Cold Spring Sonnet

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The next day
was much warmer.
– Elizabeth Bishop

A golden finch is singing rain in notes
That fall in desperate distances of cloud –
The agony of rust that sounds a gate’s
Intransigent articulation. Wood
And field are cropping frozen fog and hold
Their tongues to seek relief from winter’s chafe.
This March is hard and time is growing old
While April strives to dream the fallen leaf.

The snow dispersed beneath a chilling rain
Is pocking furrows, mocking shadows’ claims
To death and night and all that draws a line
In time – what ties to stone our names
And dates – what pulls at earth with rusty cry
And rips the frozen hinges off the sky.

March’s Lovely Asymptotes

The property line melts into forest, its late winter browns
Like a beast’s pelt; oaks hunched like sleeping bear;

Beech and birch extend into ugly candid possum hair,
And elms and maples muster into a passel of woodchuck.

The air waited on first signs of spring, curling up like smoke
Through your lips – petals thin as pencils, yet capable of shape

And form; they’re forced into a smile by a late March sleep
Being much too late for April showers. The ice is glassed

Over, bonding yesterday afternoon’s puddles into a crust,
The gouged march of cattle habitual for bleak pasture;

The frozen prints are filmy, each a black and white fish-eyed fissure
That gazes up from feathery hooks to ultimate grey; outside

We’ve come to test the meadows and taste the weather, greyed
As tombs. Embraced by down and wool, we try hard to ignore

The vestiges of conversational winter, snow that quipped before
In patches defers now to gelid mud. The quiet of the fire

In the parlor stove lives on – but questions hang in the air
Beyond their usefulness – like the organic smell of summer cotton

Released as a felt presence in the room by the heat of an iron.
So thickly dressed, you could be woman or man; though your feet

Are deliberate with feminine pause, your eyes have decided to fight
The urge to ever meet on the issue but maintain the differences

Like valleys that separate the hills with everlasting distances.
With half-hearted barking, geese announce their return, bounding

The fields with pump-handled pinions rising, falling, finding
Their shadows threading like dolphins through a splintered sea.

You look up at them and their shadows across the valley.
Your smile relaxes, warms up, shares the sky and ground with no one.

Your glance takes in the entire landscape without love, but then
You allow that spring may overwhelm us at any moment; I gather

Your silhouette by heart; it is the short memory of ice. The weather
Is turning chalky blue. (The day’s vanishing point held us where we stood.)

A slight breeze stirs the sleeping forest from its impenetrable mood;
The cold air pushes our shadows together. We share the horizon

To search for where a once-familiar tree is a woodpile now forgotten.

A Little Vaguely Valentinish Irony…

irony in headlines

…from across the pond.

And a bonus poem – in the spirit of Potter’s blotter:

The Anti-Valentine

Outside your zone
Away from my orbit
Out of your shadow
A moment alone –
No, rather – apart.
It’s what we know:

Alone.
Apart. A–
Lone. A–
Part.
A lone.
A part.

Our life has been
A mutual eclipse
Of heart from heart,
And the difference it
Makes between
These two distinct and lonely partings of lips.

Vanity, thy name is…

Not quite this anymore….

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….thanks to the newest Korrektivkind:

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Claudia Maureen. 9 lbs. 6 oz. 20 3/4 inches. Feb. 9. (4:50 a.m. (that’s right, A.M.)

Which for those with Irish Alzheimer’s (you forget everything but the grudges) means mnemonically that 2 had 9 on 2/9…

baseball-diamond

So, I might be looking for a new set of plates but then again I might not… You see, 9-9 just doesn’t have the same ring to it.

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JOB

Three Pieces for Barbara

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I
It’s pieces of sky reflecting the ground
She whispers from deep within her loamy
Brown eyes, the watchful ones she inherited
From her earnest aunt and her laughing mother.
A flood of flakes fall across the window
And pass their questions on to a landscape as stormy
As her eyes. She proofs the other weather
In sentences of twinned, lonely footprints
That trail off beneath the sad light of day’s lid
Closing eyes that fill up with falling snow…
Unlike poems, a child’s daydreams are foolproof.

II
My daughter knows poetry, although
She thinks outside rhyme and meter’s weather.
The craft escapes her, but genius will grow
With increasing accumulations.
The day snows and snows and snows, and she over-
Excites herself. The promise of being
Buried up to the roof in it settles her
To comedy in cataclysmic images
And seismic euphoria and metaphoric
Meteorology: Snow is so freeing.
It’s cold and white and crests her roof before noon.

III
The snow is like earth’s shadow in the sky.
She’s expert at the poetic make-up of a sigh
Too young for real grief. My daughter, full
Of syllogisms of the heart, knows the kind
That matter to this falling play of time
Dancing its old jig in her youthful blood. It thrills
Her soul back to earth to find the ground.
For if (as she sweeps her glances through a room)
All love is deep and all deep things return
Then it is for and to love that love is born –
Even as all things turn from time to time to grief.

Soldiers Grove Stanza

soldiers grove oldsoldiers grove

 

 

 

 

 

-written in solidarity with Spokane

In Soldiers Grove the Kickapoo has
Entwined among its piney banks
The shady form of greening mythos,
Which takes as motto: “Thanks–no thanks!”
Where once the village taverns numbered
In double-digits, floods encumbered
The pour, and city fathers moved
To move the village. Once approved
The people cast their lot with science
To capture solar-paneled fire
Upon a hill. Now higher and drier
Than amber bottled self-reliance–
Our thirsty tongues can still recall
How shadows made the sunlight fall.

soldiers grove 2

The Digriteor

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I
Did you hear the one about the orange
Under the electron microscope, and how
The grand canyon of it all they found

In the black and white they took would give
The lie to think the gods of nature wrought
Cartesian topologies for men, our palms

To sooth, our minds to smooth, and tincture truth
With text of juicy parchment? Moist yet dry
It slices deep horizons into wedges.

II
(I digress.)
It’s mighty odd
To be bruised and bothered by blisters;

Though I have lately found
July’s clouds – July’s birds
And July’s raving wind. They sing July’s graves, wild with dew.

Though I called, though I called,
Though I most seriously called
They were the facts I lost, ever-divergent,

Told in angles and slants;
Yet, bruised and bothered by blisters,
They say to me no true word that’s not.

III
They say that atoms are God’s rosary beads –
They spin off through fingered voids like blebs of fire,
Each revolution increasing by one

The total sum that sloughs from stars and sand,
What Abraham was pained to count. And yet
His foot would make its mark and guide his eyes

To smart additions of eternity,
The promised land extracted ex nihilo.
Unpeel that mystery, you’ll find it rhymes with prayer.

From the JOB Archives: Limerick

obrien

There once was a man from Wisconsin
Who walked from Madison to Dublin
Always so irrigated
And never too irritated
That the pubs all closed before eleven.

Moran Incended

denny ranier
If this, our Rome, evades destruction,
Let seven times our seven-hilled
Seattle glory! Though every mountain
Is toppled, every valley filled –
The county’s cussing heights on First Hill
Has heard from Renton Hill a passel
Of claxons sound to Yesler Hill;
And come just now from Denny Hill
I see, though flaming Capitol Hill
Defers its head to Queen Anne Hill
For sun and air, still Beacon Hill
Presents Rainier to all Seattle….
Can such a view survive the day?
What hills will tell no eye can say!

Moran Ascends

denny hill up

Indeed, a final look, descending
Familiar hills, I thought to climb
Again – to view the proud unbending
Horizon, parsing passing time:
These seven points that crown Seattle,
Observe, like Rome, their city battle
Advancing flames. We make our stand –
Defend with blood this contraband
Of jewels. What time nor man deleted
Becomes empiric testament –
Both hell’s reproof and heaven’s taunt.
For Rome’s but Carthage mistranslated;
And both are tagged and each recast
In calque: “Seattle non delenda est.”

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