Over at Labora Editions:
I have loved books all my life. I take a romantic view of them, as one inevitably does with the things one loves, and my approach to publishing is colored by that view. Tuscany’s Peter Mongeau comes from a business background and rightly talks about the publishing market and “barriers to entry” and “distribution channels.” My background is in studio art, (ceramics, specifically) and I bring my ideas of form, function, the mark of the hand, and the importance of craft to my process of making books.
The other publishers featured in this post are, so far as I can tell, producing books according to the current standard practices of book manufacture, and that is perfectly fine. I was happy to pay for all of the aforementioned purchases; I can’t wait to get my hands on them, to have a chance to sit still and read. But the standard practice is not what appeals to me as a craftsman. The book is a kind of vessel, and I am as interested in the thing itself as in what goes between the covers. The content, of course, must “dazzle gradually,” so to speak, but my parallel aspiration is to create an attractive, durable vessel.
I think of it as craft publishing. Recently, in an email to Matthew Lickona I described the idea thus: “Like a microbrewery, except with books.”