Doctor Thomas More
    or: How I Learned to Stop Worrying and Love the Lapsometer

Photo by Gsmith

Photo by Gsmith

About a month ago, I finished reading Dr Percy’s stab at science-fiction, Love in the Ruins. I had no time to blog about it then, and have little time to blog about it at the moment, but here are a few scattered, superficial, spoiler-free initial thoughts:

  • My overall impression was similar to that of Korrektiv fellow-traveler Craig Burrell, who reviewed the novel in 2011. Like him, I think the premise is great, but the telling of the tale is overlong and under-focused. Some severe trimming would have improved the book considerably.
  • That said, the main cast is nicely drawn, and the creeper-covered neo-New South setting felt, if not believably realistic, then persuasively consistent. Also consistently unsettling, with its islands of shiny modernity and pockets of old poverty amid the ruins of the [1940s-1960s(?) '70s(?)] ‘Auto Age’. The automated carillon of the abandoned church in the middle of nowhere, playing religious and secular Christmas carols — and college football fight songs! — on the Fourth of July, echoing off a derelict drive-in movie screen, is especially haunting.
  • Overall, the book was not — and Dr Percy, in his essay ‘Concerning Love in the Ruins, says the book was not meant to be — a prophetic prediction of the future (as, e.g., Brave New World has ended up being). Still, this line from Dr Tom More, describing the gadgets of his own shambolic future-world, hit close to home: ‘Appliances [...] are more splendid than ever before, but when they break down nobody will fix them.’
  • Percy also predicted the rise of steampunk! Tom More climbs into his colleague’s ‘electric Toyota bubbletop, a great black saucer of a car and silent as a hearse’ and notes the anachronistic contrast of its interior styling: ‘These days it is the fashion to do car interiors in wood and brass like Jules Verne vehicles.’
  • Speaking of stylistic throwbacks: The diabolical, deodorized, flat-topped Art Immelman reminds me of the Harry Trumanesque space alien from the ‘THE LAST DONAHUE SHOW’ thought experiment in Lost in the Cosmos. They both seem like good fits for a David Lynch movie.

Have you read Love in the Ruins? What did you see, like, dislike, feel, think?

Thrill me with your acumen.

More or Less

Ed. Note: Yesterday was the Feast of Sts. Thomas More and John Fisher, Martyrs, and the first day of Fortnight for Freedom as called for by the U.S. Bishops in response to the U. S. Department of Health and Human Services mandate requiring religious institutions to pay for contraceptive drugs and services through insurance health coverage.

Before the bells struck nine times on the morning on July 6, 1535, a man renowned for his talent in philosophy, law, politics and even theology, stood before a crowd, seconds away from the most important speech of his life.

Those who had gathered weren’t there to hear a lecture on metaphysics, divine grace or a keystone legal principle. Nor were they there to hear a speech which sought to guide the ship of state on a prudential course of action.   Rather, they were there to see this philosopher-lawyer-politician-theologian lose his head over a single idea.

By the world’s reckoning, it was a cheap price for one’s life.

But it was an idea which would touch on all these disciplines which not only defined his public life but perhaps even prepared his life, public and otherwise, for this one moment on his final rostrum.

 This condemned man was none other than Sir Thomas More, until recently the Chancellor of England (a post only second to the king himself), a close friend of King Henry VIII, a welcomed guest of royal and legal courts alike, and one of the most brilliant minds of his day not only in England but in all of Europe.

But, having been stripped of honors and wealth alike, this late medieval celebrity would soon be known by a different, more exulted title – St. Thomas More, Martyr.

As he stood before the crowd, perhaps he took some comfort in the fact that he was abandoned by all but his family and closest friends. It would have to have been a consolation. After all, did not his master and savior have at least that much as he clung to his last labored breaths, hanging from the midday cross outside the gates of another famous city far to the east of London?

Of course, More’s fine mind would have made the proper distinctions: Christ was without sin and therefore died in complete innocence. He, More, while guiltless in this particular case, was as flawed as any man born of original sin.

No matter, though – for he knew that even that primal flaw – the same shared by every king and pauper, nobleman and commoner, all the players on the stage of history – had been provided a remedy through the blood and mercy that God spilled on that other hill far east of London’s time and place, more than 1,500 years ago – that same blood and mercy which, with the fall of the executioner’s axe blade would come, he prayed, to his assistance now that the hour of his death was upon him.

Nor did he ever lose the calm which stood as testament to the easy commerce of faith and reason within his mind and soul.  Even  Joseph Addison, not the first but perhaps one of the best to reside over Caesar’s inkwell, willingly renders unto Christ what was Christ’s: he would have willingly agreed with the Catholic Encyclopedia (1911) which declared that “no martyr ever surpassed [More] in fortitude.” 

Indeed, as he notes in the retrospective Spectator, Addison observes, “that innocent mirth which had been so conspicuous in [More’s] life, did not forsake him to the last . . .his death was of a piece with his life. There was nothing in it new, forced or affected. He did not look upon the severing of his head from his body as a circumstance that ought to produce any change in the disposition of his mind“.

 As he stood there before the crowd – it was a brief interim between his ascending the scaffold and his head making the return trip – even then, he was not without mirth (“I pray you, I pray you, Mr. Lieutenant,” he was heard to say, “see me safe up and for my coming down, I can shift for myself!”). Perhaps as he stood there, though, he thought for a split second of that other Thomas who stood at the noonday of the medieval age and on the edge of a more peaceful yet equally joyful death.

Already the medieval age had been in full decline with the “new learning” that More, his friend and fellow mega-scholar Erasmus and even King Henry had helped popularize. In many ways, the medieval age, already in its twilight, would meet its midnight with More’s death.

And perhaps in thinking of Aquinas, More also thought about the mystic-philosopher’s final revelation, that all the wealth and wisdom of the world is “like straw” compared to the vista of heaven’s riches that was permitted to him in his own final days.

The philosopher in More could as ably distinguish the chaff of accidents from the essential wheat of being which Aquinas had gleaned to the benefit of Church and history.  After all, weren’t More’s own final words the same notion uttered by Aquinas, only reset – like the lines of block type in that contraption already become popular in More’s day, the printing press – in his own field of expertise, the political order?

For all his devoted service to secular thrones and powers of England, this servant recognized that his earthly duties were no more than straw compared to his obeisance to the true throne and only power that rules all nations.

Standing on the sill of heaven itself, awaiting the fall of the blade which would separate his head from his body, More would see his earthly pilgrimage come to an end.

And what, to get to the bottom of it, washis crime?

The particulars matter greatly – and give the bracing pulse and beat to historian and playwright alike. But for our purposes, suffice it to say that More’s crime was part of the same drama that governments and secular leaders had rehearsed on countless saints before and since Sir Thomas ascended the scaffold, More’s last place on earth – which he no doubt saw as a mere stepping stone to God’s mercy and a bitter yet brief prelude to the sweet hope of heaven.

A prominent wooden gantry, solidly built and firmly set in the middle of the square served as the stage on which More and his executioner played the only two roles necessary in this drama.

It’s only action was the fall of an ax (or in other variations – the drop of a trap door to allow the law of gravity to make its final ruling, the fixing of flesh by steel to wood, the slow mutiny of the human body itself tortured in extremis).

Yet after the blade’s fall, expert and precise, its sound reverberates like a song through the centuries even to our own time.

And leave it to More to add words to the song.

Before genuflecting to the chopping block, More’s final speech, the shortest of his life, also rang out across the square that day – his last day on earth and first in heaven.

“I die the King’s good servant, but God’s first!”

Perhaps more effectively than any other words written or spoken by Thomas More, these last words stand as a eviscerating critique of those who would subordinate the individual conscience (formed by its adherence to the teachings of the one, true and apostolic Church) to the corporate wishes or collective whims of any earthly power.

These words defy and refute the worldly and misguided motives of history’s politicians who have allowed for an unholy space within the conscience to accommodate a law or laws reprehensible to God and nature and evacuate justice and mercy, truth and righteousness  – even (as Thomas More himself might say with his famous sense of humor – in turns bawdy and scatological) as a harlot would accommodate her customers by evacuating her bowels.

From Korrektiv’s Lost and (Re)Found Department

 

 

“The Bavarian State Library in Munich announces that Origen’s homilies on the Psalms have been discovered in an 11th century Greek manuscript,” reports Patristics blogger Alin Siciu.

Most of the rest is in German, but  – (They got pictures!) – check it out anyway.

This exciting news of course immediately raises a practical question which classicist blogger Roger Pearse is on top of like Alciabiades on top of a …well never mind.

It all sounds rather originel, if you ask me.

From Love in the Ruins

Angelico’s recollection of Rosebud’s convoluted anus in the combox for JOB’s convoluted post below brought to mind other great ani loci in Percy’s oeuvre, including this passage from Love in the Ruins:

Like saints of old, Dusty spends himself tirelessly for other men, not for love, he would surely say, or even for money, for he has no use for it, but because people need him and call him and what else would he do with himself? His waking hours are spent in a dream of work, nodding, smiling, groping for you, not really listening. Instead, his big freckled hands feel you like a blind man’s. He’s conservative and patriotic too, but in the same buzzing, tune-humming way. His office is stacked with pamphlets of the Liberty Lobby. In you come with a large bowel complaint, over you go upside down on the rack, in goes the scope, ech! and Dusty humming away somewhere above. “Hm, a diverticulum opening here. The real enemy is within, don’t you think?” Within me or the U.S.A., you are wondering, gazing at the floor three inches from your nose, and in goes the long scope. “You know as well as I do who’s causing the real trouble, don’t you?” “Do you mean—” “I mean the Lefts and Commonists, right?” “Yes, but on the other hand—” In goes the scope the full twenty-six inches up to your spleen. “Oof, yessir!”

And of course, having first read Love in the Ruins in the 80s, I couldn’t read this without conjuring up this guy … for all I know, his son:

“It’s gone be shameful!”

The closest I got…

&

credits:

Soundtrack: Pulp Fiction – various/The Good the Bad & Ugly – Ennio Morricone/ Drunkard’s Prayer – Over the Rhine/The Alman Brothers: Live at the Filmore/Blood on the Tracks – Yep./The Fox Confessor Brings the Flood – NC/The Trumpet Child – OtR/Easy Pieces – Lloyd Cole and the Commotions

Fossil Fuel: Barley, hops and rye

Favorite Moment: Outside on the porch adorned by wife’s dead winter vegetation, the Great Pyrenees barking, nicotine making its wonderful way through the vessels, I raise a bottle (Schlitz) to the efforvescent vehicle of the local constable washing by in full freak of color and sound in pursuit of one who thought the night was right for holding foot on the accelerator like it was the Holy G-spot, the full moon in stoic poise, flirting with the treeline, close and above it all, sniffing at the strands of clouds running across its diamter, its fans.

Worst Moment: Running out of Dixie beer

Webb Moment: If you’re a liberal, you only put a cigarette behind your ear because the government is about to force you to smoke dope; if you’re a conservative, it’s because you got a bottle in the one hand and economic leverage in the other.  

Potter Moment: Finding and summarily forgetting the perfect rhyme for orange.

Ex Pat Moment: Ars gratia disgustibus.

Lickona Moment: Having the throat make that lame click after the wine runs out.

Quinn Moment: Giggling silly at the thought of Dylan riffing on “Ille, mi par esse, deo videtur…”.

Walker Percy Moment: “Loose bark from the pine is beginning to work through my shirt. My scalp is still quilted, my throat is whistling with hives — albumen molecules from the gin fizzes hum like bees in the ventricles of my brain — yet I feel quite well.”

Joseph Mitchell Moment: “If you smirk enough you can get away with practically anything in a New York newspaper, and once it is understood that Sex is to be treated coyly or as a melodrama, one of the most amusing classes of people to interview are naked people — nudists, strip tease girls, models, dancers who believe to be artistic you just start unbuttoning.”

Best Line of the Night: “How can people not know what beauty this is…”.

Worst Line of the Night: “Beer makes me sleepy.”.

Last Word: JOB was here…

Spe

“If anyone should have killed himself, it should have been Walker Percy.”

h/t CMR 

The Korrektiv in literature.

Who shows up at Mass with Father Smith?  “A scoffing Irish behaviorist, the sort in whom irony is so piled up on irony, jokes so encrusted in jokes, winks and nudges and in-jokes so convoluted, that anticlericalism has become anti-anti-clerical, gone so far out that it has come back in as clericalism and comes down on the side of Rome where he started.”

Simcha Fisher on whether teenage girls should read Walker Percy

Simcha Fisher, blogging at The National Catholic Register, offers up some musings on teenage girls and their reading habits:

I’ve made sure that my own daughters would rather eat Vaseline than read a Twilight book (snobbery has its benefits). But as a dopey and malleable teenage girl, I came across lots of literature which had a horrible effect on my ideas of love — but which were terrific books.

She cites a few examples including:

Pretty much everything by Walker Percy. These books weren’t above my reading comprehension, and were incredibly nourishing to my ideas about humility, repentance, and courage, and the modern novel in general. But they were just above my emotional comprehension (and I worry a bit about Percy’s own emotional comprehension of women). The romantic escapades of Dr. Thomas More are his tragic flaw, and a symptom of his deeper, similarly flawed relationship with Christ, which comes in cycles of ecstatic lust and regret. But a teenager will likely take any likable character as a role model, ignoring or normalizing the misery and distress that the character suffers.

She goes on to say what we all know — that we can’t shield our children “from every malign influence.” We can try, but we will inevitably fuck it up. (My words, not Simcha’s, with a nod to Philip Larkin.) The best we can do is try to steer our kids towards the good, and towards a variety of material … and talk with them about what they’re reading and perceiving and experiencing, and above all pray for them.

As to the Percy question, I’ve sometimes worried about my own “emotional comprehension of women” — and reading Percy’s novels over and over over the years may not have helped me out much on that score. I’m just not sure.

What teenagers should be exposed to in literature and film and art is a tricky question. I’m having enough trouble sorting out where to draw the line in the case of my 8-year-old and her desire to immerse herself in Monster High. My fallback plan is to move us to a sparsely populated island such as this one or to Cubeland Mystic’s compound in the desert.

God help us! Walker Percy pray for us!

More More (and Less Les)

We were remiss of late in letting pass mention of Love in the Ruins, Walker Percy’s wild apocalyptic ride of a novel, which takes place just prior to and during the July 4 celebration of the birth of our “old violent beloved U.S.A.” … “at a time near the end of the world.” (Notice the reference there in the Korrektiv masthead?) Percy’s protagonist is one Tom More, bad Catholic, psychiatrist, and inventor (viz. The Lapsometer, patent pending) and descendant of his namesake Saint Thomas More, another fellow who lived in troubled political times. Well, we missed mentioning Percy’s More, but we’re just in time to observe the saintly More’s death day. Here’s something on the subject from today’s Writer’s Almanac:

On this date in 1535, Sir Thomas More (books by this author) was executed in London. More was a lawyer, philosopher, humanist, and statesman, and since 1935, he’s also a Catholic saint. He is the author of Utopia (1516) and the unfinished History of King Richard III (1513-1518), which has been called the first masterpiece of English historiography and provided the source material for Shakespeare’s play Richard III (1591).
More attracted the attention of Henry VIII in 1515 when he successfully resolved a trade dispute with Flanders, and again when he helped quell a London uprising against foreigners in 1517. Henry appointed him to his Privy Council in 1518, and knighted him in 1521; one of More’s early services to the king was to assist him in writing his Defence of the Seven Sacraments, a rebuttal of Martin Luther. Henry named him Speaker of the House of Commons, where More advocated free speech in Parliament. Even though he was not in favor of Henry’s divorce of Catherine of Aragon, he still remained the king’s trusted advisor, confidant, and friend; he succeeded Thomas Wolsey as Lord Chancellor in 1529, when Wolsey fell from favor.

He was a devout Catholic who had at one time considered becoming a monk, and he grew uncomfortable with Henry’s increasing opposition to the pope. When More resigned in 1532, citing ill health, it was probably due as much or more to his unease over the split with Rome. He refused to attend the coronation of the king’s second wife, Anne Boleyn, and though he acknowledged that she was the rightful queen, he refused to take an oath that named Henry Supreme Head of the Church of England. He was arrested for treason and imprisoned in the Tower of London on April 17, 1534. He wasn’t tried until more than a year later, but imprisonment suited his ascetic tastes; he said to his daughter Margaret that he would have chosen “as strait a room, and straiter too,” had he been given a choice. He was tried on July 1, 1535, and the judges — among them Anne Boleyn’s brother, father, and uncle — unanimously found him guilty. Traitors were customarily hanged, drawn, and quartered, and that was his sentence, but Henry commuted it to beheading. More spent the five days before his execution writing a prayer and several letters of farewell, and when he mounted Tower Hill to the scaffold, he told his escort, “See me safe up, and for my coming down, let me shift for myself.” His last words were, “The King’s good servant, but God’s first.”

More is the subject of Robert Bolt’s play A Man for All Seasons (1960). The play’s title comes from something that Robert Whittington, an English grammarian and contemporary of More’s, wrote about him in 1520: “More is a man of an angel’s wit and singular learning. I know not his fellow. For where is the man of that gentleness, lowliness and affability? And, as time requireth, a man of marvelous mirth and pastimes, and sometime of a sad gravity. A man for all seasons.”

So, more More, I say.

(And less Les.)

July 4 — at a time near the end of the world

Now in these dread latter days of the old violent beloved U.S.A. and of the Christ-forgetting Christ-haunted death-dealing Western world I came to myself in a grove of young trees and the question came to me: has it happened at last?

Two more hours should tell the story. One way or the other. Either I am right and a catastrophe will occur, or it won’t and I’m crazy. In either case the outlook is not so good.

Here I sit, in any case, against a young pine, broken out in hives and waiting for the end of the world. Safe here for the moment though, flanks protected by a rise of ground on the left and an approach ramp on the right. The carbine lies across my lap.

Just below the cloverleaf, in the ruined motel, the three girls are waiting for me.

Undoubtedly something is about to happen.

Or is it that something has stopped happening?

Is it that God has at last removed his blessing from the U.S.A and what we feel now is just the clank of the old historical machinery, the sudden jerking ahead of the roller-coaster cars as the chain catches hold and carries us back into history with its ordinary catastrophes, carries us out and up toward the brink from that felicitious and privileged siding where even unbelievers admitted that if it was not God who blessed the U.S.A., then at least some great good luck had befallen us, and that now the blessing or the luck is over, the machinery clanks, the chain catches hold, and the cars jerk forward?

. . . .

I… am a Roman Catholic, albeit a bad one. I believe in the Holy Catholic Apostolic and Roman Church, in God the Father, in the election of the Jews, in Jesus Christ His Son Our Lord, who founded the Church upon Peter his first Vicar, which will last until the end of the world. Some years ago, however, I stopped eating Christ in Communion, stopped going to mass, and have since fallen into a disorderly life. I believe in God and the whole business but I love women best, music and science next, whiskey next, God fourth, and my fellowman hardly at all. Generally I do as I please. A man, wrote John, who says he believes in God and does not keep His commandments is a liar. If John is right, then I am a liar. Nevertheless, I still believe.

. . . .

Poor as I am, I feel like God’s spoiled child. I am Robinson Crusoe set down on the best possible island with a library, a laboratory, a lusty Presbyterian wife, a cozy tree house, an idea, and all the time in the world.

[Source]

This is a demo store for testing purposes — no orders shall be fulfilled.