Check out the animated show Bat out of Hell on Kickstarter!

Mack in Spokane

Warning: there’s some f-bombs and such … but my hometown Spokane downtown looks pretty funny-fine here. And the production turnaround time is impressive — we saw them filming this downtown just a month ago or so. The video is epic. Lots to see, including a moose head motorbike and Ken Griffey, Jr. in multiple cameos.

Managed to catch Macklemore himself for a photo op with a Potter daughter, yo:

Holland and Mack

From the Music Video Archives: I Dreamed I Saw St Augustine by Robobob

The most abstract idea conceivable is the sensuous in its elemental originality. But through which medium can it be presented? Only through music. Kierkegaard, Either/Or

I heard this recently on what I think is a relatively new website, dylanradio.com. It’s just what you probably think it is—the music of Bob Dylan, around the clock every day. Every once in a while they feature other artists covering Dylan songs, there are a lot of versions from his concerts, and special programs such as Theme Time Radio Hour (twice a day, at 3AM and Noon). There are a lot of gems you aren’t likely to have heard anywhere else, including this electronic version of my favorite song from John Wesley Harding.

Historian, Theologian, Libertarian Economist

If legendary rocker Bob Dylan hadn’t become a musician, he’d have chosen a very different career.

“If I had to do it all over again, I’d be a schoolteacher,” he told AARP The Magazine.

And what would he have taught? “Probably Roman History or theology.”

[He also] has a solution for unemployment: Let the billionaires step up. In a new interview with AARP, the 73-year-old singer offered his solution while discussing broad subjects like happiness and misfortune, and specifically how the ultra-wealthy might step in to end the world’s problems.

“The government’s not going to create jobs,” he said. “It doesn’t have to. People have to create jobs, and these big billionaires are the ones who can do it.”

Frank’s Biggest Fans

as far as I can tell, right now anyway, are Mark Steyn and Bob Dylan. Steyn has been posting his take on Sinatra’s take on the Great American Songbook. Here is an overly long quotation I especially like:

Not all icons survive death: I think of Leonard Bernstein or Bob Fosse, both at their passing the most celebrated practitioners in their respective fields, or Bing Crosby, the biggest selling recording artist of all time at the time he left us, and these days little more than a guy who gets played on the holiday channels in the month before Christmas. Either because of inept stewardship of the legacy, or a reputation that depended on live presence to maintain the conceit, or a combination of both, even the most dominant pop culture celebrity can dwindle away to the point where a decade later on no-one can quite recall what all the fuss was about. With Frank Sinatra, the opposite seems to have happened. When the gravelly old bruiser of the global stadium tours finally expired in 1998, it made it easier for a younger generation to see the man in his prime: the best singer of the best songs by the best writers in the best arrangements. Just about everything short of his morning mouthwash gargles has been excavated, digitally remastered and released on CD.

Well said, as usual. Frank’s other big fan at present is Bob Dylan, who recently recorded an entire album of songs sung earlier by Sinatra. NPR has included a link to Stay With Me to accompany the question, Diamond in the Rough or just Rough? I say Diamond, but then I would. Steyn—again, as far as I can tell—loathes Dylan, and I’m looking forward to hearing what he has to say.

Looking forward to whatever anybody else has to say as well.

Fingerpicked

Existential Dissonance V

Life Is Good

the Dylanologists

We interrupt this casting call to bring you some really old news about Bob Dylan. Somehow I missed this when it came out at the end of Spring, so if one of the others has posted this already, well … so what?

I’d read about Dylan’s use of the Yakuza autobiography, which made a funny kind of sense, and then of course his impersonation of the Civil War poet, which made a lot more sense, but some of the stuff in this A.V. Club article shows how he took it to a whole ‘nother level. Surfing with Mel fans, take note:

When Warmuth found similarities between phrases in Chronicles and Hollywood screenwriter Joe Eszterhas’s book about the Monica Lewinsky scandal, American Rhapsody, he was dumbfounded. “Even I was thinking, ‘There’s no chance,’ but as it turns out, some of the more salty lines in Chronicles comes from Eszterhas!”

Jack London, John Dos Passos, and even self-help author Robert Greene are all fair game.

Dylan’s response to charges of plagiarism?

“All those motherfuckers can rot in hell,” he said. “Wussies and pussies complain about that stuff….It’s an old thing,” he said of appropriation. “It’s part of the tradition. It goes way back.”

Makes you wonder why anybody would spend $250 for the right to quote from his lyrics to Gotta Serve Somebody, Trouble in Mind, and I and I.

Maybe add “sucker” to that list.

“Paul and Mick both said absolutely not.”

Bob Dylan almost made an album with The Beatles and The Rolling Stones
http://consequenceofsound.net/2014/11/bob-dylan-almost-made-an-album-with-the-beatles-and-the-rolling-stones/

They could have been the Korrektiv of rock n roll!

The world of research has gone bezerk.

http://korrektivpress.com/2014/10/27507/