamed
By fame, undone by beauty’s beckoning doom.
II
We watch cloudy shadows with sunlit cast
Across the waves, like dark monsters beneath
Our vision. Hand across your brow, you peer
Where sea and sky are married, lost in vast
Declensions: wind and water—spangled breath
Of glittering gems that glow and disappear
Beneath our separate islands. Though we share
A single epic, lyric solitude
Maroons these comic palms, their offered green
Is lost in ocean’s grey. For ghosts that bear
The memories of tragic war intrude,
Insisting a claim on blood, true and clean
As bodies washed ashore. Such is the loom
In Ithaca that plucks Ogygia
From its threads, woven poor with cramped regret…
Tonight the stars dine alone and assume
A feast of meats we would call nostalgia—
And waves. —And waves. —And other waves forget.
Splinter
A splinter tends to surface deep from flesh
Like any black worry aching the blood,
A fevered heart in dead February. Mud
And wood are piled as winter winds engage
In mortal combat with fields of white, clash
In dull retort with beds of wilted sage.
As hands are steeled to helve each ringing log,
A splinter tends to surface deep from flesh,
Like ironwood and oak. What April wish
Can lick its roots with rain and shape the woods
To fly once more? Each leaf, a violent flag,
Slivers sunlight into a thousand gods.
Yard by acre, the grub denies the plow
Its seam in spring, but quick as silverfish
A splinter tends to surface deep from flesh.
Each swollen sty keeps it from summer’s eye:
Did not the soot-grey sage die to know
The shed secrets that hurt seasons deploy?
Now in woodsheds, those secrets are kept locked
As hostages of summer drying out.
Agonies of decay never forget
A splinter tends to surface deep from flesh
To vanquish the epoch and moment clocked
In concentric rings counting down to ash.
So summer falls and winter’s meat is fresh
For death—but first, autumn’s echo so sounds
Its drums from trunk and branch, and sun redounds
To arctic shadows drawn from night just as
A splinter tends to surface deep from flesh.
The whetstone sings its dirge in orchard grass.
Plucked as a loom, the bruised lilacs withdraw,
Unraveling a spool of leaves and blooms
Now bruised and left for beetles, mushrooms—
As forest floor enfolds the underbrush
And sawdust spits at the toothy bucksaw,
So splinters tend to surface deep from flesh.
The Judgment of Paris
You Among the Fireflies
The fireflies were thick in the back field tonight. Went out to watch the light show. Big, huge moon above, all peaceful except the drone of mosquitoes in my ear — at am an impasse — waiting for another.
You among the fireflies, you leaning deep
Among the dizzy fields of midnight haze—
How did we not meet the moon and stars in sleep?
There’s only calendars to blame. The maze
Of crickets cannot lead us from the past.
The myrmidons that make their tiny heaps
Are fierce as summer’s long—each kiss that’s lost
On wasp and hive discovers night and keeps
The honey secret. Your lips, the sweet
Mysterious defaults the spider shapes,
Are soft as flowers opening the night—
And sting.— With mosquito wings, blood escapes…
So I’m captured, lost as dark, a firefly
That burns your fields — urgent, silent as your cry.
Fathers and Sons
ADDED: A primer for those who don’t know why NYFG fans hate the PEs (and, yes, of course, the NEPs too.
ADDED: Exhibit A & B.
There is the boy and there are the certain facts of boyhood
(Though nothing autobiographical
Is ever really deduced, is ever really reducible).
Yet the boy’s whole story is as any boy’s life, full
Of moment and followed by others, messily progressing
Along in the plain old myth-telling style.
There was the boy and his father — a fact which must go
Unverified as a creature’s cause. That which didn’t
Make self, though, inherited at least this knowledge:
There is the father and the son – met in boisterous love of sport
Which welded the lessons of thunderous anger
And the sadness hidden in laughter’s cloudbanks.
The boy’s hand consumed in his father’s, they would walk
The yard, policing November’s washout of light;
Spring would arrive only later in the Sun’s cult.
But now was the time to take all of creation into account,
To find the faults in the earth where hide the virtues
Of fathers, to corral the sins of the sons with a hard stewardship.
In these wintry days, the son played Icarus with his father’s
Crafted matchstick ships, motorized by cleverness;
Or played Phaeton pilfering matchbooks and cigars; or Ganymede
Holding the cold brown bottle of Olympia beer for
Father Zeus watching Sunday football, weighing and sighing
In the gridded and hashed balance of his favor-fought heroes.
Thus, Zeus’s gaze fell shadow-like on the U.S.S. Missouri’s
Jacked keel, but withheld just punishments for playing
Fire’s innocence, and hounded the N.Y. Giants weekly battles
Against his patience – all things that youth reaches for
In the hardened hands of time, the works and ways
Of which the golden scales tip in a boy’s growing favor.
Elsewhere
Korrektiv is gearing up for a great and productive 2018. (It’s good to let publishing start-ups lie fallow every few years, planting only word-fixing crops like JOB’s poetry to replenish the creative urge.) In the meantime, Friend of Korrektiv and Wiseblood wizard Joshua “Word Bird” Hren has a new poem up over at First Things. Read it, and then raise your hand if you had to look up “numinous” to make sure you had it right. Now raise your hand if you had to look up “logikēn latreian.” Søren says, Raise your hand.
Adam’s Alphabet: A Poem for Advent
All faith consists in Jesus Christ and in Adam,
and all morality in lust and in grace.
-Pascal
Adam’s anguished alphabet bungles the blood
Because Beelzebub became the cause
Creating crass chaos—deadliest of deaths—
Demanding destruction, what Eden earned.
Eve elected her fervent fellow, framed
For feting that green-gartered gallant who grounds
Grey the groynes and hearthstones that heat his hell.
Her heart, his hands, iuncta iuvant,
Inked up and iodine-red, judge the jet juice
Jerked from jaundiced kinks, kiting and kept
Kinetic in kleptic larceny’s lust.
Lo, law and ministrations to mammon
Manumit nothing but the nihil noted
Now in nations, urb et orb, and ordained
Officially on parchment’s passing pips.
Past passages and quotidian quandaries,
Queer the question: Quid est veritas? Right
Remains a rash, a scandalous stigma
Settling the scored sill of temple and thought—
Together taking umbrage underground
Unable to unearth all the virgin virtues
Villified by a vicious, warring world.
Well would it be if excellence exempted
Xerxes from Yahweh’s yawning yen, yearning,
Yoked to yesterday’s yondermost zone,
Zany with zephyrs for Adam’s ashes.
Zealots of zero, though, yank yammering yesses
Yoemen yell from sexless texts — Man’s own
X-rayed lexicons of wode warnings.
Willing, the world waits, revamping vaunted
Venus’s vanities. Uranus unfurled
Understands useless time as torn tissues
Tied to each solemn syllable of sound
Signifying a sore sight — reason’s right
Rescued from this round reliquary’s quagmire.
Qualified, the quest for peace, each person’s plight,
Perforce prays to obviate Eve’s ovaries:
Observe in one alone who negates and nips
Negative notions of mankind, her mother-maned
Mantle magnifying a love lauded
Lusty, loud and long to kismet’s Kαλον.
Keeping kindhearted for Joseph the just,
Jerusalem’s jewel invites the in-dreamt
I AM to inhabit her hallowed house.
He inspires, instead, gaining from her grant
Given ground foreclosed from the fell fall
Free as fields, fallow to its fruitless ends.
Envious, the enemy, dares this dreamed
Damnation a done deal. But incarned
Caritas came to christen blood and breathe
Balm for ancient agony’s ache, always
As Adam’s alphabet amended in ‘zblood.
Night Rain
…presently after they shall be honored and exalted,
shall come to nothing and vanish like smoke.
Our kingdoms shall not last. The rain says that
In every word that drips from eaves tonight—
Soliloquies in sluices, gutters spit
Their gargle out on the driveway’s concrete
Like morning coffee pouring cold and hard
Into tomorrow’s undreamt cups. The words
Of rain are not to be trusted. Tonight
The roof sizzles with them—like meat on a spit.
We listen late between thunder’s concrete
Exemptions and windy inclusions that
Prescribe our mortared brick. End-stopping hard
And final as a trumpet-blast of words,
Each kingdom states the risk. What more concrete,
More sound and safe a thing to say than that?
But liquid eloquence is drowning night
And counting syllables with all the spit
And polish of modern minds that, pressed hard,
Mushroom haloed plumes, like songs without words….
What kingdom ever lasts? For those who spit
Upon their mothers’ graves have made concrete
The mystery that reigns in darkness—that
Which irrigates our time: The rain tonight
Succumbs to its own rules—its laws are hard
And fast as tongues evaporate their words.
Envoi
So rain takes note of rust, and toads (discrete
As thoughtful lovers) crowd the waterspout—
The weather front decays to scraps of snarled
And scudding cloud—the kingdoms of this world.
“One of Those”
FOR JOHN LYON, ON HIS 85TH BIRTHDAY
Some say the cocktail’s genesis
Was — fiat decoctae — New Orleans:
The Sazarac, wry antithesis
Of Northernmost mixorians.
Some say it claims Midwestern root
In sipping supper clubs that branded
The Brandy Old Fashioned—and put
As paid the spirit tongues demanded.
Some say the how and when of it
Was sourced more cosmopolitan—
A toast to Peter Minuit
Who drank the first Manhattan in.
But whiskey, bitters, wine and fruit
(As democracy often shows)
Will always win the local vote
Decocting taste with “one of those.”
The House of Haddix: First Mansion
for Louise Cowan
Wisdom builds her house,
But folly with her own hands tears it down.
– Proverbs 14:1
You enter the house to see the house, four walls
And foundation under constant hazard
Of frost and crumbling emotions in time.
You enter the house to see what the house
Is not: these four walls and seven mansions,
The ghostly heads turned from the weariness
Of history, the keepers of the shades
Now gone down to sacred rest and left restless,
Unburied. Enter the house and the senses detect
A quiet genius undisturbed as attic air,
Locked in a tomb, no part of the fixtures
But like a fiction, finding the locus
Where object and memory meet, escape
Time, and maintain vigilance over what
From root cellar grows in the house of Haddix:
Expressed, the elegant elegiacs
In the dust and mold, the fingers of bone
Trace the moistened tracks a snail will make,
Moving toward inevitable lessons of the salt-lick.
To Arena
Corpus mortale tumultus
Non tulit aetherios donisque iugalibus arsit.
– Ovid
That day the beach crept up on us,
The tide a sideshow of seashells,
We began our sunburn early,
Soaked in warm beer against curly
Sails, a regatta of tassels
Thrown to a chalky blue chalice
Of sky. We drank and drank it in,
Your eyes going crazy with thirst
And whispering about your art.
I sought to touch your skin to sort
Out my feelings. Worse came to worst
And you dozed off mid-sentence, slain
By cervezas, college finals
And sand-strewn immortality:
So California left its mark—
White underbelly of a shark.
The running surf made us dizzy
As it swirled beneath us, runnels
That heralded a tidal wave.
Except it never came. Instead
Your white one-piece provoked a flush
Desire upon your slumber. The flash
Of flesh, your tapering thighs, fed
My eyes, a hurt longing that drove
Me out well past the surf. Earth’s curve
Swallowed up a ship to its mast,
And swam me to shore to search for
More than Crusoe’s evidence, more
Than Friday’s footprints…. I lost
You in the crowd—and lost my nerve
When I found the beach blanket bare—
As if you’d been absorbed and left
No farewell, except sun and shade
That marked your place. With sunset tide
As my witness, the shifting sift
Of sand had scattered you anywhere.
Five Tanka for Creation
Ὅταν οὖν τι σῶμα κατὰ μηδὲν ἐξαλλάττηται
τῶν προϋπαρχόντων, ἡσυχάζειν αὐτό φαμεν…. -Galen
1
Photosynthesis
Before there was anything
To kiss or embrace,
Before our bed was warm with
Your soil or my seed — hunger.
2
Caress of plasma,
Hydrogen and helium —
Touches my face as
My giddy hands graze your thighs,
Heaven’s dizzying columns.
3
Tectonic spangle
Of plates on the lithosphere;
Your soft surf of breasts
Against my trembling shoreline;
You alone, tsunami’s love.
4
The original
Hertzsprung-Russell diagram,
This random order
Constellates your dark features;
Your fuse burns a comet’s tail.
5
Trout scales, clade branches,
Ascend in rainbow patterns —
Your body pulses
Shallows beneath coral cliffs;
Your eyes glitter dark, seaward.
6
Eukaryotic—
The foundation of all flesh,
Dante’s (h)O-M-O
Draws me to your deepest earth —
Creative, an act of love.
7
The cool part of day,
A sort of post-coital
Tristesse setting in;
For you walk in my garden—
So perfect, so incomplete.
May Day
on the Occasion of the Marriage of Peter and Lauren
I
Lay by a sense of time, in all the works
And days that harvest out your bonds of earth
Under stars that will sift and shift like sparks
Resplendent, ever new as things that birth
Engenders deep within this bloom of May.
Now take again what time’s plenty bestows
And pluck this fifth-month day. Let no decay
Negate the moment. Build instead the rose
Deep as the hottest blessings of the sun:
Proposals are preludes to all the things
Enlightened in the asking. There’s but one
That gives an answer, shaded in songs
Exclaiming May the Sixth, a day in spring
Recalled in time: Lauren and Peter’s song.
II
Exclaiming May the Sixth, a day in spring,
The world has put its ear to earth, a kiss
Recalled in time: Lauren and Peter’s song
Is played with strings that circle squares. We bring
Our bodies to the dance, our souls in place,
Exclaiming May the Sixth, a day in spring.
But which among our million moments ring
The clocks to bring us round and feel the trace
Recalled in time? Lauren and Peter’s song.
The wine is pure, the bread is everything
That calls us to witness what will suffice,
Exclaiming May the Sixth, a day in spring.
The kiss that makes a mutual language sing.
So yours and yours becomes a single space
Recalled in time. Lauren and Peter’s song
Will play on — God bless and earth avow — these strong
And willing partner to a strident grace
Exclaiming May the Sixth, a day in spring
Recalled in time: Lauren and Peter’s song.
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