… but here’s the beginning of an epic poem about the time a young man met the man himself:
November 22, 1989
The day I met Walker, the rain had fallen
in Louisiana sheets, and I’d left
my tent illicitly pitched in the Bogue Falaya
State Park, along with a bookish bottle
of Early Times I’d taken a few swigs off of
in the dark the night before as pine cones pitched
and fell outside as if in triadic morse code
from Flannery in heaven telling me grace was in
the river. And alligators, too, I reckoned.
I walked the cracked sidewalks of Covington, aimlessly,
dazed by the wonder of seeing vines sprouting
through the cracks in a sacramental vision,
a concelebration of the namer and the named,
and lept across the flashflood puddles
as I made my way towards no destination
but found myself in The Kumquat bookstore
to oggle shelves bursting with signed copies
of The Moviegoer, The Last Gentleman, Love in the Ruins, Lancelot,
The Second Coming, The Thanatos Syndrome, Lost
in the Cosmos, The Message in the Bottle, books
that had changed (and continue to change) my life.
Oh Walker (Oh Rory) I was twenty-four
and pining for a woman I was also
on the run from in triangular
despair (yet thanks in part to you I also
was aware, at least a little — a foothold —
of the despair, contrary to that Kierkegaardian
epigraph, precisely pitched though it is).
Oh Walker: so I bought a stack of books,
some for me and some for those I loved,
and left instructions with the keeper of
the store to have you encode, in your
physician’s scrawl, your cracked prescriptions
where the vines of love and truth might grow from bourbon
and ink, the cumulative bliss of limitation,
where you and I might clear a space for being.
San Diego in the news.
Not my town, but the original San Diego – San Diego de Alcala. Or rather, his corpse. And a praying robot made in his image. A little something for anyone who has ever felt the least bit automatic during recitation of the rosary.