McQ Driving Tour of Seattle

The answer is yes, since you are no doubt wondering: in a phantasmal sort of way I really am McQ. This video from a 1970 movie starring John Wayne includes an excellent tour of Seattle. The beginning is also a pretty fair approximation of Metro Transit route 36 at the base of Beacon Hill, which I drive a couple of days a week, and the whole tour is a fair approximation of how I prefer to drive it. And I suppose the tables are then turned, as the interview at the end is a fair approximation of a number of discussions I’ve had with Supervision regarding that driving (Wayne becomes Webb and Q becomes a delivery man, if you’re bothering to follow this overextended, metaphorical inside joke).

As an extra special bonus, McQ takes us right by my home, between 3:45 and 4:05, as well as the future site of one of my favorite local eateries.

Korrektiv Driving Tips: Supplemental Fact Sheet

Hey, Bus Driver!

Voting patterns in the last presidential election notwithstanding, there are many American white males for whom acceptance or the accordance of some measure of credibility by his African American counterparts is about as meaningful an experience as they are likely to have. For whatever reason – one’s childhood idolization of Michael Jordan, white guilt, whatever – many black men seem to carry, effortlessly, an authenticity many white men can only envy. So it was with some surprise that I found myself instilled with a sense of fulfillment I’d never before even dared to imagine.

I was driving south on Ranier Avenue, behind schedule as usual, and stopped just past Martin Luther King Way to let a number of people off. The last gentleman to disembark was about my age (mid 40s), maybe a little older. When he came to the front – at which point he is supposed to deposit his fare, or show a pass or a transfer – he held out both hands, palms up. In other words, empty.

“Say, driver, ain’t got change today. Let it go this time?”

“Yeah, fine”, I said, waving him on with a motion meant to signify ‘No Big Deal’ and ‘Just Get Off The Bus’ at the same time.

What’s worth adding at this point is the Official Metro Policy, which is to simply state the price of the fare to the passenger when said passenger doesn’t pay the fare. In other words, What I should have said (instead of “Yeah, fine”, with the ambiguous wave) was something along the lines of “the Fare is $1.75, sir”. Which I sometimes actually do. Anyway, the man stood there hesitating, despite the wave. Then he leaned back a little in order to make eye contact.

“Hey, driver … the thing is, I got to get back up to the city in a couple hours …” he added, looking at the transfers I keep by the farebox.

I liked the guy. I think it was the eye contact, and maybe also the fact that he actually asked if he could have a free ride. Not that there’s much I can do about it if they just walk off the bus without paying. Which is what the teenagers do. Or maybe I just wanted get moving again. I actually forget what I thought at this point, especially in light of what followed.

“Sure thing,” I said, tearing off a transfer, which gives him about two more hours to ride a bus without paying a fare. Obviously, these transfers are only supposed to be given out when a fare has been paid.

The man took the transfer and looked at it with a big smile. Then he turned towards me with the same big smile.

“You know you’re my favorite nigger – Don’t come no bigger!”

The look on my face must have been … something. Whatever it was.

“That’s what we used to say, back in the day. God bless you, man. Have a good day.”

I did.

Hey Bus Driver!

I’ve been hearing that a lot since I began driving a bus for Metro Transit here in Seattle. It started out as a way of supplementing my income from teaching, but since that wasn’t cutting it financially (for fans of the thought experiment: no, I was never busted for buying pot from a student), I recently went full time. Anyway, everyone keeps telling me to write down stories so I can publish a book some day, which of course puts me in stitches. I want to say, “Yeah, well, I’m actually trying out for the Mariners this spring, but if for some crazy reason that doesn’t work out – yeah, I’ll just go publish a book.”

But Korrektiv does give me an outlet, if not a forum, so maybe I’ll share a few stories here. It certainly fits the existential criterion well enough. Just try riding the #174 at 3:00am and you’ll see what I mean (if you actually do try riding the #174 at 3:00am, just remember not to look any of your fellow passengers in the eye too long). It’s also fun to come up with metaphors for “Life”. Here’s one I heard from a fellow driver the other day: “Driving a bus is just like Life: when you hit a bump in the road, just keep on going.” Unless that bump is an 80 year old Vietnamese man shaped like a question mark. In that case I’d recommend stopping.

That 80 year old Vietnamese man’s wife actually got on my bus the other day and paid me with an egg roll. She had a brown bag filled with egg rolls, so maybe it was her day to go shopping. I wish I knew Vietnamese so I could have learned more, but we did the best we could in English.

“I give you egg roll!”

“Fare is $1.75, m’am.”

“You take egg roll!”

“It’s 6:30am, m’am, I don’t…”

“Egg roll!”

“Yes m’am, thank you…” (putting out my hand, palm up, where she puts a warm, greasy egg roll)

“Transfer!”

I put the egg roll next to the emergency break, and gave her a transfer. Now if we could just collect 100 million egg rolls we’d be much better off.

Korrektiv Driving Tip #9

Stop signs tend to impede the feng shui of the driving experience. Just slowing down is usually good enough.

Korrektiv Driving Tip #67

Think of your speeding tickets as a licensing fee you pay for the privilege of driving faster.

Here Comes the Sun

It has indeed, little darling, been a long, cold, lonely winter.

The other day I had to drive from Spokane to Cheney for a meeting. The sky was dark gray and it was spitting a mixture of sleet, snow, hail and rain. I crossed under the train tracks, halfway expecting a sign of double contradiction – two trains heading in as I was heading out — but there were no trains at all, of course, which might be a worse fate: the malaise — mixed with the dregs of a long bout of seasonal affective disorder, the winter blues — always winter and never Christmas.

I had Abbey Road on the CD player and so sunk in that state was I that I didn’t even notice the irony as “Here Comes the Sun” came up in the rotation. I listened and murkily mused and roared down the freeway like a speeding vacuole at ten miles over the speed limit, late for my meeting.

Fast forward to later that afternoon, back in my pickup (the malaise-mobile, I could all too often, alas, dub it) for the return trip, Abbey Road still spinning on the CD player. But now the skies have cleared. Hello, blue sky, hello. (Reverse Pink Floyd tangent.) I’m enjoying all the ways the word “yeah” is inflected at the end of “Come Together,” I’m wondering if Maxwell’s silver hammer is a reference to the silver hammer used to tap a probably-dead pope on the noggin to try to wake him up (something I read about in a reference book I reviewed a couple of years ago called The Deaths of the Popes), I’m comparing and contrasting in the backburner of my mind “I Want You (She’s So Heavy”) with the Dylan song expressing a quite similar desire (“I wasn’t born to lose you!”). In short, I’m shucking off the malaise and the residue of mental meeting mucus and soaking up the sun. Vitamin D molecules are suddenly churning out across my nervous system and neurons are starting to fire on all cylinders.

That’s when “Here Comes the Sun” comes back around for the second time and hits me like Salome doing the dance of the seven veils. The opening line, a lovely, simple melody played on acoustic guitar located down by my left foot (resting beside the clutch pedal). Do do do do. Then a psychedelic synthesizer overlays the guitar, still down there by my left foot. Then the synthesizer slides, wonderfully, from the left to the right, indeed like the sun returning in time-lapse, and opens up a new world of sound over on the right side: cellos, violins, Ringo beating out some snare drum — the acoustic guitar all the while staying put in its own lovely world down by my foot, as it will throughout the song. “Here comes the sun.” Matter of fact, simple, lovely, like someone coming out of the winter blues, tentatively hopeful, observing this thing, wonder reawakening, with the first “do do do do” mumbled out as an expression of the tentativeness, followed by the affirmation: “It’s all right.” Then the voice turns its attention to the thou — you, me, the listener, his close companion — addressing us with an epithet of charming intimacy: “Little darling” — and reviews what we’ve been through: “it’s been a long, cold, lonely winter.” Yeah, it has. And then, again: “Little darling, it feels like years since it’s been here.” Damn straight. But (and now the voice becomes bolder, declaring: “I say, it’s all right.” Do do do do do do do do do do do do do. Sun, sun, sun, here it comes. (Ringo getting going on the drums now, the acoustic guitar still there, reveling in it all, the on-beat, off-beat clapping of hands.) Sun, sun, sun, here it comes.

By now, I’ve hit repeat two or three times, reveling in the world that is opening up to me here and in the actual sun overhead, and on the third or fourth listen I hear a wonderful little slur: “Little darling, it seels” (yes, seels, the voice gets crossed up and blends “seems” with “feels” to come up with “seels”) “… it seels like years since it’s been clear.” I love that. Yeah, that’s a take. Leave it in. I say, it’s all right.

George H. (may he rest in peace) has always been my favorite Beatle, so I was further gladdened when I looked this up on (where else?) Wikipedia and discovered that it’s his song. Not only that, but he wrote it in Eric Clapton’s garden while playing hooky from a record company meeting he found too tedious to attend. Ha!

But back to the song. So simple and yet so profound, musically, lyrically. A basic song, a fundamental song, a song to go back to again and again, a song that speaks to the rythms of nature and human nature but can also tie into more profound truths about the human condition, the suffering of faith, the coming of Christ, the gospel. Yeah. Yeah. Yeah. Yeah. Yeah!

It’s all right.

Korrektiv Driving Tip #43

Don’t try to open a bottle while driving, even if it’s a twist top. Be safe. Pull over to the side of the road, remove the bottle top, and continue on your way.

Who’s Driving This Buggy?

Korrektiv Driving Tip #39

When crossing a one-way street, you should look both ways, especially if you’re drunk, because there may be some idiot going the wrong way.

Note: Despite such driverly scrupulosity, don’t be surprised, however, if a piece of space junk falls out of the sky and crushes your late model Toyota Camry flat and kills you instantly.

This is a demo store for testing purposes — no orders shall be fulfilled.