Check out the animated show Bat out of Hell on Kickstarter!

Two Very Short Poems About the Scottish Englightenment

David Hume Recalls Charles Boyle
I speired him thareanent heiven, for a wee
bairn I was, dumfoondered at his orrery.

Moral Sentiments, Imaginary Beings
Adam Smith learned from François Quesnay
that if laissez faire et laissez passer,
le monde va de lui meme!
An Invisible Hand to favor
industry and more productive labor,
with an Impartial Spectator to fairly examine
our pursuit of even more mammon.

Two More Short Poems About Animals

Don’t Stir Up the Dust!
On the savannah, a spindly-legged,
galloping camelopard
dwarfed a nearby zebra, who begged
her not to trammel so hard.

So Not Happening at the Zoo
You’ll have to forgive the elephant,
if his manner seems a bit brusque:
imagine a runny nose in that trunk,
let alone a toothache in his tusk!

Two Short Poems about Medieval England, Historical and Mythical

On Historia Ecclesiastica Gentis Anglorum
In the 600s AD, the English
(Anglo-Saxons) had to cede
authority to Italian and Irish
missionaries—so says Bede.

Doo After the Good and Leve the Evyl
Chivalry itself is more than fable,
even if modeled on knights in Le Morte
d’Arthur
, and how they comport
themselves away from the round table.

Four Short Poems About 19th Century American History

Lewis & Clark, November 3, 1805
Not very many have canoed
through such a vastitude.

On the Applegate Trail, April 10, 1845
When the Native Americans set fire
to the settlers’ covered wagon,
Zachariah tried to play flapdragon
with his own funeral pyre.

Cape Fear, Delaware, January 15, 1865: Confederate Lieutenant Colonel Ezekiel Abernathy Confronts General Robert Hoke During the Second Battle of Fort Fisher
“Snatch your saddle or pick your paddle,
but either way we’s got to skedaddle!”

The Battle of Little Big Horn, June 26, 1876
With every warrior he could muster,
Sitting Bull slaughtered General Custer.

Found scrawled in the margin of a library book I recently checked out

I am madly
In love with
Ashley Bradley
And that’s no myth.
I even bought
Her a Valentine’s Day
Kumquat
To say
I love you
My wife
Because of you
My life
Is complete
And sweet.

Elie Revisits Rushdie

A fine long piece by Paul Elie on the 25th anniversary of The Satanic Verses came out in Vanity Fair last April, but it strikes a more timely chord now in the wake of Charlie Hebdo.

A Fundamental Fight

It was published in London on September 26, 1988, with a dust jacket describing it as a “great wheel of a book.” Penguin took out an ad (“Wonderful stories and flights of the imagination surround the conflict between good and evil”) and threw a launch party for its list of autumn titles, at which Rushdie met Elmore Leonard and Robertson Davies. Rushdie had a high-spirited dinner with his editors. Lacey, the book’s U.K. editor, recalls the relative naïveté of that evening: “Salman, my paperback colleague Tim Binding, and I vying over who could recite the most Bob Dylan lyrics.”

“I tried to write against stereotypes,” Rushdie wrote, but “the zealot protests serve to confirm, in the Western mind, all the worst stereotypes of the Muslim world.”

London’s Reform Club, on the Pall Mall, has had many illustrious authors as members: Henry James, Arthur Conan Doyle, H. G. Wells, E. M. Forster—and Graham Greene, who, one winter’s day in 1989, lunched at the club with international writers living in London.

“Rushdie!” he called out. “Come and sit here and tell me how you managed to make so much trouble! I never made nearly as much trouble as that!”

“This was oddly comforting,” Rushdie recalled. England’s most famous living author was making light of the fix he was in.

From hiding, Rushdie issued a statement of regret for “the distress that publication has occasioned to sincere followers of Islam. Living as we do in a world of many faiths this experience has served to remind us that we must all be conscious of the sensibilities of others.” From Tehran, Khomeini doubled down: “Even if Salman Rushdie repents and becomes the most pious man of all time, it is incumbent on every Muslim to employ everything he has got, his life and his wealth, to send him to hell.”

The British establishment set itself against the book and its author: from the Archbishop of Canterbury, Robert Runcie (who invoked England’s blasphemy laws), to the foreign secretary, Geoffrey Howe (who deemed the novel “extremely critical [and] rude” about Britain). Even Jimmy Carter—he whose presidency had been quashed by Khomeini—weighed in against the “insult to the sacred beliefs of our Moslem friends.”

“I had an argument with Prince Charles at a small dinner party,” Martin Amis recollects. “He said—very typically, it seems to me—‘I’m sorry, but if someone insults someone else’s deepest convictions, well then,’ blah blah blah . . . And I said that a novel doesn’t set out to insult anyone. ‘It sets out to give pleasure to its readers,’ I told him. ‘A novel is an essentially playful undertaking, and this is an exceedingly playful novel.’

“The Prince took it on board, but I’d suppose the next night at a different party he would have said the same thing.”

The idea for the gathering came from Gerald Marzorati, who had carved out an excerpt of the book that ran in the December Harper’s, and then wrote a Rushdie profile for The New York Times Magazine. Why not a public reading of Rushdie’s novel, to be coordinated by PEN and Harper’s publisher John “Rick” MacArthur? “I was given the task of choosing excerpts because very few people in New York had actually read the book,” Marzorati says, pointing out that the roster of participants was very broad—from Abbie Hoffman on the left to Midge Decter on the right. Edward Said was there; so was Leon Wieseltier. Robert Caro was there; so was Tom Wolfe. Joan Didion was there; so was Larry McMurtry.

The Columns held 500 people, and as the writers entered, cries could be heard from the demonstrators outside. “Death to Rushdie! Death to Rushdie!”

The first author stood up to read, and his opening remark was a kind of answer. “My name is Robert Stone,” he said, “but today we are all Salman Rushdie.”

They read and spoke into the evening. Mailer said of the fatwa, “This must be the largest hit contract in history.” Talese recited the Lord’s Prayer. Wieseltier declared that “one day the Muslim world may recall with admiration its late-20th-century Anglo-Indian Voltaire.” Rushdie’s close friend Christopher Hitchens transformed a single sentence from the novel into a brilliant defense of the whole: “To turn insults into strengths, whigs, tories, Blacks all chose to wear with pride the names they were given in scorn; likewise our mountain-climbing, prophet-motivated solitary is to be—Mahound.”

“It was inspiring and electrifying,” recalls Gerald Howard, a former Viking editor who was there. “It broke the fever of fear the literary world was living in.”

Bombs exploded in Cody’s bookstore, on Telegraph Avenue in Berkeley, and half a dozen bookshops in the U.K. The novel’s Japanese translator was shot and killed, its Italian translator stabbed, its Turkish translator attacked. Its Norwegian publisher was shot and left for dead. (He survived.) Two clerics who spoke out against the fatwa—one Saudi, one Tunisian—were shot and killed in Brussels.

Rushdie embraced Islam; then, just as suddenly, he turned away. Many in England’s Old Guard rounded on him, having figured out that he was a popular cause but not a popular person. Sir Stephen Spender coolly explained that “it is mass immigration that has got him into the trouble in which he now finds himself.” Former prime minister Edward Heath lamented that Rushdie’s “wretched book” had cost Great Britain “masses of trade.” Auberon Waugh asked “just how much we should exert ourselves, as deeply stained white imperialists, to protect him from his own people.” Hugh Trevor-Roper trumpeted that he “would not shed a tear if some British Muslims, deploring [Rushdie’s] manners, were to waylay him in a dark street and seek to improve them.”

“The fact of being alive compensated for what life did to one,” Rushdie wrote in The Satanic Verses, and he has asserted the fact of his aliveness. In the quarter-century since the fatwa, he has published a dozen books and given scores of public readings and addresses. In 2007 departing prime minister Tony Blair successfully recommended him for knighthood. He has fulfilled a lifelong dream of adapting Midnight’s Children into a feature film. And he has seen The Satanic Verses become, remarkably, just another great book on history’s shelf, regarded less as a forbidden book (talk of the fatwa has diminished with the years) than as a classic of contemporary English-language literature.

“Paul and Mick both said absolutely not.”

Bob Dylan almost made an album with The Beatles and The Rolling Stones
http://consequenceofsound.net/2014/11/bob-dylan-almost-made-an-album-with-the-beatles-and-the-rolling-stones/

They could have been the Korrektiv of rock n roll!

Existential Dissonance

A fascinating footnote, perhaps, to Potter’s “The Lesbians in My Life” (House of Words, p. 25):

“I’ve been changed by this love: I am calmer, fatter, pregnant. But my fundamental coordinates have not changed.”

lesbian_marries_man

Check the OED again?

Ficciones

The composition of vast books is a laborious and impoverishing extravagance. To go on for five hundred pages developing an idea whose perfect oral exposition is possible in a few minutes! A better course of procedure is to pretend that these books already exist, and then to offer a résumé, a commentary. […] More reasonable, more inept, more indolent [than other authors], I have preferred to write notes upon imaginary books.

— Jorge Luis Borges, preface to The Garden of Forking Paths, in Ficciones (New York: Grove Press, 1962), 15-16.


 

See also the Cubeland Mystic’s notes for an imaginary movie:

How about a two man movie? It could be called, Matthew, JOB, and Bourbon. You sit out on Matthew’s patio drink and discuss important stuff, but with a twist. The session turns into a discussion about the perfect movie, and then as the screenplay develops amidst shots, your dialogue would be interspersed with the actual scenes from the finished product that you are developing on the fly. It ends with the sun coming up over La Mesa. The last scene of the movie is Mrs. L picking up the empty bottle of bourbon throwing it in the trash, and saying something like “I wish they’d do some real work.” or some such. That’s the whole movie.

Let’s write it, right here in this post.

Cubeland Mystic, ‘Comment 14746’, Godsbody (September 2008; republished in Korrektiv).

Scroll down for the whole megillah.

Monkey marginalia.

http://korrektivpress.com/2014/04/26679/