The River

I love Jonathan Potter’s poem, The River. When he posted himself reading a version of it awhile back, it really struck me. I listened to it several times, and that is when I ordered House Of Words from Amazon.

First line that struck me was “like bearings in fresh oil.” I don’t know why. I just loved the imagery’s tactile viscosity. I would love to stick my hands into an oil pan of bearings and fresh oil. I could go deeper into sacramental imagery, but I don’t feel like it here. I want to move down the river a bit.

The next line, and this is when it got emotional for me, “I need the river like that man needs that drink at the end of a long day.” This lit a fuse in my mind. Perhaps it was the sound of his no nonsense voice as he read, but these words were preaching empathy to me. I know that feeling. I became conscious of it a long time ago, and how drink offers us a respite from life’s troubles. I never did, but many people choose a river of alcohol rather than Jonathan’s river. But Jonathan’s river is much deeper and more powerful than the drink at the end of a long day.

After the drink line, the poem gets supernatural. You feel the power of the river now. You hear the river ghosts whispering directly into your soul. The words from this point forward were mystical and carried me into transcendent space outside of time. I felt the power of the river flow through me. And for a few minutes I knew that someone else on our planet “got it.” I was not alone, and there was Hope.

So many people walk the face of the earth unconscious, and unable to grasp the absolute beauty around them. I was troubled and unconscious the day I listened to Jonathan read his poem. The words woke me up, and reminded me of Christ and that I believe in Him. It reminded me of Beauty and that there is Truth. This Beauty is all around us and art awakens us to it.

Small though you may be keep striving to create your art. You never know the souls you touch or how God will awaken people through your work. I am not sure what Jonathan meant by his words. I suppose the River could be a metaphor for Christ. It was for me. It does not matter if that was Jonathan’s intention, what matters is that he captured transcendence. He captured a little bit of eternity. What a great gift to give, and I am grateful to him for striving to capture it. It is like receiving a small relic of the true cross. So never give up or be discouraged your work is sacred.

I memorized a poem!

The End of the Twentieth Century

As performed at the Legion of Doom headquarters in Spokane, Wash., February 17, 2012.

Source

House of Words and The Twelve Houses

House of Words Deleted Scenes: “Shakespeare’s Inferno”

Shakespeare’s Inferno

One day Shakespeare lost a sonnet full
Of metaphors made out of leather and dye
Writ in blood on a graveyard skull
Before his pen and ink and mind ran dry.
The time I wrote a poem to you, you saved
It as a monument to incinerate
Your dreams in the fire of while you paved
A sacred cow path through a narrow gate.
Now the sounds of slaughter filter down
From the ivory tower to the silver mine
To where you stand in blood-stained cap and gown
In line at the cafeteria where devils dine.
You wander halls and corridors like Cain,
Cradling your pound of flesh exchanged for pain.

House of Words Deleted Scenes: “e.e.”

e.e.

one snowdrop

falls and the
mountain trembles

one rainflake

sings and
shatters the mold.

one roughfaced

man(with the
child’s eyes)

builds a

sunbeam out
of laughter

writes a

poem with
the sky

House of Words Deleted Scenes: “Short Story”

Short Story

Your turn of that page
has opened a drawer.
My home. I am his underwear.

He’ll always show you
the contents of his drawers
but never what he’s wearing.

He’s that kind of fellow.
But I’ll give you a clue:
I am his only pair of boxers.

To put it briefly,
he suffers a shortage.
Why only one of me?

Why only one day
of freedom per week
when he could have seven?

That is the question
I once heard
his girlfriend ask.

He replied like Robert Frost
that a little freedom
is almost too much

and went home and
put on briefs.
Short changed.

Only Time Will Tell

House of Words Deleted Scenes: Limerick #12

There once was a house made of words.
Inside lived some humans and birds.
Laid out in the cage
Was a newspaper page
Where the words merged with feathers and turds.

Young Mary Flannery O’Connor Reads Jonathan Potter’s House of Words

Picture source.

Protected: House of Words Deleted Scenes: “Wounded by Light”

This content is password protected. To view it please enter your password below:

The River

The extended Bonus Feature edition of a poem from House of Words.

Page 17

House of Words gets a mention in Eastern Magazine, p. 17.

I thought they killed you first and then worshipped you


I only get three minutes, but the poster is pretty damn kool. I’ll take it. Speaking of Robert Wrigley, I suspect he is the poet alluded to in a recent Dappled Things poem about envy. LOST-like interconnectedness once again rears its freaky head.

Anthologized

This just in:

We are pleased to report that your poem, “Thanksgiving 1987,” has been selected to appear in an anthology edited by Jill Peláez Baumgaertner. This book, Imago Dei: Poems from Christianity and Literature, will be published by Abilene Christian University Press in 2012. The anthology is a collection of the best poems that have been published over the past sixty years in Christianity and Literature.

Big Poppa E Hugged Me

I went to my cousin Mark’s open mic (called Broken Mic) at Neato Burrito (with the Baby Bar in back) here in Spokane last night and met Big Poppa E. I didn’t know who he was but I do now. He’s a poet of the new breed: slam/comedic/monologue like. As I stood at the microphone, I held a copy of House of Words in my left hand and a beer in my right hand.

“This is my book,” I said, holding the skinny little thing up. “And this …” (raising my glass) “… is my security beer.” Right then Big Poppa E approached and gave me a big hug. It felt vaguely homosexual, but I was alright with it. (I understand now that it was more like wussy-man to wussy-man.) I continued my recitation of the first three poems in the book. It was okay.

Big Poppa E took the mic a few minutes later and was in good form. Here’s a sample:

From the YouTube Music Video Archives: The Sun In My Mouth by Björk

I just finished reading that interview with Potter Noster linked to below, and as I wrote in the comment box, the interview itself strikes me as kind of extended prose poem. I enjoyed his take on e.e. cummings and Wallace Stevens in particular, which resonates with a lot of poet converts, I think. Regarding the teenager’s sense of vocation, poets and aeronautical engineers are more or less kind of the same sort of profession, it seems to me. When you squint.

So here is the not-so-anemic Björk singing “The Sun In My Mouth” in a performance from just a few months ago. It’s a great song set to a fantastic poem by e.e. cummings; when I first heard it some ten years ago, the lyrics struck me as remarkably Catholic (“She’s referring to the eucharist!” I said to myself), and certainly the lines “Will i complete the mystery / of my flesh” would seem difficult for any Catholic to read without being reminded of the Corporis Christi Mysticum. Lo, after listening to the Vespertine album a few hundred times and studying up on Björk herself, I had to admit that that for her they were nothing of the kind. Likewise for Cummings. As far as I know. Which, really, isn’t all that much at all. I, for one, will continue to read “silver of the moon” as a metaphor for the semi-circle of the accepted chalice, and hope that neither Cummings nor Björk or even the Corporis Christi Mysticum will mind.

Anyway here’s the poem “I Will Wade Out,” unfortunately without the wonderfully ideosyncratic line breaks so characteristic of cummings:

i will wade out
till my thighs are steeped in burning flowers
I will take the sun in my mouth
and leap into the ripe air
Alive
with closed eyes
to dash against darkness
in the sleeping curves of my body
Shall enter fingers of smooth mastery
with chasteness of sea-girls
Will i complete the mystery
of my flesh
I will rise
After a thousand years
lipping
flowers
And set my teeth in the silver of the moon

Interview at The Fine Delight

Nick Ripatrazone reviews House of Words

House of Words, for me, is marked by two main themes: the (sometimes) inadequacy of words to represent the real and the spiritual (certainly a concern for Kierkegaard), and a focus on narrative. The first poem in the book, “Wordsong,” ends with the lines “because / all words here lie.” The duality works as an introduction: here is the house of words constructed by the poem, structured by the poet, and yet also these words lie as in created untruths. Can words lie, though? Of course in the practical sense words misdirect and can be misunderstood, but at the same time Potter is adept with description, and those sketches can be quite concrete. Are we to question that specificity? “River’s Gift” is a good example: “And manmade things, / a music of manmade motors. / Cars caress the air. I wait / for what the river brings, stoop down / to its frothy shoreline and touch / my hand reflected and restored.” Do those words lie? This brings up questions of connections between word and world (can a house be of words? certainly–if we adjust our definition of house, as well as our definition of word).

Read the entire review