Tulips Sans Chimneys

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Mr. Potter’s given us a bold adventurous book with plenty of sharp turns at high speed, with some gestures toward Neruda and Merwin but also “Sk8,” a gr8 skateboarding poem, and sonnets, and brave ventures into rhymed verse, poems for friends and relatives, “Stopping by Blogs on a Frosty Evening,” and poems of passionate love with angels looking down from above. Plus tulips and Elsie. —Garrison Keillor

I have enjoyed the company of Jonathan Potter’s poetry for years and rejoice at the arrival of this new collection with its unabashed delight, authentic intimacy, and emotionally convincing, often playful music. Potter is at turns a graceful, organic monologist and a wry, deft formalist. These are poems of generous mythmaking, self-deprecating humor, passion, and the glories of fatherhood. They inhabit a Seattle of historical icons and the poet’s own skateboarding youth, a London of “tidy grime” and love, and the derelict and divine streets and poetry community and waterfall of Spokane, this poet’s answer to Williams’ Paterson. By the time Potter wishes he could “become myself with vengeance / and take you with me,” he has done both. —Jonathan Johnson

In an era of poetry that plumbs humanity’s darker depths, it is a pleasant respite to read Jonathan Potter’s Tulips for Elsie, a collection that wears its pathos and its prosody lightly as it confronts life’s familiar concerns—love, sex, family life, and his beloved native place (Spokane, Washington)— with full-bodied affection and gentle irony. Many poems here are sonnets—not just Petrarchan or Shakespearean but also Onegin stanzas!—yet Potter makes rhyming in these conversationally-toned fourteeners look effortless. Particularly engaging are the portrait sonnets featuring poets and writers associated with Spokane (Alexie, Howell, Walter among them), the longer poems about the poet’s lively and accomplished daughters, and the poetic palimpsests replying to or parodying well-known classics. By the time we finish reading, we may feel ourselves, with the poet, to have “co-authored  . . . a beautiful book of longing.” —Carolyne Wright

A Timely Passage from A Tale of Two Cities

Far and wide lay a ruined country, yielding nothing but desolation. Every green leaf, every blade of grass and blade of grain, was as shrivelled and poor as the miserable people. Everything was bowed down, dejected, oppressed, and broken. Habitations, fences, domesticated animals, men, women, children, and the soil that bore them—all worn out. Monseigneur (often a most worthy individual gentleman) was a national blessing, gave a chivalrous tone to things, was a polite example of luxurious and shining life, and a great deal more to equal purpose; nevertheless, Monseigneur as a class had, somehow or other, brought things to this. Strange that Creation, designed expressly for Monseigneur, should be so soon wrung dry and squeezed out! There must be something short-sighted in the eternal arrangements, surely! Thus it was, however; and the last drop of blood having been extracted from the flints, and the last screw of the rack having been turned so often that its purchase crumbled, and it now turned and turned with nothing to bite, Monseigneur began to run away from a phenomenon so low and unaccountable. But, this was not the change on the village, and on many a village like it. For scores of years gone by, Monseigneur had squeezed it and wrung it, and had seldom graced it with his presence except for the pleasures of the chase—now, found in hunting the people; now, found in hunting the beasts, for whose preservation Monseigneur made edifying spaces of barbarous and barren wilderness. No. The change consisted in the appearance of strange faces of low caste, rather than in the disappearance of the high caste, chiselled, and otherwise beautified and beautifying features of Monseigneur.

Jessica Hooten Wilson tackles Flannery O’Connor

Dr. Hooten Wilson, leading a rousing reading of The Screwtape Letters

The University of Dallas’ Louise Cowan Scholar in Residence Dr. Jessica Hooten Wilson, who once dined with the Korrektiv Kollektiv on a particularly memorable night in New Orleans, and who has since become something of a shining star in the firmament of American Catholic letters, is THIS VERY EVENING giving a little talk on her latest project: preparing Flannery O’Connor’s unfinished novel Why Do the Heathen Rage? for publication. Holy crow, as they say.

The Poetry of Black Boy

I’m reading Black Boy by Richard Wright and enjoying the poetry of these passages:

Each event spoke with a cryptic tongue. And the moments of living slowly revealed their coded meanings. There was the wonder I felt when I first saw a brace of mountain-like, spotted, black-and-white horses clopping down a dusty road through clouds of powdered clay.

There was the delight I caught in seeing long straight rows of red and green vegetables stretching away in the sun to the bright horizon.

There was the faint, cool kiss of sensuality when dew came on to my cheeks and shins as I ran down the wet, green garden paths in the early morning.

There was the vague sense of the infinite as I looked down upon the yellow, dreaming waters of the Mississippi River from the verdant bluffs of Natchez.

There were the echoes of nostalgia I heard in the crying strings of wild geese winging south against a bleak, autumn sky.

There was the tantalising melancholy in the tingling scent of burning hickory wood.

There was the teasing and impossible desire to imitate the petty pride of sparrows wallowing and flouncing in the red dust of country roads.

There was the yearning for identification loosed in me by the sight of a solitary ant carrying a burden upon a mysterious journey.

There was the disdain that filled me as I tortured a delicate, blue-pink crawfish that huddled fearfully in the mudsill of a rusty tin can.

There was the aching glory in masses of clouds burning gold and purple from an invisible sun.

There was the liquid alarm I saw in the blood-red glare of the sun’s afterglow mirrored in the squared panes of whitewashed frame houses.

There was the languor I felt when I heard green leaves rustling with a rainlike sound.

There was the incomprehensible secret embodied in a whitish toadstool hiding in the dark shade of a rotting log.

There was the experience of feeling death without dying that came from watching a chicken leap about blindly after its neck had been snapped by a quick twist of my father’s wrist.

There was the great joke that I felt God had played on cats and dogs by making them lap their milk and water with their tongues.

There was the thirst I had when I watched clear, sweet juice trickle from sugar cane being crushed.

There was the hot panic that welled up in my throat and swept through my blood when I first saw the lazy, limp coils of a blue-skinned snake sleeping in the sun.

There was the speechless astonishment of seeing a hog stabbed through the heart, dipped into boiling water, scraped, split open, gutted, and strung up gaping and bloody.

There was the love I had for the mute regality of tall, moss-clad oaks.

There was the hint of cosmic cruelty that I felt when I saw the curved timbers of a wooden shack that had been warped in the summer sun.

There was the saliva that formed in my mouth whenever I smelt clay dust potted with fresh rain.

There was the cloudy notion of hunger when I breathed the odour of new-cut, bleeding grass.

And there was the quiet terror that suffused my senses when vast hazes of gold washed earthward from star-heavy skies on silent nights…

The days and hours began to speak now with a clearer tongue. Each experience had a sharp meaning of its own.

There was the breathlessly anxious fun of chasing and catching flitting fireflies on drowsy summer nights.

There was the drenching hospitality in the pervading smell of sweet magnolias.

There was the aura of limitless freedom distilled from the rolling sweep of tall green grass swaying and glinting in the wind and sun.

There was the feeling of impersonal plenty when I saw a boll of cotton whose cup had split over and straggled its white fleece towards the earth.

There was the pitying chuckle that bubbled in my throat when I watched a fat duck waddle across the back yard.

There was the suspense I felt when I heard the taut, sharp song of a yellow-black bee hovering nervously but patiently above a white rose.

There was the drugged, sleepy feeling that came from sipping glasses of milk, drinking them slowly so that they would last a long time, and drinking enough for the first time in my life.

There was the bitter amusement of going into town with Granny and watching the baffled stares of white folks who saw an old white woman leading two undeniably Negro boys in and out of stores on Capitol Street.

There was the slow, fresh, saliva-stimulating smell of cooking cotton seeds.There was the excitement of fishing in muddy country creeks with my grandpa on cloudy days.

There was the fear and awe I felt when Grandpa took me to a sawmill to watch the giant, whirring, steel blades whine and scream as they bit into wet, green logs.

There was the puckery taste that almost made me cry when I ate my first half-ripe persimmon.There was the greedy joy in the tangy taste of wild hickory nuts.

There was the dry, hot, summer morning when I scratched my bare arms on briers while picking blackberries and came home with my fingers and lips stained black with sweet berry juice.

There was the relish of eating my first fried fish sandwich, nibbling at it slowly and hoping that I would never eat it up.

There was the all-night ache in my stomach after I had climbed a neighbour’s tree and eaten stolen, unripe peaches.

There was the morning when I thought I would fall dead from fear after I had stepped with my bare feet upon a bright little green garden snake.

And there were the long, slow, drowsy days and nights of drizzling rain…

Three Two One Zero

What the Sky Lacks gets launched, March 11, 2019, at The Bartlett

Blastoff

Status report

So much for Alphonse. First time as tragedy, second time as farce.

So. What’s everybody working on?

Caraway in the News

What the Sky Lacks investigates the similarities and differences of disparate places. Between the cold, flat plains of North Dakota and the foothills and rivers of the inland northwest, these poems explore the dynamics of habitation: what it takes to live in a place, to be in a place, and to be from a place.

Oser the Proser

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If the rumors gritting the air ever settle down into hard ash on the ground and the next Korrektiv Summit is truly in the offing, I wonder if we shouldn’t all read and chew on as a group the Catholic novelist no one is reading right now…

And, in case you missed it the first time around… he’s a Wiseblood Author!

New from Angelico Press

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Friend of Korrektiv Joshua Hren’s book of short stories, This Our Exile, has just been issued by Angelico Press. Also available at Amazon and better bookstores everywhere!

And not only that, but his book on Tolkien, Middle-earth and the Return of the Common Good: J.R.R. Tolkien and Political Philosophy, will be published through Cascade Books.

Congratulations, Joshua!

Nicholas Frankovich on Several Things

At National Review Online. Like so many other writers I’ve discovered at the magazine over the years, Nicholas Frankovich has become the guy to go to for the Catholic culture overview.

On Trump’s intrusion into sports:

The Boston Red Sox won the World Series in 2004. A few months later, they went to the White House for the traditional round of presidential congratulations. Manny Ramirez was a no-show. Why? He didn’t like the president, George W. Bush, a baseball man himself, a former part-owner of the Texas Rangers? Sox officials said Ramirez was visiting his sick grandmother. Boston won the Series again a few years later, and the president invited the team back to the White House. Again, no Ramirez. Bush’s response? A shrug, a teasing smirk. “I guess his grandmother died again,” he said.

On the decline in Catholic Literature:

The traditional Catholicism that is the setting of that backward-looking novel included a lot of looking backward itself, of course. That’s what made Catholicism traditional. For believers immersed in the faith, the past was alive no less than the present. They could see ghosts. A heavyweight from the Norman Mailer generation of American letters once commented on the Catholic writers of her generation. They were sure of themselves, she recalled, though not preachy. Spend time with them and it was hard to escape the impression that they knew something you didn’t. That’s gone. So the flowers in the garden aren’t what they used to be? Blame the flowers if you like, but it remains the case that the soil has been depleted.

Here he is on reasoning behind the Novus Ordo:

In the 20th century, Church leaders began to advocate an effort, more deliberate and thorough than in the past, to enculturate the faith among the various nations of the Third World: Catholic missionaries should learn, and learn to love, local customs and languages and to translate the faith into forms that would be meaningful and appealing to indigenous peoples. Implicit in their argument was the need for the Church to pour the Romanità out of Catholicism so that vessel could accommodate the new wine of non-Western cultures.

Read Sacrosanctum Concilium (1963), the Vatican II blueprint for liturgical reform, and you will notice a lot of concern for the mission lands. References to them dot the document, and in their glow the reader is led to imagine that the point of the many broadly sketched recommendations is only sensible and moderate, generous but not extravagant.

In the mission lands, let bishops adapt the liturgy to local cultures. Trust their circumspection and sober judgment: “Provisions shall also be made, when revising the liturgical books, for legitimate variations and adaptations to different groups, regions, and peoples, especially in mission lands, provided that the substantial unity of the Roman rite is preserved; and this should be borne in mind when drawing up the rites and devising rubrics.”

No sooner had Western Catholics digested and largely shrugged in agreement to the gist of this plan for liturgical reform than they discovered that Rome now counted them, too, as inhabitants of mission lands, in effect. In America, English was introduced into the Mass by increments, which meant of course that Latin was ushered out at the same pace, until the process was complete in the fall of 1970.

The movement away from the sacred, classical language and toward the vernacular was accompanied by a corresponding change in tone and style, from solemn and formal to less solemn and less formal. William F. Buckley Jr. recorded for posterity a typical reaction of many a Catholic: both a sense of loss and a glum resolve not to be sour about it. Surely some good could come of this?

Do fetuses dream of unborn sheep?

*young-philip-k-dick-600x744

An interesting and astute piece on all things “Phildickian” over at Chronicles:

But Dick also had a conservative side, represented by his strong (if heterodox) religious devotion, his distrust of large bureaucratic structures, and his longtime anti-abortion stance. In the last decade of his life, as he finally began receiving substantial amounts of money for his writing, Dick donated thousands of dollars to pro-life causes. He also wrote “The Pre-Persons,” a powerful story in which parents can abort any child under 12. Yet both the speech by Dick-the-hippie and the story by Dick-the-conservative are recognizably the work of the same man—both, in fact, were produced during the same period of his life. The first endorses rebellion, no matter how nihilistic, against a soulless apparatus of power; rebellion, at least, is human. And the story denies the government the right to define who is a human being, arguing that this will only produce a totalitarian system akin to the one the juvenile delinquents in the speech are rebelling against. One need not be pro-vandalism—or pro-life, for that matter—to approve of the underlying point.

*Dick and Percy: Separated at birth?(!)

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Redound thee unto mine own personage…

all-shakespeare-tragedies-ranked

Dappled Things took the bait… Heh.

With apologies to Dino

Gerasene ’17: The Kollektiv at Notre Dame

4a52b04c-9854-4f8d-857b-c68d95a89614-002[Image: the Mississippi gravesite of Senator LeRoy Percy, Walker Percy’s uncle.]

CONFIRMED: Two [hopefully three] members of the Korrektiv as panelists at this summer’s Trying to Say “God”: Re-enchanting Catholic Literature, June 22-24 at the University of Notre Dame. Rally, Korrektiv, rally!

KORREKTIV 2017 POETRY CONTEST: “Pop Sonnet 2017” (or, “Iamb in the Place Where You Are!”)

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I found this somewhere online and thought it would be a great idea for a Korrektiv Poetry Contest. We haven’t had one of those in a while, so why not? Winners (1st, 2nd, 3rd and two Honorable Mentions) will be announced on Shakespeare Day 2017 (April 23). Each will receive – well, something Shakespearey, I suppose.

Rules:

  1. Each participant may submit up to three (3) sonnets each.
  2. Each submission must be a Shakespearean sonnet (Shakespearean in form and in style: archaic Elizabethan language and all (see Gaynor example above)—the more clever the better chance the submission has of winning).
  3. Each submission must retain the title and composer of the original pop song (again, see above).
  4. Each submission must be a reworking of a recognizable pop love song (not something your sister’s best friend wrote and composed on a kazoo)—with a theme of either love desired (e.g. “I Want Your Sex”), love gained (e.g. “You Light Up My Life”), or, like Ms. Gaynor’s immortal work, love lost.
  5. All poems must appear in the comment box for this post for consideration.
  6. Winners will be notified in advance of the official announcement here at the Korrektiv.
  7. And, yes, the contest is decidedly open to all members of the Korrektiv Kollektiv.
  8. DEADLINE: April 1, 2017

Any questions?

Then get scribbling!

Shucks! – I guess the 2017 litterachur Nobel is going to go to Bono

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But I’m energized – Big League – at least it’s going to someone who actually understands the difference between sovereignty and totalitarianism…

Well, shit, if you think I’m wrong about it – the laddy said it right here. I quote unquote quote:

“Edited clips of Trump replied: “I will build a great, great wall on our southern border and I will have Mexico pay for that well.”
“A wall? Like the Berlin Wall? Like the Great Wall of China?” Bono, a donor to the Clinton Global Initiative, shot back to the video screen.”

Well, let me uncling mesself from thissere gun, religion and God type-a-thing before I continue. [Sipping at a cold one now, hold on…]

Well, shit, what I mean to say is, hell and hard nuts, America is so tired of thissere electionation process… Oh, hell, let’s just all go home and hope that we have jobs come Monday… I’ll buy the keg (Quinn, can I borrow 40 bucks? The Hamms is on sale…)

Well, as I look out at this wonderful U Ass of A we gots usself here, I can’t help but thinks about that what which Bono’s countryman and fellow string-strummer once said, “That’tare ain’t no country for old menfolk…”

Well, Cormac, I guess you can be fixin your Nobel year to be—

Hell now, look at that, Mr. Tweedy, you made me spill my Blatz.

No, excuse me – EXCUSE ME, Mr. Tweedy, but we happen to got womenfolk in the audience just now, so you just you shut your jaw the fuck up, now you hear. I realize you got a grimace like a hound dog trying to pass a peach pit. But just heel now, y’hear? You’ll have your chance at the carcass after Cormac gets a gnaw!

Well, I guess that’s about alls I got to say – ummagonna end the conversation righ-chere.

Love and peace and I’m all with Her and all.

JOB

I’d already gone the distance …

…and BOB goes Nobel!

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Sorry, Cormac, maybe next year.

Can you spot the Catholic sensibility in James Joyce?

Sure you can. You just need to cover one eye and squint really hard with the other! OR, you can head on over to Wiseblood Books (Korrektiv’s sober, productive, vastly more successful younger brother) and order up a copy of James Joyce’s Catholic Categories by Fr. Colum Power.

Print

Just $25! And if the literary heavyweights on the team (looking at you, JOB and Jobe) can manage to step away from the comic book rack at the local Kwik Stop for a few minutes, we might even post a review. In the meantime, after the jump, we have a KORREKTIV EXKLUSIVE sneak peek at…the table of contents!

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