In the city of Sandness everyone is a poet and everything is poetry …
In Pentameters of Rain by Mark Anderson
Terminal Goals by Mark Anderson
Check out Korrektiv poet Mark Anderson’s short story chapbook, Terminal Goals, just out from Bottlecap Press!
In Terminal Goals, Mark Anderson imagines a near term future in which humanity creates human level A.I. and puts it immediately to use indulging in their wildest, most abusive fantasies. Through three distinct viewpoints, the story examines people and their creations caught in cycles of abuse.
The science fiction / horror triptych opens with “Three Weeks Before the Machine Rebellion,” told through a hyperbolic advertisement for HappyCorp Cruise Line. At this luxury cruise guests can wake up to the calming waves of the ocean and go down to the cafe where they are encouraged to abuse their robotic servers.
The story progresses with “Messenger Disconnected” which follows the call logs of an engaged couple, Walt and Sabrina, while Walt takes the aformentioned cruise. Over the course of the week the conversations degrade until the couple is no longer speaking the same language.
This leads to the concluding voice in “My Name is Guest Service,” which follows the A.I. system created for the cruise line in its attempt to find its creator and discover its terminal goal: the programmed-in reason for its existence. Nobody ends up happy in this exploration of the ultimate power of language, especially humanity. And at HappyCorp Cruiselines, if you’re not happy, nobody is.
Doctrine of the Immaterial by Mark Anderson
More new fiction by Korrektiv poet Mark Anderson. Check out “Doctrine of the Immaterial” at Bone Parade!
“I pulled the kettle from the stove before it boiled to a whistle, and I lurched down to the basement as silently as my creaking bones would allow….”
The Last Conversation in the Universe by Mark Anderson
Mark L. Anderson’s far far future story, “The Last Conversation in the Universe,” appears in the new anthology, Existential Hologram, just out from Starry Eyed Press!
A Timely Passage from A Tale of Two Cities

Far and wide lay a ruined country, yielding nothing but desolation. Every green leaf, every blade of grass and blade of grain, was as shrivelled and poor as the miserable people. Everything was bowed down, dejected, oppressed, and broken. Habitations, fences, domesticated animals, men, women, children, and the soil that bore them—all worn out. Monseigneur (often a most worthy individual gentleman) was a national blessing, gave a chivalrous tone to things, was a polite example of luxurious and shining life, and a great deal more to equal purpose; nevertheless, Monseigneur as a class had, somehow or other, brought things to this. Strange that Creation, designed expressly for Monseigneur, should be so soon wrung dry and squeezed out! There must be something short-sighted in the eternal arrangements, surely! Thus it was, however; and the last drop of blood having been extracted from the flints, and the last screw of the rack having been turned so often that its purchase crumbled, and it now turned and turned with nothing to bite, Monseigneur began to run away from a phenomenon so low and unaccountable. But, this was not the change on the village, and on many a village like it. For scores of years gone by, Monseigneur had squeezed it and wrung it, and had seldom graced it with his presence except for the pleasures of the chase—now, found in hunting the people; now, found in hunting the beasts, for whose preservation Monseigneur made edifying spaces of barbarous and barren wilderness. No. The change consisted in the appearance of strange faces of low caste, rather than in the disappearance of the high caste, chiselled, and otherwise beautified and beautifying features of Monseigneur.
Jessica Hooten Wilson tackles Flannery O’Connor

The University of Dallas’ Louise Cowan Scholar in Residence Dr. Jessica Hooten Wilson, who once dined with the Korrektiv Kollektiv on a particularly memorable night in New Orleans, and who has since become something of a shining star in the firmament of American Catholic letters, is THIS VERY EVENING giving a little talk on her latest project: preparing Flannery O’Connor’s unfinished novel Why Do the Heathen Rage? for publication. Holy crow, as they say.
Summer of Love
Paul scowled and drew in breath, a red splotch creeping up his neck. They’d been playing the game of “Who can make Paul explode” for 35 years.

Read “Summer of Love,” Thom Caraway’s contribution to Summer Stories in The Spokesman-Review.
Status report

So. What’s everybody working on?
Hello sophomore, my old slump…
So as I dig into Entry Two of Lives of Famous Catholics, I realize that I’m basically re-doing Entry One. A story about a film director (Guillermo Del Toro) pursuing a passion project (At the Mountains of Madness) that never gets made but nevertheless reveals something about his spiritual state, told from the perspective of a collaborator on the project (an illustrator). For that matter, Gaga Confidential also treats a failed artistic effort (The Secret Show), only it’s told from the perspective of an embittered fan who uncovers a link to a collaborator on the project (H.R. Giger).
I keep thinking back to the line from the opening to Donna Tartt’s The Secret History: “I suppose at one time in my life, I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.” Heh.
Oser the Proser
If the rumors gritting the air ever settle down into hard ash on the ground and the next Korrektiv Summit is truly in the offing, I wonder if we shouldn’t all read and chew on as a group the Catholic novelist no one is reading right now…
And, in case you missed it the first time around… he’s a Wiseblood Author!
Okay.
So The Shape of Water (my review, for what it’s worth, is here) got a whole bunch of Oscar nominations. I’m gonna use that as my spur for writing Volume Two of Lives of Famous Catholics. See if I can get it done in time for the ceremony in early March. No title yet, but my subject is director Guillermo Del Toro. I know, I know — another film director? But I can’t help myself. For what it’s worth, I still hope to finish Gaga Confidential, perhaps pegged to the release of A Star is Born later this year. I have plans for the other four entries that will make up the eventual seven-story book, but there’s no sense in getting ahead of myself. Let’s see if I can do one.
New from Angelico Press
Friend of Korrektiv Joshua Hren’s book of short stories, This Our Exile, has just been issued by Angelico Press. Also available at Amazon and better bookstores everywhere!
And not only that, but his book on Tolkien, Middle-earth and the Return of the Common Good: J.R.R. Tolkien and Political Philosophy, will be published through Cascade Books.
Congratulations, Joshua!
Is Pope Francis a Heretic?
Hey, I’m just asking a question. Kidding! Actually, it’s Marist priest Fr. James L. Heft, head of the Institute for Advanced Catholic Studies at the University of Southern California, who is asking — and presumably answering — that question as part of the Institute’s Condon Lecture series. Friends of Korrektiv will no doubt recall the mini-Summit – JOB, Angelico, yours truly — held at the Institute’s conference on the Future of the Catholic Literary Imagination a couple of years back, when Wiseblood’s Joshua “Feather Pen” Hren stood up in the middle of Tobias Wolff’s talk and said, “Me. I’m the future of the Catholic literary imagination.” Notice was, as they say, served.*
Anyway, I’m guessing Fr. Heft’s answer is going to be firmly in the negative, but I did thrill to see the word “heretic” in such a rarefied setting.
Gerasene ’17: The Kollektiv at Notre Dame
[Image: the Mississippi gravesite of Senator LeRoy Percy, Walker Percy’s uncle.]
CONFIRMED: Two [hopefully three] members of the Korrektiv as panelists at this summer’s Trying to Say “God”: Re-enchanting Catholic Literature, June 22-24 at the University of Notre Dame. Rally, Korrektiv, rally!
Ron Hansen – call your office!
We’ve got another novel for you to write…
Do fetuses dream of unborn sheep?
*
An interesting and astute piece on all things “Phildickian” over at Chronicles:
But Dick also had a conservative side, represented by his strong (if heterodox) religious devotion, his distrust of large bureaucratic structures, and his longtime anti-abortion stance. In the last decade of his life, as he finally began receiving substantial amounts of money for his writing, Dick donated thousands of dollars to pro-life causes. He also wrote “The Pre-Persons,” a powerful story in which parents can abort any child under 12. Yet both the speech by Dick-the-hippie and the story by Dick-the-conservative are recognizably the work of the same man—both, in fact, were produced during the same period of his life. The first endorses rebellion, no matter how nihilistic, against a soulless apparatus of power; rebellion, at least, is human. And the story denies the government the right to define who is a human being, arguing that this will only produce a totalitarian system akin to the one the juvenile delinquents in the speech are rebelling against. One need not be pro-vandalism—or pro-life, for that matter—to approve of the underlying point.
*Dick and Percy: Separated at birth?(!)