Sunrise Hexagrams dedications explained
sunrise yin & yang

Coming soon from Korrektiv Press, a two-volume set of poems and pictures chronicling a year of rising with the sun — by Jonathan Potter
Cover Art by Tiffany Patterson
Design by Thom Caraway
For the book by Mark L. Anderson
Soon to be published by Korrektiv Press

Tulips Sans Chimneys
Mr. Potter’s given us a bold adventurous book with plenty of sharp turns at high speed, with some gestures toward Neruda and Merwin but also “Sk8,” a gr8 skateboarding poem, and sonnets, and brave ventures into rhymed verse, poems for friends and relatives, “Stopping by Blogs on a Frosty Evening,” and poems of passionate love with angels looking down from above. Plus tulips and Elsie. —Garrison Keillor
I have enjoyed the company of Jonathan Potter’s poetry for years and rejoice at the arrival of this new collection with its unabashed delight, authentic intimacy, and emotionally convincing, often playful music. Potter is at turns a graceful, organic monologist and a wry, deft formalist. These are poems of generous mythmaking, self-deprecating humor, passion, and the glories of fatherhood. They inhabit a Seattle of historical icons and the poet’s own skateboarding youth, a London of “tidy grime” and love, and the derelict and divine streets and poetry community and waterfall of Spokane, this poet’s answer to Williams’ Paterson. By the time Potter wishes he could “become myself with vengeance / and take you with me,” he has done both. —Jonathan Johnson
In an era of poetry that plumbs humanity’s darker depths, it is a pleasant respite to read Jonathan Potter’s Tulips for Elsie, a collection that wears its pathos and its prosody lightly as it confronts life’s familiar concerns—love, sex, family life, and his beloved native place (Spokane, Washington)— with full-bodied affection and gentle irony. Many poems here are sonnets—not just Petrarchan or Shakespearean but also Onegin stanzas!—yet Potter makes rhyming in these conversationally-toned fourteeners look effortless. Particularly engaging are the portrait sonnets featuring poets and writers associated with Spokane (Alexie, Howell, Walter among them), the longer poems about the poet’s lively and accomplished daughters, and the poetic palimpsests replying to or parodying well-known classics. By the time we finish reading, we may feel ourselves, with the poet, to have “co-authored . . . a beautiful book of longing.” —Carolyne Wright
Jessica Hooten Wilson tackles Flannery O’Connor

The University of Dallas’ Louise Cowan Scholar in Residence Dr. Jessica Hooten Wilson, who once dined with the Korrektiv Kollektiv on a particularly memorable night in New Orleans, and who has since become something of a shining star in the firmament of American Catholic letters, is THIS VERY EVENING giving a little talk on her latest project: preparing Flannery O’Connor’s unfinished novel Why Do the Heathen Rage? for publication. Holy crow, as they say.
Three Two One Zero
Le sigh.
“By the mid-’80s, at a meeting of the New York Society of Film Critics, [Pauline] Kael leaned over to Richard Schickel and whispered, sadly, ‘It isn’t any fun anymore.’
‘Why do you say that?’
‘Remember how it was in the ’60s and ’70s, when movies were hot, when we were hot? Movies seemed to matter.'”
— Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ‘n’ Roll Generation Saved Hollywood, by Peter Biskind
Coming Soon from Korrektiv Press: What the Sky Lacks by Thom Caraway
The Judgment of Paris
Hello sophomore, my old slump…
So as I dig into Entry Two of Lives of Famous Catholics, I realize that I’m basically re-doing Entry One. A story about a film director (Guillermo Del Toro) pursuing a passion project (At the Mountains of Madness) that never gets made but nevertheless reveals something about his spiritual state, told from the perspective of a collaborator on the project (an illustrator). For that matter, Gaga Confidential also treats a failed artistic effort (The Secret Show), only it’s told from the perspective of an embittered fan who uncovers a link to a collaborator on the project (H.R. Giger).
I keep thinking back to the line from the opening to Donna Tartt’s The Secret History: “I suppose at one time in my life, I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.” Heh.
Oser the Proser
If the rumors gritting the air ever settle down into hard ash on the ground and the next Korrektiv Summit is truly in the offing, I wonder if we shouldn’t all read and chew on as a group the Catholic novelist no one is reading right now…
And, in case you missed it the first time around… he’s a Wiseblood Author!
New from Angelico Press
Friend of Korrektiv Joshua Hren’s book of short stories, This Our Exile, has just been issued by Angelico Press. Also available at Amazon and better bookstores everywhere!
And not only that, but his book on Tolkien, Middle-earth and the Return of the Common Good: J.R.R. Tolkien and Political Philosophy, will be published through Cascade Books.
Congratulations, Joshua!
Is Pope Francis a Heretic?
Hey, I’m just asking a question. Kidding! Actually, it’s Marist priest Fr. James L. Heft, head of the Institute for Advanced Catholic Studies at the University of Southern California, who is asking — and presumably answering — that question as part of the Institute’s Condon Lecture series. Friends of Korrektiv will no doubt recall the mini-Summit – JOB, Angelico, yours truly — held at the Institute’s conference on the Future of the Catholic Literary Imagination a couple of years back, when Wiseblood’s Joshua “Feather Pen” Hren stood up in the middle of Tobias Wolff’s talk and said, “Me. I’m the future of the Catholic literary imagination.” Notice was, as they say, served.*
Anyway, I’m guessing Fr. Heft’s answer is going to be firmly in the negative, but I did thrill to see the word “heretic” in such a rarefied setting.
Caraway in the News
What the Sky Lacks investigates the similarities and differences of disparate places. Between the cold, flat plains of North Dakota and the foothills and rivers of the inland northwest, these poems explore the dynamics of habitation: what it takes to live in a place, to be in a place, and to be from a place.