New Bob
August 31, 2012 by at 1:17 am

A nod to Kierkegaard and Walker Percy: existentialist tomfoolery, political satire, literary homage, word mongering, a year-round summer reading club, Dylanesque music bits, apocalyptic marianism, poetry, fiction, meta-porn, a prisoner work-release program.
Søren Kierkegaard
Walker Percy
Bob Dylan
Good Country People
Labora / Editions
Sutter's Casebook
Betty Duffy
Bitkin
By Way of Beauty
Charlotte was Both
I Have to Sit Down
The Onion
From Empty Hands
The Fine Delight
First Things
Dappled Things
All Manner of Thing
Gerasene Writers Conference
Scrutinies
Transcendental Musings
The Ironic Catholic
DarwinCatholic
Inside Catholic
Catholic and Enjoying It
Catholic Radio International
Bad Catholic
Universalis
Is My Phylactery Showing?
Quotidian Quintilian
The Lion & The Cardinal (Daniel Mitsui)
Babes in Babylon
Fort o' Tude
Ellen Finnigan
En pocas palabras
William Wilson, Guitarist Extraordinaire
Signposts in a Strange Land
Godspy
Godsbody
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He has the voice of an angel!
I agree!
Absolutely the best video ever. I laughed out loud. Many thanks.
So, he’s basically a stalker and a thief and an assailant who gets what he deserves. Bob just walks around him. Bob knows.
He’s also a litter bug, did you see what he did with the cards?
Reminded me of a Webb fable.
I agree!
More here: http://www.npr.org/blogs/allsongs/2012/08/27/160015988/song-premiere-bob-dylan-duquesne-whistle
This seems to capture some of that vintage “fuck-with-you” Dylan:
The title track is a nearly 14-minute depiction of the Titanic disaster. Numerous folk and gospel songs gave accounts of the event, including the Carter Family’s “The Titanic,” which Dylan drew from. “I was just fooling with that one night,” he says. “I liked that melody – I liked it a lot. ‘Maybe I’m gonna appropriate this melody.’ But where would I go with it?” Elements of Dylan’s vision of the Titanic are familiar – historical figures, the inescapable finality. But it’s not all grounded in fact: The ship’s decks are places of madness (“Brother rose up against brother. They fought and slaughtered each other”), and even Leonardo DiCaprio appears. (“Yeah, Leo,” says Dylan. “I don’t think the song would be the same without him. Or the movie.”) “People are going to say, ‘Well, it’s not very truthful,’ ” says Dylan. “But a songwriter doesn’t care about what’s truthful. What he cares about is what should’ve happened, what could’ve happened. That’s its own kind of truth. It’s like people who read Shakespeare plays, but they never see a Shakespeare play. I think they just use his name.”
Dylan’s mention of Shakespeare raises a question. The playwright’s final work was called The Tempest, and some have already asked: Is Dylan’s Tempest intended as a last work by the now 71-year-old artist? Dylan is dismissive of the suggestion. “Shakespeare’s last play was called The Tempest. It wasn’t called just plain Tempest. The name of my record is just plain Tempest. It’s two different titles.”
[So take that, those of you who think the definite article has an indefinite value...]
Read more: http://www.rollingstone.com/music/news/bob-dylan-on-his-dark-new-album-tempest-20120801#ixzz25cC1Sgrv