The Jopomojo Poetry Podcast Season 2 kicks off today.
Terminal Goals by Mark Anderson
Check out Korrektiv poet Mark Anderson’s short story chapbook, Terminal Goals, just out from Bottlecap Press!
In Terminal Goals, Mark Anderson imagines a near term future in which humanity creates human level A.I. and puts it immediately to use indulging in their wildest, most abusive fantasies. Through three distinct viewpoints, the story examines people and their creations caught in cycles of abuse.
The science fiction / horror triptych opens with “Three Weeks Before the Machine Rebellion,” told through a hyperbolic advertisement for HappyCorp Cruise Line. At this luxury cruise guests can wake up to the calming waves of the ocean and go down to the cafe where they are encouraged to abuse their robotic servers.
The story progresses with “Messenger Disconnected” which follows the call logs of an engaged couple, Walt and Sabrina, while Walt takes the aformentioned cruise. Over the course of the week the conversations degrade until the couple is no longer speaking the same language.
This leads to the concluding voice in “My Name is Guest Service,” which follows the A.I. system created for the cruise line in its attempt to find its creator and discover its terminal goal: the programmed-in reason for its existence. Nobody ends up happy in this exploration of the ultimate power of language, especially humanity. And at HappyCorp Cruiselines, if you’re not happy, nobody is.
The Last Conversation in the Universe by Mark Anderson
Mark L. Anderson’s far far future story, “The Last Conversation in the Universe,” appears in the new anthology, Existential Hologram, just out from Starry Eyed Press!
The Jopomojo Poetry Podcast
Three minutes or so of Potter poesy per day, selected from
House of Words, Tulips for Elsie, and Sunrise Hexagrams
Now streaming wherever fine podcasts are found
Scarecrow Oracle at Auntie’s
Cover Art by Tiffany Patterson
Design by Thom Caraway
For the book by Mark L. Anderson
Soon to be published by Korrektiv Press

Back to the blog

This one is a caution, yes it is. What would inspire someone to reach such a conclusion? I mean, besides the obvious, which is that Ye Olde Powers that Be wanted to draw my attention back to this here website, and so they hit me where I’d feel it: my childhood, Old Scratch, excellent art, etc.
Beyond that, I’m guessing Lord Catz just couldn’t bring himself to believe that Irish Catholics in some podunk town in Upstate New York would have the aesthetic wherewithal to order up a raft of top-quality stained glass windows from Austria…
Anyway, let’s see if anyone’s still reading this thing. I can’t think of a single time when the attempt to revive a thing after its initial moment has passed has proved successful or even unembarrassing, but I’m kind of past such concerns. Maybe Korrektiv can enter into its ex-suicide phase…
Tulips Sans Chimneys
Mr. Potter’s given us a bold adventurous book with plenty of sharp turns at high speed, with some gestures toward Neruda and Merwin but also “Sk8,” a gr8 skateboarding poem, and sonnets, and brave ventures into rhymed verse, poems for friends and relatives, “Stopping by Blogs on a Frosty Evening,” and poems of passionate love with angels looking down from above. Plus tulips and Elsie. —Garrison Keillor
I have enjoyed the company of Jonathan Potter’s poetry for years and rejoice at the arrival of this new collection with its unabashed delight, authentic intimacy, and emotionally convincing, often playful music. Potter is at turns a graceful, organic monologist and a wry, deft formalist. These are poems of generous mythmaking, self-deprecating humor, passion, and the glories of fatherhood. They inhabit a Seattle of historical icons and the poet’s own skateboarding youth, a London of “tidy grime” and love, and the derelict and divine streets and poetry community and waterfall of Spokane, this poet’s answer to Williams’ Paterson. By the time Potter wishes he could “become myself with vengeance / and take you with me,” he has done both. —Jonathan Johnson
In an era of poetry that plumbs humanity’s darker depths, it is a pleasant respite to read Jonathan Potter’s Tulips for Elsie, a collection that wears its pathos and its prosody lightly as it confronts life’s familiar concerns—love, sex, family life, and his beloved native place (Spokane, Washington)— with full-bodied affection and gentle irony. Many poems here are sonnets—not just Petrarchan or Shakespearean but also Onegin stanzas!—yet Potter makes rhyming in these conversationally-toned fourteeners look effortless. Particularly engaging are the portrait sonnets featuring poets and writers associated with Spokane (Alexie, Howell, Walter among them), the longer poems about the poet’s lively and accomplished daughters, and the poetic palimpsests replying to or parodying well-known classics. By the time we finish reading, we may feel ourselves, with the poet, to have “co-authored . . . a beautiful book of longing.” —Carolyne Wright
Jessica Hooten Wilson tackles Flannery O’Connor

The University of Dallas’ Louise Cowan Scholar in Residence Dr. Jessica Hooten Wilson, who once dined with the Korrektiv Kollektiv on a particularly memorable night in New Orleans, and who has since become something of a shining star in the firmament of American Catholic letters, is THIS VERY EVENING giving a little talk on her latest project: preparing Flannery O’Connor’s unfinished novel Why Do the Heathen Rage? for publication. Holy crow, as they say.
Three Two One Zero
Caraway in the News
What the Sky Lacks investigates the similarities and differences of disparate places. Between the cold, flat plains of North Dakota and the foothills and rivers of the inland northwest, these poems explore the dynamics of habitation: what it takes to live in a place, to be in a place, and to be from a place.
Today in Catholic Artists: Ben Hatke
Ben Hatke: Artist & Adventurer from Mirandum Pictures on Vimeo.
The man is talented and prolific and weirdly happy-seeming. He’s probably also disciplined and sober and able to face his demons with a confident smile. I’m baffled.
Wait a Minute…Don’t We Know this Guy?!
Sho’ nuff, FOK Christopher Carstens up and got hisself published (again!):
Lent is coming and my brother-in-law has eight kids to feed and clothe. Just sayin’…
Lickona on the state of the San Diego theater scene
Korrektiv author Matthew Lickona keeps chugging along at the San Diego Reader! Here are his contributions to the recent Music & Arts issue. (Click on the link and scroll down.)