The Grand Inquisitor rendered into an Onegin Stanza
Christ came, and seen by all Seville,
distracted good folk from feeding sticks
to a hot fire under an iron grill,
where lay well-done, screaming heretics.
Amidst His miracles passed the Roman
Catholic cardinal, erect gnomon
to His shadow, Grand Inquisitor,
finger pointed at the visitor.
“Is it thou? Be silent! Off to prison!
For fifteen hundred years, we ate bread
blessed by thou. Really now; the dread
spirit of dessert supplies the frisson
de plaisir we require. Enough tricks! We
prefer fire, crackling and whistling. Dixi!”
Some Inspiration for the Author of Raskolnikov
First, this clip from one of Woody Allen’s funnier movies:
Then, this poem by Vladimir Nabokov:
On Translating Eugene Onegin
1
What is translation? On a platter
A poet’s pale and glaring head,
A parrot’s screech, a monkey’s chatter,
And profanation of the dead.
The parasites you were so hard on
Are pardoned if I have your pardon,
O, Pushkin, for my stratagem:
I traveled down your secret stem,
And reached the root, and fed upon it;
Then, in a language newly learned,
I grew another stalk and turned
Your stanza patterned on a sonnet,
Into my honest roadside prose–
All thorn, but cousin to your rose.
2
Reflected words can only shiver
Like elongated lights that twist
In the black mirror of a river
Between the city and the mist.
Elusive Pushkin! Persevering,
I still pick up Tatiana’s earring,
Still travel with your sullen rake.
I find another man’s mistake,
I analyze alliterations
That grace your feasts and haunt the great
Fourth stanza of your Canto Eight.
This is my task–a poet’s patience
And scholastic passion blent:
Dove-droppings on your monument.
Søren Says
We see less often a sincere wish to learn from life but, correspondingly more often, people’s desire and inclination and mutual encouragement to be deceived by it. Unabashed, people seem to lack any Socratic fear of being deceived. For the voice of God is always a whisper, and in the shape of a thousand-tongued rumour the demand of the age is not an almighty command that creates great men, but a stirring in the refuse that creates muddled minds; an abracadabra, as with all bringing forth, that brings forth its like. Even less do people seem, Socratically, to fear more than all else being deceived by themselves, and least of all do they realize that if of all the deceived the self-deceived are the most pitiful, then the most pitiful among these in turn are those who, in contrast to the piously deceived, deceive themselves presumptuously. A Literary Review, p 8
Søren Says
“There is one way in which man could never in all eternity come to be like God: in forgiving sins.” (Sickness Unto Death 122)
The Scrapbook
As I walked into the Dog House the first person I saw was Dean, directly facing me from the other side of the nearest table. There were two others with him, both seated by the windows, and Dean pushed the fourth chair out with his foot as a way of inviting me to sit down. I did. I was actually looking for my brother Jimmy, and though I knew there wasn’t much chance of learning anything from Dean and Co. I didn’t have a whole lot else to go on at the time.
“This is David,” said Dean, introducing us, “and his brother Kiernan.”
“Hmm.” I answered. “That’s funny; I’m looking for Jimmy.”
“Jimmy’s his brother,” said Dean to his buddies. “Haven’t seen him,” he said to me.
“No?” I said. Like maybe I couldn’t decide whether I believed him.
“Didn’t even know he was out. He’s out?”
“Yeah,” I said, “couple of weeks now.”
David and Kiernan nodded along. They didn’t seem to like the page we were on. Didn’t look like they wanted to skip ahead, either.
“Well, he always turns up,” said Dean. Nice and genial sounding.
A waitress turned up at my side, asking me what I wanted. I didn’t like the look of the remains in front of the other three at the table. Watery traces of eggs still on the plates, dingy looking forks with the tines all bent out of shape, and partial pieces of what looked like burnt bacon. Cloudy glasses filled with tepid looking water. The whole place smelled like old food. Greasy.
“Coffee and toast,” I said. “Dry.” If I wanted more grease, I figured I could just wave it back and forth in the air a few times.
“That all you want?” asked the waitress, tapping her pad with the eraser end of the pencil.
“Yeah, that’s it.”
She wrote it down on the ticket, nodding, and then left without saying anything else.
“He ain’t a big eater,” said Dean to his friends, “or maybe he doesn’t like the looks of the food.”
“It’s good food,” said Kiernan. “I eat here all the time.”
“He usually likes things a little more upscale,” said Dean, laughing as he nodded towards me.
“Not like Jimmy.”
I didn’t like that, but let it pass. I wanted to hear what else he might have to say. The waitress brought me a cup and then poured the coffee at the table.
Dean and I talked for a little while; or rather I sat there and listened to Dean. I thought he might know something; he usually did. He’s also a big talker. Usually it wasn’t much worth listening too, or it was more than I wanted to hear, but he was good at keeping himself informed and right then it was information I wanted. So he talked, going on and on about how bad business was lately, about which I only wondered how he could spend so much time sitting on his ass in a grubby diner crammed in between a warehouse and an old taxidermy shop. I didn’t say anything about that, of course; I was hoping he’d get back around to Jimmy.
The waitress brought my toast, soggy with butter. I shoved it off to my left.
When Dean saw how bored I was getting, all of a sudden it was ‘Jimmy this’ and ‘Jimmy that’, but it was all old news, stuff that happened twenty years ago and was of absolutely no use to anybody now. David and Kiernan listened, but then they looked like they were used to listening. Dean was about to start in on another story about school when a gal from a nearby booth walked up and stood next to our table.
“You’re talking about Jimmy?” she asked.
“Yeah, that’s right,” said Dean. “His brother,” he added, nodding at me.
“This is Meghan,” he said to me.
“I worked with Jimmy,” she said, naming a place over on Fourth Avenue South. “He didn’t show up last week. Didn’t call, neither. Nobody knows.”
“Isn’t that—” started David, but Dean came in a little louder.
“You’re Jimmy’s type, aren’t you?” he croaked, looking her up and down. I looked at her looking back at him: long, dark hair. Big chest. A little on the short side, just like Jimmy. Thing of it is, Jimmy liked his girls tall, not quite so well stacked. Dean was trying to plant something, alright, and I could see David knew it.
“Yeah, well, he liked me. We saw each other a bit. He’d already had some trouble with a girl named Val, who also thought she was his type. But she wasn’t. Val didn’t like finding that out.” Meghan sounded like she was trying to put the mark on this woman Val, but it was she herself who sounded bitter.
“What else you got?” asked Dean, beating me to it. Though when it came right down to it, I still thought Dean knew something himself. From what he wasn’t saying. I looked at David, who staring a hole right through his plate.
“I’m working on a graphic novel about us,” she said.
“A what?” asked Kiernan.
“It’s like a comic book,” I said. “For grown-ups.”
“What do mean by ‘us’?” I asked her. “You and Jimmy?”
“More than a comic book,” said Meghan, and reached over to her booth and grabbed a thick pile of construction paper. It was all held together in one of those binders we used to use for school reports. She pulled over a chair from another table and sat down next to me at the end of ours.
“You gonna eat that toast?” asked Kiernan.
“Nope.” I answered. “Have at it.” He reached for the jelly.
Opening up her book, I could see that she’d put quite a bit of work into it. Not that it looked all that great. It was more like a scrapbook than anything else. There were polaroids and pencil sketches on thin tracing paper falling out all over the place, and when she opened it up she needed to put her hand over the entire page to keep it all in place. Some of the drawings were in color, some were in black and white. Maybe half of each page was pictures, the other half was dialogue, usually in a seven or eight word column at the bottom center of the page. From the page we spent most of our time with, I couldn’t tell whether the pictures were meant to illustrate the text, or whether the text was meant to describe the pictures, or really even what was supposed to go with what.
I’d lost track of time, so I looked at the clock on the wall above our table. The hour and minute hands were attached to the nose of a cartoon lion, like they were whiskers. Seemed to me that a few hours earlier they would have been in the right place. Time is a sleeping tiger, and every clock is a mask.
The scrapbook wasn’t all about Jimmy, or even her and Jimmy. In fact, I don’t remember any pictures of him at all. Maybe he was in some of the dialogue, but I hadn’t taken the time to read that. The whole book seemed dedicated to her own various obsessions, which meant mostly herself. There was one big picture of her that stood out, really dark, so that it was hard to tell where her own black hair ended and the darkness of the surrounding background began. Her face was a little out of focus, but that looked like it was intended. You could tell she was looking down, as if she were sad. Featured so prominently, it seemed to me the image she liked best. Below it were lines of a poem. But there were other pictures on other pages, some of them in color and a whole lot brighter. There was one, a tall, thin rectangular crop that had her standing in a doorway. Then I realized she was actually lying on her back. She was covered in seashells and flower petals, artfully arranged. Looking at one stretch of skin below that chest I had to guess she was naked underneath. Shells covered her breasts, but there was what looked to be a rose bud as well—fronting for a nipple, obviously. Or was it the real edge of her left areola? Maybe even the nipple itself, I really couldn’t tell. Was she trying to reveal something, or was she hiding? And there was so much stuff here; it was enough to drive anyone crazy. No wonder Jimmy left.
I pushed the book back towards her. Not that there was much room left at the table. David was still stuck on his empty plate, like he couldn’t believe it was still there. Kiernan kept glancing over at Dean, like he needed help with his math homework or something.
“Sorry I don’t have time for the words. Nice pictures.”
“Thanks.”
“But you haven’t seen him?”
“No, I haven’t.”
“And you don’t have any real reason to lie to me now, do you?”
“No, I guess I don’t.”
David reached down to tie his shoe or something.
“You think he might be with this other gal? Val?”
I was looking at Dean, looking out the window.
“Yeah, maybe.”
Felix Culpa
The latest Kierkegaard Newsletter is out, and includes some timely meditations for Lent. Here is the opening paragraph from a review of a new book by Jason Mahn.
“O happy fault, which merited such and so great a Redeemer!” is the joyous fifth-century Easter-Eve exclamation which resounds throughout Jason Mahn’s perceptive and theologically sensitive exploration of the felix culpa in the writings of Søren Kierkegaard. There are, as Mahn astutely elucidates in this admirable work (and as I also emphatically concur), few thinkers who possess Kierkegaard’s talent for transmuting the darkest night which is ostensibly furthest from redemption into an occasion for the dawning of faith. Kierkegaard’s works, as Mahn perceptively reads them, provide us with ‘an existential via negativa through which he labors to revive the possibility of faith.’ However, this ‘existential’ dimension does not, Mahn argues, lead so much to the Angst of modern existentialism as it does to the sacred praise of early Christianity. In this I am again in sympathy with the theological anthropology Mahn proposes: while Kierkegaard is clearly a progenitor of existentialist philosophy, his own source of ‘existential’ pathos can be discovered within the archives of devotional Christianity.
Read the whole thing here.
How I Broke My Arm
When the landlord of the building gave me the basement apartment, he said, “Be sure to check out the bar right above you—my brother-in-law is the owner and they serve a great steak. Tell him I sent you. And you should visit the barbershop on the other side of the building; my nephew owns it, and I’ll tell him you’ll be stopping by. But you don’t need to go up to any of the floors above, and in fact it’d be great if you would just stay out of the lobby altogether—it’s really for the people in the building.”
So I got the haircut, and it wasn’t bad, and I had the steak, which was pretty good, which in fact you might even say had me—coming back for more, that is. It was the during the third or fourth charbroiled that I met the fourth member of the family reigning at 111 Furth. Now, when it comes to socializing, let me say that I’m all for it. I no longer wish to leave early, slamming the door behind me as I go, and in fact I plan to stay here drinking until they turn off the lights. Getting back to the event under consideration here, I saw no reason to get a nice girl mixed up in the whole lousy business. But she, all curls, pearls and swirls, simply would not let up. Well, she didn’t much like the basement, what with all the oil and the machine parts lying around, on account of it was my job to fix ‘em. And she lived in the building, too—had somehow talked the old man into giving her one of the studios with a view of Elliot Bay. So you can see the problem in all this, I’m sure.
Hell, I’m going to stop right there; the story tells itself, really. That’s how I broke my arm.
Second Coming Alert
Readers of Percy’s The Moviegoer probably remember the following passage:
An odd thing. Ever since Wednesday, I have become acutely aware of the Jews. There is a clue here, but of what I cannot say. How do I know? Because whenever I approach a Jew, the Geiger counter in my head starts rattling away like a machine gun; and as I go past with the utmost circumspection and with every sense alert—the Geiger counter subsides. (The Moviegoer)
I’ve always thought that machine gun was a poorly chosen metaphor, especially for the way it’s mixed with the much better metaphor of the Geiger counter. But he continues, making it clear that this is not (as a woman I once spoke with thought) some weird species of anti-semitism. Quite the opposite, I think:
Jews are my first real clue.When a man is in despair and does not allow in his heart of hearts that a search is possible and when such a man passes a Jew in the street, he notices nothing.
When a man becomes a scientist or an artist, he is open to a different kind of despair. When such a man passes a Jew in the street, he may notice something, but it is not a remarkable encounter. To him the Jew can only appear as a scientist or artist like himself, or a specimen to be studied.
But when a man awakes to the possibility of a search and when such a man passes a Jew in the street for the first time, he is like Robinson Crusoe seeing the footprint on the beach.(The Moviegoer)
Fast forward twenty years, when one of the more memorable passages from the Percy’s fifth novel, The Second Coming, has protagonist Will Barrett speculating on relations between the local Jewish population and the majority population around them.
Did the growing madness have something to do with the Jews pulling out? Who said we could get along without the Jews? Watch the Jews, their mysterious comings and goings and stayings! The Jews are a sign! When the Jews pull out, the Gentiles begin to act like the crazy Jutes and Celts and Angles and redneck Saxons they are! (The Second Coming)
I was reminded of all this when I read the following headline at the Der Spiegel site online: “More and More French Jews Emigrating to Israel”.
As noted in the first paragraphs of the article, this is so the rise in violence against Jews in France, and Europe more generally:
More and more French Jews are buying homes in Israel amid fears of rising anti-Semitism in France. Many complain of being harassed in public and feel the country is no longer a safe place to raise their children. In the wake of the Toulouse attacks, the wave of emigration is only likely to increase. (Spiegel Online)
“What’s the big deal?” says a hypothetical America Firster (Or EuroFirster, as the case may be). “They need to make up their mind about what country they want to belong to anyway. They have their own country, let them run it. They’ve been running ours for too long now.”
Well, the big deal should be obvious, I think. But in case it isn’t, here is the next paragraph:
Many must have been reminded of the treatment of Jews under the Third Reich. Shortly after the attack on a Jewish school in the southern French city of Toulouse on Monday, school principals in the city walked into classrooms and asked the Jewish pupils to come forward. “We ask you to leave the class and join the other Jewish children, who are in a locked and safe location.” (Spiegel Online)
I felt a distinct chill as I read this. Not because of yet another reference to the Third Reich, allusions to which are now de rigueur for just about any political argument, on either or any side. It was the segregating of the other Jewish children in a locked and safe location. What exactly constitutes “safe location” these days? Well, read on:
It was intended as a precaution in response to a request from the Jewish community. But it also highlights the degree to which many Jews in France feel that they are a threatened and increasingly excluded minority. Every year, these feelings prompt thousands to take a dramatic decision, namely, to pack their belongings and move to a crisis zone: Israel. They feel safer there.(Spiegel Online)
So: an increasing number of Jews feel safer in the Middle East than they do in Europe. In Israel, where just a few years ago there seemed to be a suicide bombing every couple of days, and even now appears to be on the brink of war with Iran. Of course, Mohamed Merah shooting up a Jewish school in Toulouse isn’t exactly a suicide bomber, but I don’t know how much comfort we should take in the fact that it was the French police who took him out. Some, I suppose. More notable, pace Will Barrett, is that more and more Jews are choosing to take up residence in a different polity altogether.
There are levels of craziness, after all, and it isn’t just Celts and Saxons, or in this case but not really, Gauls. And craziness requires some kind of general agreement about what constitutes sanity. There seems to be less and less of just this sort of agreement these days, and, more important in the long term, what manner of culture supports it.
There are strange and difficult times ahead.



From Love in the Ruins
Angelico’s recollection of Rosebud’s convoluted anus in the combox for JOB’s convoluted post below brought to mind other great ani loci in Percy’s oeuvre, including this passage from Love in the Ruins:
And of course, having first read Love in the Ruins in the 80s, I couldn’t read this without conjuring up this guy … for all I know, his son:
“It’s gone be shameful!”