Thumbing through Bukowski’s last poems

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I take the wistfulness of the last stanza to be genuine.

The Pump Organ

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Albert G. Keene, carpenter, had planned
to move his young family south that very day,
to sunny California, a more prosperous land,
and a lot warmer. He transferred a vast array
of their household belongings from the dock
to the Alameda, within a circle traced in chalk
by the captain, as the boundary of their estate.
The family pump organ was the only freight
left on the wharf. The cautious captain feared
the approaching fire and tarred timber
of the dock like the long fuse of a bomb for
his ship. A window of mere moments appeared,
so Keene began pulling the organ up the plank—
the captain had signaled. The organ fell. Sank.

Rumors of Death

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While discounting several rumors of death,
The Post Intelligencer was obliged to report
several casualties related in good faith:
An unknown man, trying to stop the fire short
of the trestle of the Oregon Improvement
Company, was struck by falling timber and sent
swiftly into the fire. Fireman Derby rushed
into the San Francisco Store and was crushed
by falling walls. Two blokes, looking tough,
were seen dashing into the Wa Chong
Co. for plunder amidst the pillage … wrong
place, wrong time. Already in flames, the roof
fell the moment they entered. He sendeth rain
on the just and the unjust
—but there is no rain.

Driving Down Division

Driving Down Division

Prologue

Division Street divides Spokane like a scar
from stem to stern
from north to south
dividing west from east
heart from liver
you might find
Al’s Motel on one side
with its hourly rates
and crusted bloody sheets
or on the other side find
St. Al’s church with its
collection plates
and Jesuit schemes
in the middle you might
find yourself in transit
driving down Division.

The Past

I wake up tied up
to a bed in Al’s Motel
the taste of sawdust in my mouth
what time is it? the April sky
is overcast overeasy
pigeon shit on the window
stains my view
and I strain at the thought of
how did that pigeon shit
fly sideways to land there?
there’s a song in my head
Annie wants a baby
she was my love long ago
many missing pieces ago
before the millionth abortion
before I left and lost my head
the room is surprisingly clean
it reeks of cigarettes and stale perfume
but the reek is a grace note
threading through the death march
playing a throbbing in my brain
the reek is a puzzle piece
that might fit somewhere
if I could only find the puzzle
if I could only untie these knots
bitch, that bitch tied me up
and took my money
by the looks of it
she even took my boots
and the sunshine I saved inside those boots
that bitch but who could blame her.

The Future

I fall asleep kneeling at the altar rail
in St. Al’s church, Christ like a
piece of a puzzle on my tongue
tasting like sawdust but washed down
with wine and blood, accident and substance
the stained glass windows black in the dark
my soul black but washed clean
ready to burn white
now and at the time of my death
O brother death, O bright wings
over the bent world
over my bent soul
over the gaping hole in my bent soul
the gaping godshaped hole
there’s a song in my head
Annie wants a baby
she was my love long ago
and now I see her dark eyes
the church is cluttered with statues
and cast-off sins swept by the wind
like puzzle pieces scattered
the leftover smell of incense and oil
a hospital for sinners
or a morgue
it makes no difference to my soul
ascending
it makes no difference to my spirit
flying
I don’t look back
my hand is on the plow
my boots are far below
the moon setting the sun rising
blameless, eternal, alive.

The Present

You Can Call Me Al
is playing on the radio
I’m driving down Division
and I am divided
you can call me Al
or you can call me Zimmy
you can call me Simon
or you can call me Garfunkel
I am a man divided
and there’s a crack in my windshield
it runs the length of it
there’s a crack in my soul
and ice that wants to wedge there
to break me in two
something wants to split me
and destroy me
but something else
with fiery wings
wants to drive down in me
down my division
and weld me together
I can see that now
I can see a bird high overhead
it might be an eagle or a big hawk, hunting
swooping and diving
I keep driving
through the sweet smell of my own sweat
down Division down into the city
my boot sole gentle on the gas pedal
down town down
into the heart of it
a new song comes on
Annie wants a baby
missing pieces she’s got
a lot of them
so do I, so do I.

Rachel Toor

The watch that rests near angels dancing
Upon–around–your nimble wrist
Tells more than time at every glancing
When even demons giving blist-
Ers notice your released endorphins
Undoing pain, unnailing coffins,
And resurrecting running shoes
For one more run in search of clues
To what makes Academe’s demented
Professors tic, what makes us fall
Into profound abstracted fol-
Ly: tenure tracks down halls cemented
With chalky dreams and clocks that click
Their heels to run on time, and quick.

Tom I. Davis

’34 to ’13

Tom Davis, inauspicious, rivered
In Peaceful Valley, didn’t miss
The point, the little jests delivered
From points upstream, the hugs and piss
Of landscapes peopled through all seasons
With love and love’s subtle treasons,
The unforlorn beatitudes
Of losses, pains, of thoughts and moods,
The here and now’s eclipse diminished
By wives and children, poems, lies,
And truth writ small within the lines
Until that gnarled finger finished
His last touch, his last salute
To life, though silent, never mute.

Christopher Howell

He rose up from a farm near Portland
And ranged a Lutheran college north;
Seattle beaconed down, and heartland
Unmindfulness propelled him forth
Beyond a war of naval typists,
Their visions rival solipsists
Undoing; lately in the man
Arriving here to make Spokane
The house of his body, snowing lightly,
A lucky crime, the crime of luck,
But mercy holds his hand; he’s stuck
For now but angels come fortnightly
To sing him over heaven’s bridge
From jagged ridge to jagged ridge.

Jonathan Johnson

J. Johnson came to Spokane’s urban
Environs tracking mud across
The academic carpet, carbon
Dating mastodons of loss
Put up for sale in Fairbanks’ paper,
Domestic, edgeless, Great Lakes clipper
Delivering Jonathan to our town,
A mountain man in poet’s gown,
Intense, awake, a patient teacher,
A husband, father, one who knows
The shape of silence and what grows
From silence into human nature.
Dear J, it’s nice to see you here–
When will we drink that promised beer?

Spokane Stanzas

Prologue

Spokane’s the place where water falling
From Idaho runs through with thoughts
Unconsciously unwinding, reeling
The poets in from inland squats
To take their places at the river’s
Bedraggled edges. Poets’ livers
Can’t filter all that they abuse
Themselves with for the lovely ruse
That lines of words can make unhappy
Inhabitants of Coeur d’Alene
Cease for a moment feeling pain
Or leastwise help them feel less crappy
When turning towards the Cascade heights
With thoughts of oceanic nights.

‘I am the rod to their lightning.’

In the December 2012 issue of Poetry Magazine, Mary Karr takes a crack at writing a poem in the voice of Our Lady.

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