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“Quel Giorno Più Non Vi Leggemmo Avante.”

                          —Inferno V.138

We lean above the book and fateful page
    And lean into its words. You speak. I hear
    The husked seeds split, and they bleed down the page:
You tuck a strand of hair behind your ear
    And strings that knit the constellations twinge
    Like mandolins beneath the earth —so near
Commingled shade and soil to unhinge
    The grave; yet far as moonlight in a pond
    That blinks with nightjars rippled on the wing.
Though grassy spring now shimmers green with frond
    And shoot within your eyes, your beauty stares
    From violet shadow, Cimmerian, beyond
The swallowed source of bowered light that flares
    Within your eyes. They tear my heart away
    With a single glance. Eurydice wears
Your smile — anticipating hope, yet fey
    As autumn apples dropping from their limbs
    Will roll, gather into gullies, and lay
In wait: a sudden winter rain floods and brims
    The world in multiples of fallen time,
    The same that fuel in sullen throb the hymns
Of Orpheus, hemorrhaging grief in rhyme.
    But different tunes ignite our desire’s root –
    Their trace, emerging vines that merge and climb
The walls within the halls of Hades. Mute
    And vanished as night, yet here you remain
    A muse that breathes her fire upon a flute:
The pomegranate and its crimson stain
    Upon your lips, at dawn, upon my lips —
    Yet I am sure of nothing but the train
Of Venus, gown of ebony which strips
    This morning’s meaning, held out as a gift.
    My tongue takes these words as one, but trips
Upon your name. I hear each quench and sift
    It murmurs, blown upon the wind, and us
    With it, now bound by cords, now set adrift,
Regret our only landfall, tremulous
    Desire our only compass – this final page,
    The desperate map that charts us in our loss.
You arch your back and lean into the page
    Again, again I dare to lean as near —
    And further — but no farther than this page,
The compass needle driving through the air.

Status report

So much for Alphonse. First time as tragedy, second time as farce.

So. What’s everybody working on?

And…we’re out.

(Apologies for language in video.)

Well, it looks like someone went and made Alphonse into a movie.

Wow.

I almost think the opening scene of Nocturnal Animals is there to scare the moralists away via aesthetic assault. (It also serves a narrative/thematic function, sure, but…) Because after that, it plays out with the blunt trauma moral force of a Flannery O’Connor story, only without the promise of grace. Maybe it was the tequila watching, but I liked it a lot.

The Ordeal of Hannah Horvath?

untitledLena Dunham on line one, Mr. Pinfold…

IRL she’s a generation’s gutsy, ambitious voice, author, showrunner, and star of the HBO hit Girls. But on TV and the web she becomes “a girl who careens between wisdom and ignorance,” a girl whose delusions have brought her here, to the shadowy realm of Decreased Stigma

Live-blogging the Brisket: Hour 9

We come now to that part in the show where we flip the script…

Ready?

1

Set.

2

GO!

3

Then a final mopping…

4

And 30 minutes from lift-off…

5

The Profit

swift justice

When children kill we wring our hands and cry –
“The kingdom’s here and now and Christ is not
The crucified!” Confused, we butterfly
Our judgment, dissect humanity, gut
The soul and pick apart the truth. We love
Our sins so much we give them tongue to speak….
So heaven’s here and cold as stone above –
While hell’s beneath us. Spatchcock
The conscience, too, o modern primitive!
The temple’s vatic whisper will indict
Though pills become our lusty palliative
And love of death becomes our civil right.
We pay our tongues to serve the talk of peace –
We kill our kids so they can take our place.

Speaking of short poems about things…

Yep, this seems right…

Kennedy’s majority decision:

Hark! Love is love, and
love is love is love is love.
It is so ordered.

Yes, THAT Ricki Lake…

Franz Wright: RIP

16wright-2-obit-blog427

A loss to the world – and the world of Catholic letters…

Parting Word

As for me
I have no mind
to lose anymore, I am through
with all that–
the sky is my mind
today. (And

it always is
and always was
today.) Blue,
                 her color
sorrowing over us…

Does it flow out of or into us, seeing?

Unseen rays of perception the face beams
at things, or
face on which things shine!

I am so glad
that I no longer know,
no longer
care.

And one more thing:

the future?
Never

been there.

             -Franz Wright