Rally, Kollektiv, Rally Redux

“The fate of an entire industry seems to hang on the fate of every book, and the feeling is perfectly understandable,” said Leon Wieseltier, the literary editor of The New Republic. “People who know how to publish books are in danger of being put out of business by people who don’t but think they do.”

BWAHAHAHAHAHAHAHA!

 

 

Instant Best-Seller

From The Writer’s Almanac:

Nathaniel Hawthorne’s The Scarlet Letter was published on this date in 1850 (books by this author). He didn’t expect the book to sell well, although he did feel that “some parts of the book are powerfully written.” As it happened, the book was an instant best-seller, selling 2,500 copies in 10 days. The Scarlet Letter was one of the first mass-produced books in America, and it was likewise distributed quickly, so more people were reading it at once and talking about it. The word of mouth drove sales of the book, a relatively new phenomenon at that time. The second edition, a run of 1,500 copies, sold out in just three days.

50 Years Ago in Catholic Publishing…

…the Time Inc. Reading Program issued a reprint of Graham Greene’s The Power and the Glory, complete with an introduction from the editors of Time.  Here ’tis.  Apparently, Greene was also well acquainted with suicide.  Anyway, it’s all pretty remarkable.

[Read more...]

Turn About’s Fair Play

Nick Ripatrazone, poet, writer, Korrektiv guest blogger, and interviewer extraordinaire at The Fine Delight, recently got interviewed himself.

Anthologized

This just in:

We are pleased to report that your poem, “Thanksgiving 1987,” has been selected to appear in an anthology edited by Jill Peláez Baumgaertner. This book, Imago Dei: Poems from Christianity and Literature, will be published by Abilene Christian University Press in 2012. The anthology is a collection of the best poems that have been published over the past sixty years in Christianity and Literature.

This Just In: Books/Reading/Publishing Not Dead

From the latest fabulous edition of McSweeney’s Quarterly Concern:

© 2011 McSweeney’s Quarterly Concern and the contributors, San Francisco, California. This has been a strange few years for the book industry. There have been many changes and realignments, and these changes have led countless commentators to predict that (a) reading is dead; (b) books are dead; (c) publishing is dead; (d) all printed matter is dead. Or that all of the above, if not already dead, will be dead very soon. ¶These are upsetting predictions, given they’re based on assumptions and attitudes, and not data. Instead they point to the one reliable aspect of the literary world: that every decade, no matter the climate or the realities of the business, excitable people, many of them inside the industry themselves, will claim that reading is dead, that book are obsolete. It’s a common but ill-informed line of thinking, and it leads to some bad decisions and bad outcomes. ¶Back in May of 2010, amidst some of the most dour prognostications about the state of the industry, we asked fifteen or so young researchers to look into the health of the book. Their findings provide proof that not only are books very much alive, but that reading is in exceptionally good shape—and that the book-publishing industry, while undergoing some significant changes, is, on the whole, in very good health. ¶Let’s start with some bedrock data that disproves any statements that the industry is in freefall. According to Nielsen’s BookScan—a sales-monitoring service widely regarded as representing 70 of 75 percent of trade sales—Americans bought 751,729,000 books in 2010. Excepting 2008 and 2009, when sales reached 757 million and 777 million, respectively, that’s man millions more books sold than in any other year BookScan has recorded. (Five years earlier, in 2005, the total was just 650 million.) The decline from the all-time high of 2009 can’t be overlooked, but it’s worth remembering—in 2010, in the middle of a crippling recession, with unemployment in the double digits, people still bought more than 750 million books. (In all likelihood, quite a few more, considering BookScan’s tendency to underestimate.) And that figure doesn’t include e-book sales, which are no thought to make up as much as 9 percent of the overall book market—and which are growing by the year, representing at least a partial antidote to declining hard-copy sales. So: despite the prognostications, and the poor economic circumstances, total U.S. book sales in 2010 remained well above a billion books. ¶Other statistics—literacy, library circulation, overall book production—paint a similarly reassuring picture. Here are some examples, with each statistic using the latest available figures.

  • In 2008, there were more original book titles published in print that ever before: 289,729 different titles in the U.S. alone.
  • In 2007, there were more U.S. publishers than ever before: 74,240 (that’s compared with 397 in 1925). This figure has been rising every year since the data began being collected.
  • In 2005, there were more published authors living in the U.S. than ever before: 185,275 (compared, for example, with eighty-two in 1850).
  • Adult literacy in the U.S. is also at an all-time high: 240,220,540 adults (98 percent of the adult population) were considered literate in 2010.
  • Library membership in the U.S. is at an all-time high: 208,904,000 Americans held library cards in 2009. (That’s 68 percent of the population, the greatest number since the American Library Association began keeping track in 1990.)
  • Library circulation is at an all-time high: 2.28 billion library materials were circulated in 2008 (that’s 7.7 circulations per capita) compared to 1.69 billion in 1999 (6.5 circulations per capita).
  • ¶That’s all good news. So much good news that we hope you’ll feel armed with the numbers to combat the next lazy assumption that book, reading, novels, or literacy in general is dead. It isn’t, by any available measure. ¶Still, though, there persists the idea that Reading Is Dead, and this assumption requires a corollary assumption, which is that there was some other, Golden Age of Reading and Writing Somewhere in the Past. For those who lament the death of reading, there is never a clear sense of just when this Golden Age was, but the idea is always there—that we are a fallen society, and that some earlier era was when books were read in greater volume and with greater depth and enthusiasm. ¶So let’s consider this the Golden Age of Reading and Writing that every successive generation and age is measured against. When would such an era be? ¶Let’s start with Dante. Sure 1321, when The Divine Comedy was published, was a time wherein the majority of citizens were walking around piazzas, reciting Ovid and Sophocles and talking about Dante’s latest works? Not exactly. At that time, barely 10 percent of the Italian population could read. And given that Dante toiled at a time before the arrival of Gutenberg’s press, books were incredibly scarce, and prohibitively expensive. The average Italian citizen—even if literate—had virtually no access to books. In the Italy of the fourteenth century, and indeed across Europe, reading for pleasure was an activity enjoyed by precious few. ¶So maybe it wasn’t Dante’s era that was the presumed Golden Age. How about Shakespeare’s? People were coming to the Globe Theater to see his plays performed mere weeks after he’d written them! Surely this was the era that marked the pinnacle of literate society, from when our decline began. ¶But no. The statistics from his lifetime, 1564 to 1616, aren’t much better than those from Italy during the time of Dante. In Shakespeare’s era, the vast majority of the books and pamphlets that were printed, bought, and read were practical hexes and quasi-religious tracts. Shakespeare himself was not read widely, in part because by 1600, only 40 percent of the English population was literate (about 1,680,000 people). Books read and bought for pleasure were rare, and still expensive. As it had been for hundreds of years, the reading life was one for the very well-educated (and wealthy) few. For example, the first printing of John Milton’s Paradise Lost, in 1667, was a mere 1,300 copies, and it took two years for them all to sell. So while those years were a time of some monumental writing, it was not our Golden Age of Reading. ¶Let’s jump forward a century of so. Certainly the time of Jonathan Swift and William Blake was one of great and widespread literary awareness? Not exactly. In 1792, the most widely circulated newspaper in England, the Times, made it into the hands of a mere three thousand customers a day, about .04 percent of the population. By 1800, literacy in England had reached just 62 percent for a population of roughly 8 million (having risen only about 20 percent in the previous two hundred years). The most popular books were still religious texts, and most households were lucky to own a handful of books—and those were not likely literary in nature. ¶Back in the nascent United States, things were worse. At the time of the signing of the Constitution, in 1787, only about 60 percent of about 3 million American adults could read. And though Jefferson might have had a vast personal library, most citizens did not. Owning large numbers of books was still prohibitively expensive for most. ¶So let’s set aside the lifetimes of Dante, Shakespeare, Milton, Swift and Jefferson. Their eras, remember, were without systems of public education, and thus literacy was not equally accessible to all. Given the tiny percentages of people who could not only read, but had the time and money to read literature, their times cannot provide our Golden Age. ¶Would the nineteenth and twentieth centuries qualify? These were the years when literacy rates in America exploded. In 1870, about 80 percent of 38.5 million Americans were literate. BY 1940, almost 95 percent of 131 million citizens could read. ¶But today, as we noted, more than 240 million American adults (aged fourteen years and older), of about 245 million altogether, are literate. ¶In 1950, 5,285,000 Americans aged twenty-five and over had attained a bachelor’s degree—about 6 percent of the twenty-five-and-older population. ¶In 2009, about 60 million Americans in that age group had one, making for a 29 percent share of the same population. So those more recent decades don’t eclipse our own time, either. ¶To state the obvious, there are more people in this country and on the planet than ever before, and that means that there are more potential readers. More widespread and democratic access to education here and around the world means that there are more literate people—over 3 billion, by the last calculation. And with book production at an all-time high, it follows that more people are reading than at any time in human history. So that’s good news.

    Source

    Official Drink of the Pentecost

     These little beautiesare more popular than Margaritas in Mexico.

    Olive Press

    The players take to the garden, return again
    To ancient themes, to nature’s patient agonies
    Impressing stone and wood with active energies.
    Meanwhile, the city clings low to shimmering swells
    Of ground fog rising in scarves from the cooling Kidron
    And wrapping fingers around the ancient walls.

    The city sees a change while upturned palms burn
    For ash. No small wonder, really, for Gehenna
    Where there’s little significance to the olive,
    Where trees that hang a heavy harvest dim the grove,
    The flowering night shade of their candelabra,
    The branch-work that threads like a path through the garden.

    And crouched in a stone cage is one with a greasy shine
    Spilling out everywhere – an almost cat-like
    Creature threatening in its silence to devour
    With hemp’s crush the segments of an hour like children
    In springtime, a creature wound up and tense to strike
    The torrid springtime itself in its highest hour.

    It was darkness rolling troubled stones in silence.
    The harvesters rang out with toil from the field.
    The workers at the presses also came with jars
    Of clay that brimmed over product thick with a year’s
    Devotion – spilling none, counting plentiful yield,
    And selling birthright for a silver tuppence.

                       Drying up the river through the temple
                       Crying a name as yet unknown

    It was a rampant season for making history;
    An empire in mid-life and overripe with fruit –
    The labor and betrayal pierced to the bitter root
    The heroes plucked as heirlooms from the flames of Troy
    And scorched on beaching ships that burnt without succor
    Until drenched in Pax Romana’s sweetest liquor.

    In fired chalices formed from stolen frontier gold,
    Oil unmixed with wine rises to the surface,
    Contained by art’s own unmitigated pressures;
    The wilding shadows thrown by torchlight in palace
    And temple rush headlong with violence, furious
    At time’s atrocities committed by young and old.

    An ignorant eroticism makes quick gains
    Among the royalty who, following the masses,
    Begin to sing of arms while Brutus and Cassius
    Are ghosts, deleted Latin on a page, the veins
    That course the marble tombs of Caesar’s whitewashed stone,
    Even as Pompey’s Pharsallus blows dust and bone.

                       With bruised olives drying up, refused in a pile;
                       With only the fires to keep away the flies –

    Now’s the time all sorrow ends; mystery beneath
    The toga’s folds begins a pagan rehearsal –
    Redemption speaks of prefects, governors, prelates
    Who suffer through their days with fortune’s reversal
    To dance the hours, hours of office, out of breath –
    And trumpet credit to death’s triumphs, their debits.

    Such hours are for the scrolls of pagan dramatists.
    One egregiously comic moment in a garden
    Is enough to bereave a wife and her children.
    In this, glory’s power cannot enlist the just,
    Nor pretend to compensate with porched solitude:
    The shades of earthly majesty are pumice-smoothed –

    Lacunae scripted on a double-sided scroll;
    A buffo’s dumbshow for eternity – perfect
    Empire. But roles and lines for governorships have been
    Exchanged before the clock, and so they will again –
    For this that is now is not as it ever shall
    Be: The stone rolls to cure patience or sour product.

    Thus better frontiers by time’s margin will maintain
    The autumn’s golden bough, as its glitter rattles
    The ravaged, tattered foliage in a sacred wood
    Where eyes are cross-beamed and dream of a bleeding rood
    That drips with critical sweat and crucial oils.
    A sponge is daubed to rarify the galling pain.

                           Drying up veins sloughing off to dust
                           Crying a shame as yet unknown.

    The laden branches bending low to earth are soiled
    This spring by imperfection and excess, all told
    In the waft of ripeness and waiting press of fruit;
    The gentle fructification tendering both root
    And branch; the steel that touches wood; all such will catch
    The ripened globules where the stem and tree attach –

    And drying up, tapped and sapped, crying night at noon,
    All shadows are realized now and released at once –
    A snapping twig alone tells the coming of time
    To press upon and squeeze out oil like tears, and soon
    Embrace the price of love. (With untested endgame,
    Cagey death attempts to whisper its own sentence.)

                            Drying in the sun the clay cracks
                            Between words written, only unbreathing

    The garden took, embraced and held its own harvest;
    With greed, it cradled a cup of spill. The press is full
    Of leopard’s agony blazing lightning, unblessed
    By its stony heart’s wish for miracles in clay,
    And brought to life in the perfect turmoil of soul,
    Bringing back to life the holy rest on the last day.

    Official hands are washed – courts are covered purple –
    The prophetic dreams are drenched in acrid night sweats:
    “Forbearance,” whispers the child in plainest glory.
    Friends sleep, awake, and sleep again…. Such ignoble
    Hours, such holy hours – even for the governor. He,
    Informed his sleepless wife is having fits and starts,

    Beholds no truth in man: “It is void as silence,
    This dream I’ve had, my love. It is numb as violence –
    Please, my dear, forebear…. I fear a certain horror
    Stations itself above an unbloodied altar…”
    Unbreathing, he makes no reply. (The fact of love
    Is incomprehensible. That is cruelty enough….)

    The groan of wood and stone’s cavitation wakes the wife
    Of the governor with trouble’s dawning doubt;
    Oil for the millwheel of Caesar’s rounded empire
    Extracting seasoned elements of earth, air, and fire,
    Onward, these of nature, to the work and thought
    That hateful tempests will drown in daylight’s first grief.

                           Drying in the sun the flesh crackling
                           Cries a name

    The olive’s small significance begins to grow.
    The sun is rising like a greasy silver coin
    Smoke-smutted in the pitch of a pine-tarred torch.
    Its shady light smears the air. A temple’s porch
    Of aimless souls cluster in windless Palestine
    Like cooling sweat beading a spent and dormant brow.

                              Lies in flame
                              Only flesh soon knowing.

    Yet wretched human measures by no accident
    Conspire in equity with their natural element
    To breed a further conspiracy among men –
    As nature contracts fact and deed, so the season
    Will take a timely toll even on divinity
    With death in shadows, caged in perfect agony.

                         The mourning-doves are rising, wailing
                         Before the eastern coming of the sun

                         The hour stumbles across the dawn, paling,
                         One among a million practiced for this one.

                         Such intersected mornings are failing
                         The philosophers. Their ancient days are done

                         And mourning-doves are rising, wailing
                         Before the eastern coming of the sun

    The spent and purchased currency of light returns
    As green and swelling olives cluster to complete
    The seasonal curses that calendars repeat
    Since Adam’s parental coinage. Day overturns
    The cage – a newly conceived empire’s loose at last
    But at the cost of thirty parts silver broadcast –

    Destruction’s seed is thrown into a conflagration,
    Where each germ shivers minute schisms of the one,
    The true, the wholly apocalyptic day star;
    No golden idol melted down, but a suffering act
    Contracted to nothing, dangling free and clear
    Until darkness at noon breaks its contract

    With existence. In untethered reminiscence
    Of Babylon days, the world is unable to speak.
    Incessant stone thunders out the insistent creak
    Of lumber pressing flesh. In its tumescence
    The fruit is crushed, mangled, but unable to free
    Itself from the weighty wood of its parent tree.

    The torch’s midnight smoke and ashy grit will keep
    The winging chorus of flies from softly singing
    Too close to tempt his ear. Their chary cataract
    Of sound and fury augur thunder’s cardiac
    Arrest in rent precinct vistas; with a tearing song
    Of fabric, light divides the temple’s pallid drape.

    Abstracting death from its sagging weight, the world’s flesh
    Is driving steel into wood:
                                                            …sabachtha’ani!
    A voice is calling Elijah, a voice quaky
    And translating death from the tongue’s Hebrew anguish,
    A poem of lightning reciting the psalmist’s groan
    In empty space – where grace oozes blood like ozone

    And breathes its life into crumbling scrolls.
                                                                                              Inspired,
    God becomes a wound,
                                                   As from a wounded word
    Consonants grow vowels.

                                                         As silence yields a human sound.

    Note to Accounting Dept. Re: Alternative Revenue Stream

    From Forbes.com – right down the road, in Alvin, Texas, check this out:

    In early November, Condé Nast received an “Electronic Payment Authorization” form by email at its offices in … New York. The form appeared to have been sent by Quad/Graphics. The form requested that Condé Nast direct payments for Quad Graphics to the Quad Graph Account, and provided account information. Condé Nast filled out the form and returned it by facsimile from its offices in … New York to the facsimile number provided in the form. Following Condé Nast’s receipt of the “Electronic Payment Authorization” form, Condé Nast started making payments for Quad/Graphics bills by ACH transfer from a Condé Nast account with JPMorgan Chase Bank in New York to the Quad Graph Account.

    For the rest of the year–and, the lawsuit says, after that one email–Condé Nast Wired $8 million to Quad Graph.

    Then, on December 30, the lawsuit says, someone at Quad/Graphics–the actual printer–contacted someone at Condé Nast asking why Quad/Graphics hadn’t been paid by Condé Nast since mid-November. That triggered a few alarm bells, including what must have been, at Condé Nast, a WWD moment (“What? What? Damn!”).

    Read the whole thing: Conde Nast Paid $8 Million to Scammer Who Sent One Email