Check out the animated show Bat out of Hell on YouTube!

“Quel Giorno Più Non Vi Leggemmo Avante.”

                          —Inferno V.138

We lean above the book and fateful page
    And lean into its words. You speak. I hear
    The husked seeds split, and they bleed down the page:
You tuck a strand of hair behind your ear
    And strings that knit the constellations twinge
    Like mandolins beneath the earth —so near
Commingled shade and soil to unhinge
    The grave; yet far as moonlight in a pond
    That blinks with nightjars rippled on the wing.
Though grassy spring now shimmers green with frond
    And shoot within your eyes, your beauty stares
    From violet shadow, Cimmerian, beyond
The swallowed source of bowered light that flares
    Within your eyes. They tear my heart away
    With a single glance. Eurydice wears
Your smile — anticipating hope, yet fey
    As autumn apples dropping from their limbs
    Will roll, gather into gullies, and lay
In wait: a sudden winter rain floods and brims
    The world in multiples of fallen time,
    The same that fuel in sullen throb the hymns
Of Orpheus, hemorrhaging grief in rhyme.
    But different tunes ignite our desire’s root –
    Their trace, emerging vines that merge and climb
The walls within the halls of Hades. Mute
    And vanished as night, yet here you remain
    A muse that breathes her fire upon a flute:
The pomegranate and its crimson stain
    Upon your lips, at dawn, upon my lips —
    Yet I am sure of nothing but the train
Of Venus, gown of ebony which strips
    This morning’s meaning, held out as a gift.
    My tongue takes these words as one, but trips
Upon your name. I hear each quench and sift
    It murmurs, blown upon the wind, and us
    With it, now bound by cords, now set adrift,
Regret our only landfall, tremulous
    Desire our only compass – this final page,
    The desperate map that charts us in our loss.
You arch your back and lean into the page
    Again, again I dare to lean as near —
    And further — but no farther than this page,
The compass needle driving through the air.

Le sigh.

“By the mid-’80s, at a meeting of the New York Society of Film Critics, [Pauline] Kael leaned over to Richard Schickel and whispered, sadly, ‘It isn’t any fun anymore.’

‘Why do you say that?’

‘Remember how it was in the ’60s and ’70s, when movies were hot, when we were hot? Movies seemed to matter.'”

— Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ‘n’ Roll Generation Saved Hollywood, by Peter Biskind

“And the Darkness Did Not Comprehend It”

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An early December story in The Hollywood Reporter recounts the first time that Hollywood actress Meryl Streep and legendary director Steven Spielberg met. “Most of the time,” Streep recalled in the December 5 story by Peter Galloway, she and Spielberg “talked about how his property was haunted and did I know anybody who did exorcisms? And of course, I did. I got him a priest.”

This comment from a member of the Hollywood community might come as a surprise to some people. After all, Streep works for the same business that produced a legion of movies about the devil—from Rosemary’s Baby to The Omen to The Exorcist—all in one way giving the devil more than his due by sensationalizing evil. Sure, images of devil and hellfire help maximize ticket sales—but do people in Hollywood actually believe all this Satan stuff?

While it’s not clear from The Hollywood Reporter story whether the famed director rid his house of the suspected evil, it is clear that even those who make fantasies for a living accept that the devil is real and that when he shows up on its doorstep, even the world of make-believe knows there’s only one place to turn: the Catholic Church.

Perhaps implicit in Streep’s recommendation to Spielberg is an understanding that believer and non-believer alike acknowledge, grudgingly or not—that the Catholic Church alone offers a direct, no-nonsense and effective solution to demonic affliction…

READ THE REST HERE

Today in Catholic Artists: Ben Hatke

Ben Hatke: Artist & Adventurer from Mirandum Pictures on Vimeo.

The man is talented and prolific and weirdly happy-seeming. He’s probably also disciplined and sober and able to face his demons with a confident smile. I’m baffled.

“Natural order? You sound like one of those insane Neo-Catholics.”

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…is an actual line of dialogue from Altered Carbon, Netflix’s dense and gorgeous sci-fi series about life after death has been digitally defeated. Consciousness has been codified, so you can get “spun up” into a new bodily “sleeve” for all eternity — provided you have the means. But wouldn’t you know it, there’s this weird bunch of religious zealots who object — who make noises about soul and body having more to do with each other than ghost and machine, who think it devilish to deny death and what comes after. Who make noises about human dignity. Remarkable.

It’s chock full of sex and violence, and the dialogue isn’t always the strongest, and the acting isn’t always spot-on. But there’s a lot there, and I’m kinda fascinated. It’d be fun to see some smart Catholic critic dig into it. Heh.

Wow.

I almost think the opening scene of Nocturnal Animals is there to scare the moralists away via aesthetic assault. (It also serves a narrative/thematic function, sure, but…) Because after that, it plays out with the blunt trauma moral force of a Flannery O’Connor story, only without the promise of grace. Maybe it was the tequila watching, but I liked it a lot.

I’m glad Mika cleared that up for us

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Now I can sleep at night, gin-scented tears running down the side of my nose and all…

More Violent Protests by Angry College Students

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Sure, they’re not overturning cars yet – but just you wait until they get their rosaries in women’s ovaries. Then it will be all over!

Full story about these anti-women, anti-choice terrorists here.

(And watch that sassy Barbara O’Brien lassie in particular (yeah right – that’s her real name!) – she’s probably hiding a pressure cooker bomb behind that placard she’s holding – and getting ready to set fire to cop cars to boot!)

Thought Experiment in the Making…

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How close is Webster Parish to West Feliciana Parish and is there something funny going onsuch as wives presenting themselves rearward – in that parish too?

Plus ça change…

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Oh, my. A bondage-themed chandelier made from actual women, some cantilevered over the scene, backs arched and hands manacled over their heads, some supine with their legs spread and raised to heaven… Lady Gaga, perhaps? Or Madonna at the height of her “Express Yourself” antics?

Nope. The “Diamonds are a Girl’s Best Friend” number from 1953’s featherlight rom-com Gentlemen Prefer Blondes. They’ve got women working as candelabras, too!

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Democracy at Work?

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Photo source.

Truly, that which is required for the preservation of life, and for life’s well-being, is produced in great abundance from the soil, but not until man has brought it into cultivation and expended upon it his solicitude and skill. Now, when man thus turns the activity of his mind and the strength of his body toward procuring the fruits of nature, by such act he makes his own that portion of nature’s field which he cultivates – that portion on which he leaves, as it were, the impress of his personality; and it cannot but be just that he should possess that portion as his very own, and have a right to hold it without any one being justified in violating that right. – Leo XIII

Shucks! – I guess the 2017 litterachur Nobel is going to go to Bono

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But I’m energized – Big League – at least it’s going to someone who actually understands the difference between sovereignty and totalitarianism…

Well, shit, if you think I’m wrong about it – the laddy said it right here. I quote unquote quote:

“Edited clips of Trump replied: “I will build a great, great wall on our southern border and I will have Mexico pay for that well.”
“A wall? Like the Berlin Wall? Like the Great Wall of China?” Bono, a donor to the Clinton Global Initiative, shot back to the video screen.”

Well, let me uncling mesself from thissere gun, religion and God type-a-thing before I continue. [Sipping at a cold one now, hold on…]

Well, shit, what I mean to say is, hell and hard nuts, America is so tired of thissere electionation process… Oh, hell, let’s just all go home and hope that we have jobs come Monday… I’ll buy the keg (Quinn, can I borrow 40 bucks? The Hamms is on sale…)

Well, as I look out at this wonderful U Ass of A we gots usself here, I can’t help but thinks about that what which Bono’s countryman and fellow string-strummer once said, “That’tare ain’t no country for old menfolk…”

Well, Cormac, I guess you can be fixin your Nobel year to be—

Hell now, look at that, Mr. Tweedy, you made me spill my Blatz.

No, excuse me – EXCUSE ME, Mr. Tweedy, but we happen to got womenfolk in the audience just now, so you just you shut your jaw the fuck up, now you hear. I realize you got a grimace like a hound dog trying to pass a peach pit. But just heel now, y’hear? You’ll have your chance at the carcass after Cormac gets a gnaw!

Well, I guess that’s about alls I got to say – ummagonna end the conversation righ-chere.

Love and peace and I’m all with Her and all.

JOB

“Gin! The Driver’s Choice!”

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Absofuckinglutely apropos of nothing (except tweaking Greenpeace noses everywhere!)

 

 

If you’re clapping, stop it.

IMG_20150502_200308Rotate Caeli has a great sermon for this past Sunday (Extraordinary Form) by a priest in full communion with Rome on the Holy Father’s new document, The Joy of Marriage Sex. Listen and you’ll be mad you did – but at least now you can say, you know, you know.

Readings for this past Sunday (Extraordinary Form). (FYI)

 

Flies

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               The power of flies; they win battles, hinder our soul from acting, eat our body.
                                                                          – Pascal, Pensees, 367

I hate the thing I cannot be and yet
I know I’m not wrong for I’m never wrong.
I count the stars and one alone has set

Me going – all the rest can go to hell.
I didn’t make the flies, but I had put
Their song to good employment. Now they dwell

With me – and I should know, being the lord
Of the buggers, they make an easy sell
For cleaning up a butcher’s yard. Byword

Of light itself – I was it! But no more –
I’ve got a kitchen kingdom, fleshy sword
And flyblown maw instead to tend. I’m sore

At heart and hate the Jews – and Romans too.
But they can play very well together, or
I’ll see them die in their attempts. Then, through

The gates I see that star. That goddamn star.
No fly left out, no maggot stranded – no!
So how can stars be any different? Sure,

The cretins eat putrescence put in front
Of them, but never question it. Their care
For me – it knows no bounds! Each accident

Of nature, each festering harlot of
Ol’ Babylon, every mother-loving runt
Of a whoreson tabbed. Then I look above….

I’m not waiting around. No. Time to move.

Advent

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The time of the first advent was foretold; the time of the second is not so; because the first was to be obscure, and the second is to be brilliant, and so manifest that even His enemies will recognise it. But, as He was first to come only in obscurity, and to be known only of those who searched the Scriptures….
           – Pascal, Pensees, 757

They say I wear the scriptures on my sleeve –
Not true. I stitch and sew and scratch my soul
With them – the way that desert winds believe

The shifting sands will move and, on the whole,
That scrub and pine eventually break down.
They break down alright – and count the roll

Of boulders, mountains, and whatever crown
That Empire wears… These, lost on me now, hail
The high song of the wastelands: days that moan

The coming of another. Flies recall
The rhythm, locusts eat the melody
And honey adds the counterpoint. It’s all

The food I pick from barren fields. I see
It building up from wilderness; it comes
To search the slough and sift of enmity…

Remembering my mother’s cry, my dreams
Of distant visits haunt my head. So I search
The dunes of Palestine, obscured by time’s

Redundant landscape – even storm clouds lurch
With fits and starts that always promise rain –
The heavens’ pact with earth: You shall not parch

The grasses growing green upon the plain,
And I in turn will turn the sky to blue.

What thunder cries, a wilderness of pain,

That’s the work of God. I only call you.

Liberalism, as the recent attacks on La Ville Lumière have shown, cannot provide the basis for a sustainable society.

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By liberalism, I do not mean Democrats versus Republicans, or the ideology of invite the world versus that of bomb the world. I mean all of it together.

“Am I Hamlet or Don Quixote?”

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“The slings and arrows of outrageous fortune…” – Hamlet

“Truly I was born to be an example of misfortune, and a target at which the arrows of adversary are aimed.” – Don Quixote

With ermine cuffs I sharpen up each gem
That studs this crown…No, Papa was not king
Despite this barber’s bowl. And Mama’s hymns
Remain in mind but there’s no will to sing.
Milan, more French than Roman, sings instead
Inside my veins – the fluted lace, the neat
And crimson fashions – coy frissons of the dead
Which resurrects a joy, now made complete
Confusion.
                  Oh, Papa! Oh, Mama! Since
I chose this road of sorrow, I confess
To neither left nor right. For Denmark’s prince
Well knew that failure proves its own success
And windmills creak and tilt upon the breeze
Canticles to a world I could not please.