Archives for August 2010

Good and Good for You!

Of Toronto: Wrists Pinned to the Mast and Other Things

Border Music (An International Incident)

And roll’d his eyes o’er all the restless main,
Till, dimmed with rising grief…
– The Oddyssey, V.151

My hotel room waits up the first class/business end
Of Toronto where firm toothpaste tubes of chaos get
This age high off the ground, squeeze their finest
Powers down tiny vents above my hotel room ceiling
Like a million screams bottlenecked at a border
Crossing where the nightly news completes its
Bombing runs, leaving survivors to sally forth
On the commercials. So, too, I am supposed to sully
My art, selling door-to-door the encyclopedic life
Of death; insurance so the people will “get it”at any rate:
The vacuum they already own and will again
To fill all their abhorrent, sunlit spaces of time.
The modern marriage is full of such pain,
As modern love is itself a modern convenience.
Tonight, downtime well-earned and wasted all
The same, I wait for a woman I had told to meet me
Who knows why or where. When the metaphysics
Of the thing kicked in, reasoning was good only for
The free drinks and talk that the occasion offered
Somewhere down the pickled filigrees of my brain.
I wait and step out to watch arrivals and
Departures to thrill at the vulnerability
From my secular perch in the hotel parking lot –
Only to step on my cigarette and crawl back up into
The belly of this brick and glass bit of transience,
Squatting beneath the shadow of razory-winged motion,
Back to be entombed against vapor trails and vectors
More transient. I put head to pillow, entranced by
Torrential consternations of throttle and thrust
Bursting into my airspace, demonic bird songs I can
Not sing, and so ignore like a toothache. Thus,
I trust my sleep will not depart at another’s arrival,
Unexpected at high speeds through thin walls,
The sudden intersection of computer and pilot error.
I know that the sleeping hours are most vulnerable;
But with incredible speeds to support their position,
Others will sleep better than I, and most will go
Into caves to dream a little slash and burn dream
Always seeking more than that. Thus, Toronto lives out
Its diurnal dreams in a furious indifference,
A marooned landing party of New World history,
Acquiescing before the lexographers’ paint could dry,
That went and made the best of its marginal reality
At bottom of the top half of Earth, this cranial shard bit
Of show-off real-estate and epochal winters.
“We get along,” Toronto says. Its protruding needle
Like a familiar defiant gesture, punctures its own
Skyline and a neighboring superpower’s bubble of self-
Consciously stuffy air. Always so ready to expose itself,
My American pride greetsrunway lights with knowing winks.
When the patriotic mass stalls, it drops like a 747,
Making a fiery oil-slicked pitch to heaven. So, I work
My territory like a debris field, fanning out over
A given commonwealth province. Terms dissolve or evoke
Snickers from the stricter observances of polity
And policy one finds all too republican. “Trouble with
Canada is that its democracy is never foreign enough.
Or, in little ways, only,” I mumble, pushing a twizzle-stick
Around a scotch and soda into a mild maelstrom of fizz.
The earlier scene was half-intentional, half-guess work,
The reservations for one at the hotel restaurant
Would give way to anything well met on the menu
Or at the bar: a bump of shoulders, a brush of arms,
A strange perfume that must be something Canadian,
A casual comment made peculiar — “Dvorak
Never came to Canada.” — inducing ecstasy’s inevitable,
Regrettable actions — “Iowa got in the way.”
But now, the quizzical fire burns low in the face,
The bony hands and the skeletal middle-aged make-up
Of an anonymous sin for dinner. In dropping Celsius,
It stares and plays with its bangles and stares again,
Wondering why, after all, it even bothers to write
Names on cocktail napkins. Then it only shrugs, grins,
Nods for an exit. One cannot communicate well
In blizzards; only work the controls by touch and habit.
She is French Canadian; I am American;
Her secession is aborted, mortified by insignificance –
My dominance is ugly, unwanted, unbearable.
We’re not long for the other’s country’s company.
I take quick but accurate soundings of personal space.
Hiccups measure a little smaller here, as if metrically
And not by the king’s foot. I noticed trees on the flight in.
They re-arrange themselves into stand or hamlet
A little bit strange. The connecting farms organize more
Or less collectively. O perfect city of perfect grey!
O corrective metropole for capital’s wide alliance!
Grim autonomy is your mind, your streetless sidewalks
Attach your downtown to nothing to prove,
At once casual yet deliberately exact. And if I had sent
Postcards, would my wife really believe it existed
Except as a composite of my suitcase and shower kit?
When we’d spoke last night on the hotel’s phone
She heard the jets tattooing the air, flying in too low.
Was that the sound of the rivets, the little tits
The fuselage will drag through supersonic airspeed?
Yes, we came in a bit too low, whisper their shrieks;
I try small affections over the large distance,
But the kissing sounds and serenades are lost
In rupture’s wake. Or if I am making initial con-
Nections, the international corridors run effective
Interference. So another American tries his heavy
Hand at the nuances of local dialects, and ties
His heavy heart to homeland with Hallmark cards.
Until now scenery proves too beautiful to resist.
All’s lost on my soul as the phone’s receiver begins its
Slow descent, adjusting the angle, pitch and yaw
Of its mouse ears. What whines with engine protest
Could be coddled assent or angry denial, a deal
To carry on affairs or a gambit to achieve endgame.
Such fluid borders are traversed constantly
Because democracy has nowhere to find free range
And romantic science is drinking excessively
And discrete amounts of indeterminate transactions
Are draped in pain across borders, an embargo or tariff
Which makes less sense the further in one travels
A levy to be accepted as part of trade-laws, part
Of the intimacy of borders in sound as well as space.
So with the equilibrium of half a bottle of scotch
And another half to go, I look out beyond the lights
Of Toronto – a love letter of indecipherable fonts.
Likewise, I imagine a clandestine border meeting
At dawn, glances and prisoners exchanged
Just as frantically romantic music begins to climax:
When one visits Toronto, one’s thoughts fly
To these images, broken-winged with distress calls.
One wishes something would happen, and yet
Not too close to the skin, just so a memory might
Find a place, warm and dry, taxiing on the runway,
Hoping the wings were de-iced so that one’s deplaning
Is in the usual way. The only risk is to slip and fall,
To break one’s hip in the wintry month of Remember.
It could be anything and it could be anyone.
Something you’d kill for. Or someone you will.
Your final leave-taking is a sputtering exhaust
About the whole social gambit of this northern
Territory: how the Canadians took everything
Into consideration of their theories except the patient
(How Americans on the whole will take nothing
Into consideration except the autopsy report),
As if respective equations of collective cultural
Dynamics knew what it meant to acknowledge man
Despite his flaws. Well, my sin did mine, she who was
A classy socialist and understood her sex as well.
And I did nothing but pretend a superpower’s lead,
Extending undue influence over every border
In between the sheets. In flaccid epilogue
Our cigarettes burned – my founding documents,
My constitution and congress did not impress.
She let on as much with her distant northern lights.
She let on as much when she stole into my room
Much more so when she canceled our parliament.
But I denied it all until taxiing on the runway
Remembering how she flushed me out of herself
Standing there in my shower, a pleased, silly look
On her face, a smile cold as tile. Feminine signals blink;
A single searchlight gropes across the landscape….
I lift my eyes to heaven and hear her sing like an angel;
We vector by Toronto’s lights at the speed of darkness.


Happy Feast Day

from Kaputt by Curzio Malaparte

I’m about a hundred pages into this book, and I’m still not sure if it’s a novel or a set of memoirs, somewhat embellished. The name “Malaparte” (a pun on “Bonaparte”) is itself something of a fiction, being a pseudonym for Kurt Erich Suckert, an Italian journalist who seems to have moved freely from front to front and even back and forth between partisan sides during World War II.

There are many memorable passages, but I was especially struck by his observations on German courage:

In no part of Europe had Germans appeared to me so naked, so exposed as in Poland. In the course of my long war experience, the conviction had grown within me that the German has no fear of the strong man, of the armed man who faces him with courage and stands up to him. The German fears the defenseless, the weak and the sick. The leitmotiv of fear, of German cruelty as a result of that fear, had become the principal keynote of my entire war experience. In an attentive observer with a modern and Christian mind, this “fear” arouses horror and pity, and nowhere was I moved to such horror and such pity as in Poland, where the morbid, feminine quality of its nature was revealed to me in its full complexity That which drives the German to cruelty, to deeds most coldly, methodically and scientifically cruel, is fear. Fear of the oppressed, the defenseless, the weak, the sick; fear of women and of children, fear of Jews. Although the German strives to hide this mysterious “fear,” he is forever driven to talk about it, and always at the least suitable times, particularly at the dinner table, either because he has been warmed by wine and food, or because company gives him self-confidence, or because he has a subconscious urge to prove to himself that he is not afraid, the German exposes himself – lets himself go on talking about hunger, shooting, slaughter – with a morbid compassion that not only reveals rancor, jealousy, frustrated love and hate, but also a a pitiful and wonderful passion for self-abasement.

I usually grow tired of broad generalizations pretty quickly, but his insight here seems to me especially acute. Trying to describe the psychology of an entire nation is a risky enterprise, I think, because it too easily leads to a kind of summary dismissal of the problem. If evils (I take it as a given that his use of “fear” and “cruelty” are as instances of evil) are so easily explained, then they lose their connection to the larger mystery of being human and the difficulty of acting virtuously. Malaparte’s psychological observations here aren’t so much an attempt to explain away all the manifest cruelty as they are a different way of looking at the problem.

If he had asked, “Why are the Germans evil?”, we’d ultimately be stuck with a kind of theological question that we might be able to answer, although we might also have a difficult time explaining this answer to people who hold a different point of view on ultimate questions. After simply observing a fear of “the defenseless, the weak and the sick,” the question then becomes “why are the Germans afraid?” I’m not sure it’s any easier to answer – maybe it’s even more difficult.

Although I don’t think the problem is restricted to Germans during World War II. Certainly it was in ample evidence there at the time, but nobody wants to own up to doing evil. And yet we all know fear – no need to describe that.

From The YouTube Music Video Archives: World Is Waiting For The Sunrise by Les Paul & Mary Ford

Before there was Jimmy Page, there was Les Paul, who died around this time last year. This is a great song recorded by Les Paul and his wife Mary Ford for their TV show in the mid 1950s. The song was originally a hit in the 1920s, and then again in this newfangled version with the electric guitar. If you enjoy this, you may also want to take a look at Paul demonstrating his prowess with feedback loops here. And Les Paul hails (hailed) from Waukesha, Wisconsin. Les Paul, Leinenkugel, and all the Limburger you can stand … what a state!

Dear one, the world is waiting for the sunrise / Ev’ry rose is covered with dew / And while the world is waiting for the sunrise / And my heart is calling you

Ecclesial Trivia Question of the Day

From the “Administrative Territorial Unit” category….
There are three sets of dioceses in the United States which share the same name, for two hundred brownie points and a new set of bragging rights, what are the paired names of these three sets?

e.g. A Diocese of La Crosse in Nevada and a Diocese of La Crosse in Wisconsin).

For extra brownie points – give the official name for each diocese.

You see, this is my day job intruding on things here. I just thought it was a neat little factoid – and thought I’d see if anyone else out there had heard of it.

The Wild Converted West…

Yep, you guessed it, partner – all converts.

Buffalo Bill (deathbed), Kit Carson (through marriage) and Doc Holliday (heatedly debated -although his sister was a Catholic nun)

I guess, by extension, John Wayne should have been be included as well.

Happy trails!

flashback: converts

Søren Says

“Suppose someone invented an instrument, a convenient little talking tube which, say, could be heard over the whole land…I wonder if the police would not forbid it, fearing that the whole country would become mentally deranged if it were used.” ~ Kierkegaard, as quoted by Malcom Muggeridge in A Third Testament.

Anyone want to claim this one?

She’s 29 years old, 5’4”, 128 lbs. and with cycles that swing as wildly as a pendulum in a grandfather clock strapped to a bucking bronco on board a ferry in fifty-foot seas….

This just in….

How You Found Korrektiv XXVI

Comcast Cable subscriber 67.182.122, from Hanford, CA, paid a visit to Korrektiv after doing a Google image search for something or anything to do with midwifery practices. What she or he got was one of our featured quotes under Søren Says:

Irony is the birth pangs of the objective mind (based upon the misrelationship, discovered by the I, between existence and the idea of existence). Humor is the birth pangs of the absolute mind (based upon the misrelationship, discovered by the I, between the I and the idea of I).

Got that? Visitor comes to us for help with the birth of an actual baby, and ends up with a quotation from a Danish philosopher whose penchant for irony may well have left him childless.

When I first posted this a few years ago, I was struck by his use of the term “birth pangs” in the passage. So I found a photo (behind the title) of some nurses at the University of Michigan practicing for some midwifery with a plastic model. Even now, I have to say it looks like a lot of fun. In a way that Søren – for all the love, honor and obeisance I give him – quite simply is not.

Well, we hope you enjoyed your visit to our humble site, 67.182.122, from Hanford, CA. Drop by again when you can; we’ll try to offer more quotations from Søren, and perhaps some live birth video as well.

And for everybody who doesn’t read Korrektiv …

Korrektiv Rising

Contra Lickona’s previous graph: unique visitors may have dropped a bit, but overall visits are up from a year ago, and pages viewed are way, way up. Interpretation: our readers are not only reading Today in Porn, etc., but they’re spending some quality time poking around on the blog and dipping into the archives.

Finally, a graphic we can all use….

Today in Porn, Graphic Sexual Horror Edition

The Onion AV Club reviews a documentary about a bondage website:

“…the heart of the movie is the footage from’s live feeds and recorded videos, wherein women were stripped, shackled, pierced, punched, electrified, hung, caged, submerged in water, and otherwise put in situations that left them bruised and weeping even though they were volunteers. There’s no honest way to make a documentary like Graphic Sexual Horror without showing what was up to, unvarnished. Still, there’s so much of that material in the movie—and so little external context—that at a certain point, Graphic Sexual Horror becomes less about extreme fetish porn, and more an example of it. That may be what Bell and Lorentzon were aiming for, to push the audience beyond their own boundaries, the way Scott and the staff at did. But there’s no denying, this movie is punishing.

And for all those who think I’m digging into tiny little niches here – a note about the founder: “Within the first two weeks, he’d made as much as he would’ve made in a semester of teaching…”

God in Futurama

Okay, I admit it: I’m a fan. I won’t argue that it’s as good as the Simpsons or dozens of other shows I haven’t seen, but for people like me who grew up on science fiction, it’s a great thing. Simultaneously mocking and paying tribute to luminaries like Philip K. Dick and Arthur C. Clarke, there’s definitely a chilliness in the satire that takes some getting used to. But I’m used to it now, and have grown to like it. And at the heart of utterly impossible aliens such as Kif and Zoidberg is a humanity that other dramas, cartoon or otherwise, fail to reach. Never mind that I was the real life model for the robot Bender (Groening is from the Northwest).

Philosophical speculation goes hand in hand with the best science fiction, and to a certain extent this is true of Futurama. Once in a while this spills over into theological wonder, as in this clip taken from the episode “Godfellas”. Groening is a genius. Take heart Matthew! Goodness is seldom recognized, much less rewarded. It’s good to have you here.