As a child Lockwood was intensely pious. “Catholicism is very beautiful,” she told me. “When your father is a priest, it’s invested with extra authority, and your father is invested with extra authority.” As a teenager, she had a strict dress code and a very limited range of after-school activities, which included a youth group called God’s Gang. “There was a lot of talk about gangs at the time,” she recalled, “and the idea was, what if there was a gang but it was a cool gang — for the Lord?” In God’s Gang they spoke in tongues, and the leaders would outline “all the sex you can’t do.”
You are here: Home / Academentia / A profile on the face of quirkily hyper-sexualized, unconnectedly earlobed (and, of course, Catholicish) American poetry, or How I learned to stop projecting and love Sharon Olds
A profile on the face of quirkily hyper-sexualized, unconnectedly earlobed (and, of course, Catholicish) American poetry, or How I learned to stop projecting and love Sharon Olds
8 Comments Filed Under: Academentia, bookish, breaking into song, Catholicish writers, JOB, Non-dead poets, quite possibly funny, reportage and/or commentary, writing Tagged With: Even her name is weirdly suggestive...., I could tell you stories to curl your hair but it looks like you've already heard 'em.
Oh my goodness. Thank you.
“I could tell you some stories -”
“Sure you could and yet many writers do everything in their power to insulate themselves from the common man, from where they live, from where they trade, from where they fight and love and converse and…”
JOB
The outline of all the sex you can’t do
Outlines a shape
That is exactly the shape
In negative space
Of all the sex you can do
And that sternocleidomastoid she’s sporting is itself a poem – a long, easy-running, perfectly wrought, internally rhyming, eternally meaning poem….
JOB
God’s Gang ain’t got nothin’ on the Heartland Youth for Decency.
I’ve had a change…of heart.
JOB