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This sounds vaguely familiar…

But I could swear it takes place on the West Coast – in a place like Seattle or something…

Shucks! – I guess the 2017 litterachur Nobel is going to go to Bono


But I’m energized – Big League – at least it’s going to someone who actually understands the difference between sovereignty and totalitarianism…

Well, shit, if you think I’m wrong about it – the laddy said it right here. I quote unquote quote:

“Edited clips of Trump replied: “I will build a great, great wall on our southern border and I will have Mexico pay for that well.”
“A wall? Like the Berlin Wall? Like the Great Wall of China?” Bono, a donor to the Clinton Global Initiative, shot back to the video screen.”

Well, let me uncling mesself from thissere gun, religion and God type-a-thing before I continue. [Sipping at a cold one now, hold on…]

Well, shit, what I mean to say is, hell and hard nuts, America is so tired of thissere electionation process… Oh, hell, let’s just all go home and hope that we have jobs come Monday… I’ll buy the keg (Quinn, can I borrow 40 bucks? The Hamms is on sale…)

Well, as I look out at this wonderful U Ass of A we gots usself here, I can’t help but thinks about that what which Bono’s countryman and fellow string-strummer once said, “That’tare ain’t no country for old menfolk…”

Well, Cormac, I guess you can be fixin your Nobel year to be—

Hell now, look at that, Mr. Tweedy, you made me spill my Blatz.

No, excuse me – EXCUSE ME, Mr. Tweedy, but we happen to got womenfolk in the audience just now, so you just you shut your jaw the fuck up, now you hear. I realize you got a grimace like a hound dog trying to pass a peach pit. But just heel now, y’hear? You’ll have your chance at the carcass after Cormac gets a gnaw!

Well, I guess that’s about alls I got to say – ummagonna end the conversation righ-chere.

Love and peace and I’m all with Her and all.


“Low prestige meant constant forward motion.”


Why Bob Dylan Deserves His Nobel Prize

This is the best thing I’ve read so far about Dylan getting the Nobel, and the best justification: he’s the Shakespeare of our era.

I’d already gone the distance …

…and BOB goes Nobel!


Sorry, Cormac, maybe next year.

Shakespeare goes political…


Prince Hal speaking:

I know you all, and will awhile uphold
The unyoked humour of your idleness:
Yet herein will I imitate the sun,
Who doth permit the base contagious clouds
To smother up his beauty from the world,
That, when he please again to be himself,
Being wanted, he may be more wonder’d at,
By breaking through the foul and ugly mists
Of vapours that did seem to strangle him.
If all the year were playing holidays,
To sport would be as tedious as to work;
But when they seldom come, they wish’d for come,
And nothing pleaseth but rare accidents.
So, when this loose behavior I throw off
And pay the debt I never promised,
By how much better than my word I am,
By so much shall I falsify men’s hopes;
And like bright metal on a sullen ground,
My reformation, glittering o’er my fault,
Shall show more goodly and attract more eyes
Than that which hath no foil to set it off.
I’ll so offend, to make offence a skill;
Redeeming time when men think least I will.

In fact, the whole scene is strangely prescient of things afoot – like pussies in the night, which the dark renders all and one as grey as cloud…

Hurricane and Himmicane


Bob Dylan’s 3,500-year old relative

Musical Score from Ugarit (Clay tablet from Ugarit) with the Hurrian hymn, 13th cent. BC. Found in the collection of Musée du Louvre, Paris. Artist : Ugaritic Culture. (Photo by Fine Art Images/Heritage Images/Getty Images)

“How does it feel….?”

Lionel Shriver on Fiction and Identity Politics

An excerpt from Lionel Shriver’s recent address to the Brisbane Writer’s Festival:

What stories are “implicitly ours to tell,” and what boundaries around our own lives are we mandated to remain within? I would argue that any story you can make yours is yours to tell, and trying to push the boundaries of the author’s personal experience is part of a fiction writer’s job.

I’m hoping that crime writers, for example, don’t all have personal experience of committing murder. Me, I’ve depicted a high school killing spree, and I hate to break it to you: I’ve never shot fatal arrows through seven kids, a teacher, and a cafeteria worker, either. We make things up, we chance our arms, sometimes we do a little research, but in the end it’s still about what we can get away with – what we can put over on our readers.

Because the ultimate endpoint of keeping out mitts off experience that doesn’t belong to us is that there is no fiction. Someone like me only permits herself to write from the perspective of a straight white female born in North Carolina, closing on sixty, able-bodied but with bad knees, skint for years but finally able to buy the odd new shirt. All that’s left is memoir.

And here’s the bugbear, here’s where we really can’t win. At the same time that we’re to write about only the few toys that landed in our playpen, we’re also upbraided for failing to portray in our fiction a population that is sufficiently various.


By the way, I am listening to an Arvo Pärtapalooza on WQXR right now (it’s his birthday), appropriately sober given that other event fifteen years ago, Hattin 2.0.

Might be good while you’re grilling up some brisket, or even with the sound of the game turned down.