Check out the animated show Bat out of Hell on Kickstarter!

Do fetuses dream of unborn sheep?

*young-philip-k-dick-600x744

An interesting and astute piece on all things “Phildickian” over at Chronicles:

But Dick also had a conservative side, represented by his strong (if heterodox) religious devotion, his distrust of large bureaucratic structures, and his longtime anti-abortion stance. In the last decade of his life, as he finally began receiving substantial amounts of money for his writing, Dick donated thousands of dollars to pro-life causes. He also wrote “The Pre-Persons,” a powerful story in which parents can abort any child under 12. Yet both the speech by Dick-the-hippie and the story by Dick-the-conservative are recognizably the work of the same man—both, in fact, were produced during the same period of his life. The first endorses rebellion, no matter how nihilistic, against a soulless apparatus of power; rebellion, at least, is human. And the story denies the government the right to define who is a human being, arguing that this will only produce a totalitarian system akin to the one the juvenile delinquents in the speech are rebelling against. One need not be pro-vandalism—or pro-life, for that matter—to approve of the underlying point.

*Dick and Percy: Separated at birth?(!)

240x240_bio_percy

I’d Be Happy to Know I Was the Only One Who Missed This…

shotRemember_E_orcist03 jpg

From FOK Nick Ripatrizone

In related other belated news, the man behind the swiveling heads and green projectile liquids finds out if he was right all along…

ADDED: Well, now, this is something (else!).

The First Word on Silence . . .

. . . which is to say the novel, Chinmoku, will always belong to Endo. After reading Mark Lickona’s article I had a few questions, so I went back to my well-worn copy of the book and read a couple of paragraphs from an interview with the author in 1967 (the year after Silence was published). The first should seem familiar to readers of Korrektiv—or anybody’s inner existentialist. With a Japanese twist:

For a long time I was attracted to a meaningless nihilism and when I finally came to realize the fearfulness of such a void I was struck once again with the grandeur of the Catholic Faith. This problem of the reconciliation of my Catholicism with my Japanese blood . . . has taught me one thing: that is, that the Japanese must absorb Christianity without the support of a Christian tradition or history or legacy or sensibility.

Say what? “Without the support of a Christian tradition or history …” How is that possible? What does that even mean?

Good thing there’s another paragraph:

But after all it seems to me that Catholicism is not a solo, but a symphony … If I have trust in Catholicism, it is because I find in it much more possibility than in any other religion for presenting the full symphony of humanity. The other religions have almost no fullness; they have but solo parts. Only Catholicism can present the full symphony. And unless there is in that symphony a part that corresponds to Japan’s mud swamp, it cannot be a true religion. What exactly this part is—that is what I want to find out.

I’m really not sure what to make of the first paragraph, so please, if you can, enlighten me with your comments below. But the second paragraph I rather like, and not just because he uses music as a metaphor. What I find stirring is the resolution he exhibits as he looks ahead to the next thirty years of his career. And even more than that, perhaps, is his ready admittance that he isn’t exactly sure what he makes of the predicament in which he finds himself.

And since Scorsese’s version has fallen upon awfully rocky ground in these parts, I’ll provide a link here to a 1971 Japanese version, directed by Masahiro Shinoda from a screenplay by Endo himself with the director. It differs from the novel in several ways, but I won’t give the game away here.

Last of all, here’s a look at the author himself, shilling for something called the “Bungo Mini”. And coffee:

“…to the last syllable of recorded time.”

copyHeath Ledger’s Joker performs Macbeth’s “Tomorrow and tomorrow and tomorrow…” for a captive and humiliated Batman at the most recent iteration of Cherie Peacock’s Shakespeare Party, held at the La Mesa home of Tim and Roisin O’Neill.

Thought Experiment in the Making…

lovein[1]

How close is Webster Parish to West Feliciana Parish and is there something funny going onsuch as wives presenting themselves rearward – in that parish too?

Plus ça change…

Screen Shot 2017-02-04 at 1.21.29 PM

Oh, my. A bondage-themed chandelier made from actual women, some cantilevered over the scene, backs arched and hands manacled over their heads, some supine with their legs spread and raised to heaven… Lady Gaga, perhaps? Or Madonna at the height of her “Express Yourself” antics?

Nope. The “Diamonds are a Girl’s Best Friend” number from 1953’s featherlight rom-com Gentlemen Prefer Blondes. They’ve got women working as candelabras, too!

Screen Shot 2017-02-04 at 1.21.11 PM

Hey, look at that—AP says I’m Trump Country!

crawford county map
See me up there in the upper right-hand corner?

As Percy would say, I’m “validated” like the young man who sees his own town in a film or lights up William Holden’s cigarette without acknowledging that he knows Holden knows he knows who Holden is, etc.

(p.s. This is not meant as a provocation, so please if you have anything bad to say about the current president, I would refer you to previous dust-ups at this blog on that issue, which I won’t even link to because I don’t think it bears any relevance to this post. Here, it’s all peace and joy and I don’t really care what you think about the current president – I’m making a Percian point here, which is much more important.

As a smoking/meat-smoking friend of mine in California might say, “Oh, you don’t like my politics? That’s nice. Did I mention that I bake bread?”

Except in my case I would say, “Did I mention I make a helluva good Chicken Cacciatore and that I can make you a martini that you will never forget? Sit down right there at my kitchen table and I’ll stir us a couple, and then let’s light up a smoke—cigar for you? Perfect!—and cigarettes (unfiltered) for me. Let’s talk then about the beauties of poems that completely nail the execution of a perfect enjambment of lines, of women who wear their hair down, of early R.E.M. albums and whether they were meant to be concept albums in the tradition of Pink Floyd and Yes but tinctured with a Southern Gothic ethos, of love in a time near the end of the world, and of children and how, one way or another, the little dears are going to get you out of bed in the morning. Yes—oh, and how’s your drink? See? I told you so….Cacciatore will be ready in about 20 minutes. How ‘bout another round?” )

 

Remember This Guy?

heydrich

He made his Korrektiv debut here.

And now Hollywood – or at least Czechslovkiawood – found him. 

So now we await the word of a famous film kritik, whom we all know and admire, on whether Korrektiv gets to kollekt any royalties from the movie…

 

 

Yeah, I know…

going-my-way

It’s a downright radical (or reactionary) publication (for the sake of complete transparency, I have a lifetime subscription), but this pre-Vat. II take on the flim-flam of films is, I think, right on. It was, after all, written by a member of the “greatest generation” – how could it be wrong?

“[P]erhaps you like the ‘progressive’ type priest better than the more old-fashioned kind. But don’t you see, even the old doddering padre, the one who’s made to appear as a typical ‘traditionalist’ or ‘conservative’ in the ranks of the Catholic clergy, is a far cry from what I would call a real Catholic priest. Because to all appearances he values his parish mainly in terms of a church building which it has taken him a lifetime collection drive to build. True, he doesn’t only take in money via raffle tickets and church pew collections, but in a kind of Robin Hood way he also pays back an occasional alms to the parish needy. Then, in moments of financial parish crisis, when the mortgagor’s handwriting appears in bold letters on the wall—the old padre seeks to revive his inner faith by an admittedly human, but hardly a very priestly way: he reaches dodderingly for his favorite bottle of scotch!”

I think of Spotlight winning this year’s onanist Oscar and can’t help but think that if the late and venerable Mr. Matt is right, he’s more right than he thinks…

Thank God for J.F. Powers…

 

Two Very Short Poems about Favorite Fictional Characters of Mine

007 Escapes Again
As Bond jumped from the plane, some were stunned
to see a parachute fly out of his cumberbund.

Kinsey Millhone Moonlights as a Madame
She started a service (somewhat impolitic)
for very private investigations: “Call a Dick”.